<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7168252519541643348</id><updated>2012-01-24T17:58:12.277-08:00</updated><title type='text'>OTH Online</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>25</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-6445982479653479660</id><published>2008-11-18T18:15:00.000-08:00</published><updated>2008-11-18T18:16:54.645-08:00</updated><title type='text'>This is just a test</title><content type='html'>I am just testing the resuscitation of my old website's content.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-6445982479653479660?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/6445982479653479660/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=6445982479653479660' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/6445982479653479660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/6445982479653479660'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/this-is-just-test.html' title='This is just a test'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8823953563456470702</id><published>2008-11-18T18:10:00.002-08:00</published><updated>2008-11-18T18:11:39.836-08:00</updated><title type='text'>Visitor Q (2001)</title><content type='html'>&lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td colspan="4" align="center" valign="middle" height="123"&gt;&lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Visitor                      Q&lt;/b&gt;&lt;br /&gt;                    Reviewed from Rapid Eye Movies DVD&lt;br /&gt;                    Region 2 PAL&lt;br /&gt;                    2001&lt;br /&gt;                    84 min.&lt;br /&gt;                    Rating 18+&lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle" height="114"&gt;&lt;img src="http://web.archive.org/web/20021211160357/http://www.ohthehorror.com/images/Visitorq.jpg" width="99" height="140" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle" height="808"&gt;                    &lt;div align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;All                      right kiddies, you got your stuff? All packed and ready to                      go? Good. Because this week, your good buddy Hackzilla is                      taking you on a trip to the Far East. All the way to the wonderful                      country of Japan. If you haven't seen a Japanese genre film                      yet, then I suggest you start. And what better place than                      right here with your old friend Hackzilla? The movie is &lt;b&gt;Visitor                      Q&lt;/b&gt;, and I guarantee you've never seen anything like it.                      &lt;/span&gt;                      &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;"Have                        you ever done it with your dad?" Uh.... yeah.... uh,                        well you see, those are the first words that pop up on your                        screen in English. We then proceed to see a sex scene between                        a prostitute and her client, the whole time the guy keeps                        saying it isn't right, as if he's wrestling with some moral                        dilemma here. Well, he should be, as we later find out the                        prostitute in question is really his daughter. Still with                        me? Good. That's only the tip of the proverbial iceberg                        in this wonderfully sick film. As the movie continues, we                        are introduced to the rest of this lovely family. There's                        the son who beats his mom after she forgets to take the                        commercials out of a video she recorded for him, along with                        the school kids who shoot fireworks into his house to torment                        him. Then there's the mom who, after getting beaten by her                        son shoots up heroin, and well, I don't wanna give it all                        away, but you get the idea. And you've already met the father                        and daughter. Well, on dad's way home, a mysterious man                        at the bus station hits him over the head with a rock. After                        he comes to, he's hit over the head AGAIN and well, then                        the two are seen eating dinner in the father's home. Let                        the party begin! From there, the movie just goes into a                        downward spiral of perversion and depravity is we watch                        this family proceed to give new meaning to the word "dysfunctional."                        There's more heroin, more prostitution, rape, necrophilia....                        oh, did I mention the lactating breasts? I didn't huh? Well,                        there's those too. All the while, the mysterious visitor                        is in tow, and seems to be setting the family free in some                        ways, or maybe he's just screwing them up even more. &lt;/span&gt;&lt;/p&gt;                     &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;This                        was my second venture into the films of Japanese director                        Takashi Miike. My first was &lt;b&gt;Audition&lt;/b&gt; which I also                        highly recommend (and you should pick it up from &lt;b&gt;Oh,                        the Horror!&lt;/b&gt; You cheap bastards!!). Anyways, so far,                        I'm likin' what I'm seeing from Miike, and look forward                        to his future projects. So once again you ask,"Hackzilla,                        is the movie any good?" You bet your ass it is. See,                        the movie is sick, but all the while, you know it's not                        just sick to be sick. There's a point to all this. We're                        never told exactly what it is, but we're free to come to                        our own conclusions about it.&lt;/span&gt;&lt;/p&gt;                     &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The                        DVD is an import, and for those of you out there who haven't                        experienced the joys of having a multi-region player, you're                        out of luck. The disc looks good though with a 2-channel                        Dolby Digital audio track. Subtitles are good and easy to                        read. The extras are a written interview with Miike that                        is entirely in Dutch (I think), so it may as well not be                        there. Then there are the trailers for &lt;b&gt;Visitor Q&lt;/b&gt;,                        &lt;b&gt;Audition&lt;/b&gt;, and &lt;b&gt;Wild Zero&lt;/b&gt;, a filmography and                        biography. &lt;/span&gt;&lt;/p&gt;                     &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So in                        conclusion, it's not really a horror film, but it's not                        You've got Mail either. There're no zombies or gut munching,                        but there's plenty of depravity here to make even the most                        hardened filmgoer blush. See this somehow&lt;span style="font-weight: bold;"&gt;.&lt;/span&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8823953563456470702?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8823953563456470702/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8823953563456470702' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8823953563456470702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8823953563456470702'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/visitor-q-2001.html' title='Visitor Q (2001)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-2904058611501689356</id><published>2008-11-18T18:10:00.001-08:00</published><updated>2008-11-18T18:10:39.655-08:00</updated><title type='text'>Frailty (2002)</title><content type='html'>&lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td colspan="4" align="center" valign="middle" height="53"&gt;&lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Frailty&lt;/b&gt;&lt;br /&gt;                    Reviewed at some Hack theater&lt;br /&gt;                    2002&lt;br /&gt;                    99 min.&lt;br /&gt;                    Rating R&lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle" height="56"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle" height="555"&gt;                    &lt;div align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;OK                      boys and ghouls, welcome to the first of (hopefully) many                      reviews of your favorite, or not so favorite flicks by me...&lt;a href="mailto:hackzilla@ohthehorror.com"&gt;Hackzilla&lt;/a&gt;.                      "So Hackzilla," you say. "What fine piece of                      cinema have you viddied this week?" Actor Bill Paxton                      makes his directorial debut with a little southern-fried piece                      of celluloid called Frailty. &lt;/span&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Frailty&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;                      is the story of two young boys and their father (played by                      &lt;b&gt;Paxton&lt;/b&gt;) living out in the countryside. Paxton is visited                      by an angel one night who tells him that the end of the world                      is near and that God wants him to help in the final battle                      between good and evil. How, you ask? By slaying demons of                      course; demons who look just like humans. Now I know what                      you're thinking: "he must be nuts Hackzilla." Well,                      our storyteller is right there with us. See, the whole thing                      is being told as a flashback by Matthew Mcconawhatever whom                      you'll remember from that fine piece of entertainment that                      is Texas Chainsaw Massacre: The Next Generation. Anywho, he's                      playing a grown up Fenton who was the older of the two young                      boys in our story. When Paxton relays this tripe to his two                      kids, Fenton thinks he's nuts, but his brother is convinced                      that his dad is one of God's&lt;br /&gt;                    soldiers. Time goes by, nothing happens, and Fenton writes                      it off as just a spell his dad must've had over a little too                      much Schlitz or something. Until one day when dad comes home                      with an axe, a lead pipe, and a pair of gloves. He says these                      are his demon slaying weapons given to him by God. Well Fenton                      is nervous, and he gets even more nervous when his pappy brings                      home a list of names saying they were given to him by the                      angel. Now we're talking murder here folks. Mayhem ensues,                      and the killer becomes known as the "God's Hand killer."                      The whole time, we're with Fenton in the police station as                      he's telling the story of who the killer is to an FBI agent.Now                      I know what you wanna hear...is it any good?&lt;br /&gt;                    Well, I'd give it a good, healthy...meh. Not bad, but not                      all that great either. It's nothing in particular, just one                      of those flicks that's OK. As I said before, this is Paxton's                      directorial debut, and it's pretty impressive. He serves up                      a healthy dose of creepy atmosphere, not relying on too many                      "fun house" style shocks. Gorehounds will be disappointed                      though as most of the violence takes place offscreen. The                      story is pretty original, and the acting is damn good too.                      It's good to see a modern day horror flick taking itself seriously.                      But as Flavor Flav said: don't believe the hype. Little quotes                      by Sam Raimi, and James Cameron stating this is the best horror                      flick since The Shining are founded in friendship. If you'll                      remember, Raimi worked with Paxton on A Simple Plan and Cameron                      worked with him on Aliens. So it seems that this is just them                      using their big names to get people to go see their buddy's                      movie. But like I said before, it ain't bad. &lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-2904058611501689356?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/2904058611501689356/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=2904058611501689356' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/2904058611501689356'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/2904058611501689356'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/frailty-2002.html' title='Frailty (2002)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-1788447909527590515</id><published>2008-11-18T18:03:00.001-08:00</published><updated>2008-11-18T18:04:09.998-08:00</updated><title type='text'>The Flesh Trilogy (1967)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="134"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" valign="middle" width="88"&gt;&lt;div align="center"&gt;                      &lt;p&gt;&lt;a href="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/dvd/touch.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/dvd/touch_small.jpg" border="0" width="75" height="106" /&gt;&lt;/a&gt;&lt;/p&gt;                   &lt;/div&gt;&lt;/td&gt;                 &lt;td bg="" style="color: rgb(51, 51, 51);" height="46"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Title:&lt;strong&gt;                    Touch of Her Flesh/Curse of Her Flesh/Kiss of Her Flesh&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Format:                    &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                 &lt;td bg="" style="color: rgb(51, 51, 51);" width="183" height="42"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Region:                    &lt;strong&gt;1/NTSC&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td bg="" style="color: rgb(51, 51, 51);" width="232"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Studio:                    &lt;strong&gt;Something Weird&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                 &lt;td bg="" style="color: rgb(51, 51, 51);" height="34"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Length:                    &lt;strong&gt;75 min/78 min/69 min&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td border="" bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Year:                    &lt;strong&gt;1967/1968/1968 / DVD 2003&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;           &lt;br /&gt;                           &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%" height="2058"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                  &lt;td&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The                    movie: (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td height="445"&gt; &lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;“This                      little pussy is really a primordial carnivorous beast!”                      This is only one of many oh-so-quotable lines spoken by Richard                      Jennings (no, not that news anchor) in Michael Findlay’s                      &lt;em&gt;The Curse of her Flesh&lt;/em&gt;. But I’m getting ahead                      of myself, for &lt;em&gt;Curse&lt;/em&gt; is the second in a series of                      Findlay films lovingly referred to as “The Flesh Trilogy.”                      And lucky you, Something Weird Video have put them all on                      one DVD. Now you too can relive sleaze-era New York over and                      over again right in your own living room.&lt;/span&gt;&lt;/p&gt;                   &lt;table align="center" border="0" cellspacing="0" width="443" height="189"&gt;                     &lt;tbody&gt;&lt;tr&gt;                        &lt;td width="363"&gt;&lt;div align="right"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;&lt;a href="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/touch_screen_big_1.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/touch_screen_small_1.jpg" border="1" width="197" height="150" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;                       &lt;td width="363"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="37" height="24" /&gt;&lt;/td&gt;                       &lt;td width="363"&gt;&lt;a href="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/touch_screen_big_2.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/touch_screen_small_2.jpg" border="1" width="198" height="150" /&gt;&lt;/a&gt;&lt;/td&gt;                     &lt;/tr&gt;                   &lt;/tbody&gt;&lt;/table&gt;                   &lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;&lt;br /&gt;                 &lt;br /&gt;                   But let’s begin at the beginning. &lt;em&gt;The Touch of Her                      Flesh&lt;/em&gt; is the first of the three. We are introduced to                      Richard Jennings (Findlay) and his wife Claudia (or the way                      he says it “Clawwwdia”). As Richard is just out                      the door to go on a business trip, Claudia brings over a man,                      and things start to heat up in the bedroom. Too bad for Claudia,                      Richard forgot some papers, and goes back home only to catch                      his lovely wife in the arms of another man. This makes Richard                      snap, and next thing you know, he’s got an eye patch,                      a wheelchair, and a helluva lot of misogyny. Now he’s                      made it his life’s goal to dispatch women; particularly,                      women of a more “sexual” nature. We’re talking                      go-go girls, strippers, hookers…the usual. And there                      are plenty of creative ways that Jennings goes about this                      from using a blow dart, to a buzz saw. Jennings doesn’t                      rest until his vengeance is satisfied. Hell, even a harpoon                      doesn’t stop the man. His story continues…&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;                     IN…&lt;em&gt; The Curse of Her Flesh&lt;/em&gt;. This is the second                      entry in Findlay’s trilogy of trash. Jennings is back                      (sans wheelchair), and this time, he’s after Steve…that’s                      the guy that he caught with Claudia back in &lt;em&gt;Touch&lt;/em&gt;.                      Before he kills Steve though, he just wants to fuck up everything                      in his life. In a particularly weird sequence, we see a girl                      masturbating with a squash in a film within the film called                      &lt;em&gt;Squash Crazy&lt;/em&gt;. See, that’s how awesome this                      movie is. Of course there are killings which I’ve skipped                      over…There’s murder by poisonous cat’s claw,                      machete, and poisonous g-string to boot. All of this is inter-cut                      with go-go dancers and strippers doing their thing. There’s                      even a scene of a girl getting whipped on stage. But in the                      end Jennings catches up with Steve and a seat gripping fight                      on the back of a truck ensues. Is this the end of Jennings?                      Not according to the title card that tells us that Kiss of                      Her Flesh will be coming soon to this theater.&lt;/span&gt;&lt;/p&gt;                   &lt;table align="center" border="0" cellspacing="0" width="444" height="189"&gt;                     &lt;tbody&gt;&lt;tr&gt;                        &lt;td width="363"&gt;&lt;div align="right"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;&lt;a href="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/kiss_screen_big_1.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/kiss_screen_small_1.jpg" border="1" width="198" height="150" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;                       &lt;td width="363"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="37" height="24" /&gt;&lt;/td&gt;                       &lt;td width="363"&gt;&lt;a href="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/kiss_screen_big_2.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/screenshots/kiss_screen_small_2.jpg" border="1" width="198" height="150" /&gt;&lt;/a&gt;&lt;/td&gt;                     &lt;/tr&gt;                   &lt;/tbody&gt;&lt;/table&gt;                   &lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;&lt;br /&gt;                   &lt;em&gt;Curse&lt;/em&gt; upped the weirdness ante a notch from &lt;em&gt;Touch&lt;/em&gt;,                      but it’s &lt;em&gt;Kiss of Her Flesh&lt;/em&gt; that really ramps                      it up. In the first scene Jennings is back and he kidnaps                      a girl off of a wintry beach by knocking her out with a tire                      iron. Once back at his place, he tortures her with a lobster                      claw before finally electrocuting her to death by hooking                      up a battery to her earrings. No, really. There’s more                      mayhem as Jennings goes after women using various items including                      a blowtorch. And as usual, there’s plenty of nubile                      flesh on display. Is this the last we’ll see of Jennings?                      Well, probably because it’s the end of the series.&lt;br /&gt;                 &lt;br /&gt;                   Let me just say right off the bat, these are not “good”                      movies. They are poorly acted and they drag quite a bit despite                      their short running times. But for a lot of us, that’s                      the appeal of them. Even more so than that, what makes me                      love these films so much is how they’re like a time                      capsule of an era gone by. This is a pure “roughie”                      from the “grindhouse” era, and I love that. This                      is what used to push the envelope people. And even in addition                      to that, I think these films (especially &lt;em&gt;Curse&lt;/em&gt;) are                      actually shot pretty well. Findlay isn’t a master, but                      there are some great shots during the bar scene in &lt;em&gt;Curse&lt;/em&gt;.                      And last but not least, the movies are just really…well…something                      weird.&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The                    Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;For movies                    this old, the video looks fantastic. The films are all black                    and white, and they look great. Strong contrasting blacks throughout.                    Bravo Something Weird Video.&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The                    Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Again,                      great for a movie this old. Clear and understandable; no real                      problems.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The                    Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td height="30"&gt; &lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Well…there                      aren’t really any “extras” per se, but there                      are three full length films with great quality on ONE disc                      for a pretty reasonable price. I mean, do you really need                      any more extras?&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The                    Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603122851/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;I                      loved watching these films. They’re not perfect, but                      they’re definitely unique and quirky. Check ‘em                      out if you like the sleaze.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-1788447909527590515?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/1788447909527590515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=1788447909527590515' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1788447909527590515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1788447909527590515'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/flesh-trilogy.html' title='The Flesh Trilogy (1967)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-3865514720043419504</id><published>2008-11-18T18:02:00.001-08:00</published><updated>2008-11-18T18:02:39.138-08:00</updated><title type='text'>The Texas Chainsaw Massacre (2003)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="134"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" valign="middle" width="88"&gt;&lt;div align="center"&gt;                      &lt;p&gt;&lt;a href="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/dvd/chainsaw_remake.jpg"&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/dvd/chainsaw_remake_small.jpg" border="0" width="79" height="106" /&gt;&lt;/a&gt;&lt;/p&gt;                   &lt;/div&gt;&lt;/td&gt;                 &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;                    The Texas Chainsaw Massacre&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:                    &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                 &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:                    &lt;strong&gt;1/NTSC&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:                    &lt;strong&gt;New Line&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                 &lt;td bg height="34" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:                    &lt;strong&gt;98 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;                 &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:                    &lt;strong&gt;2003 / DVD 2003&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;            &lt;br /&gt;                            &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%" height="876"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The                    movie: (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td height="445"&gt;                    &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now                      how does one go about re-making one of the best (if not&lt;em&gt;                      the&lt;/em&gt; best) horror movies of all time? Well, I can’t                      answer that question. Maybe it doesn’t have an answer.                      Maybe it’s not supposed to have an answer. Or maybe                      you should ask the guy who directed the &lt;em&gt;Dawn of the Dead&lt;/em&gt;                      remake. He seemed to be on to something. Anyways, this movie                      has it all wrong right from the beginning.&lt;/span&gt;&lt;/p&gt;                   &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The                      basic story is this: A group of teens circa 1974 are on their                      way to go see Lynyrd Skynyrd in concert (see, they like Skynyrd                      because it’s the 70’s and they’re in Texas,                      get it?). On the way, they pick up a hitchhiker and along                      with that some really, really bad luck. Now minus the Skynyrd,                      this isn’t all that different in its basic premise than                      the original. But you know, maybe that’s the problem.                      When you think of good remakes, you think of Carpenter’s                      &lt;em&gt;The Thing&lt;/em&gt; or Cronenberg’s &lt;em&gt;The Fly&lt;/em&gt;.                      These movies had their roots, but were completely different                      animals (no pun intended) than their earlier counterparts.                      I think when a remake tries to take too many lines, shots                      or scenes from its predecessor, it makes the viewer feel that                      the filmmaker’s think they can do better than the original.                      In this case that’s a HUGE mistake. Does this yahoo                      really think his version of the famous “hammer scene”                      is better than the original? What about the meat hook scene?                      Ugghhh. It just reeks of trying to best the original every                      chance it gets. Every time it tries though, it falls harder                      and harder on its face.&lt;/span&gt;&lt;/p&gt;                   &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Don’t                      even get me started on all the clichés that are rampant                      throughout. This definitely follows every Hollywood standard                      to a T. One thing I can’t stand is when a character                      who’s been traumatized comes into a room or scenario                      and says something like: “They’re gonna get you                      all.” Then character #2 says something like “Who’s                      gonna get us all?” Then character #1 says again “They’re                      gonna get you all.” Now that’s not a direct quote,                      but there’s a similar scene in this (and plenty of other                      horror movies) and it just frosts my ass. Then there are the                      rednecks. Seriously, we all know woods and unfamiliar territory                      are scary, but do you have to line tool sheds with broken                      doll parts to get your point across? We get it. They’re                      scary rednecks. You’re really pushin’ the envelope                      there. See, I missed that in &lt;em&gt;Wrong Turn&lt;/em&gt;, &lt;em&gt;Deliverance&lt;/em&gt;                      and some other movie from 1974 called &lt;em&gt;The Texas Chainsaw                      Massacre&lt;/em&gt;.&lt;br /&gt;                    &lt;/span&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    On a final note, Jessica “7th Heaven” Beale runs                      around with a wet tank top for the last 30 minutes or so.                      One would think that that would give this movie at least some                      appeal. But unfortunately it just comes off as a last grasp                      at putting something in this movie that wouldn’t make                      you want to go back to the box office to demand your money                      back and (producer and uber-hack) Michael Bay’s home                      address. It’s just so obvious it’s annoying. &lt;/span&gt;&lt;/p&gt;                   &lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The                    Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Do you really care? Clean and crisp. How I                    wish the dvd of the original would look.&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The                    Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;No                      seriously, do you care? DTS and all that crap.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The                    Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;An                      interesting documentary about Ed Gein. Other than that it’s                      all self-indulgent crap like 4 (overkill) commentaries and                      production notes.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The                    Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;img src="http://web.archive.org/web/20040603120450/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;This                      is TCM for the WB generation. I think saying it sucked would                      be an understatement.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-3865514720043419504?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/3865514720043419504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=3865514720043419504' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/3865514720043419504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/3865514720043419504'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/texas-chainsaw-massacre-2003.html' title='The Texas Chainsaw Massacre (2003)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-3033417572700424236</id><published>2008-11-18T18:00:00.001-08:00</published><updated>2008-11-18T18:00:26.157-08:00</updated><title type='text'>The Devil's Backbone (2001)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="125"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" width="88"&gt;&lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/dvd/devils_backbone_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/dvd/devils_backbone_cover.jpg" border="0" width="75" height="109" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="43" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              The Devil's Backbone&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:   &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:              &lt;strong&gt;Columbia/Tristar&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;tr&gt;            &lt;td bg height="34" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:              &lt;strong&gt;108 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;2001 / DVD 2002&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:sef@filmjunk.com"&gt;Sef&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Wow,                I clearly remember the day this film was released in theaters. I                made sure to be at the first showing of the day and I was not disappointed.                I really didn't know what to expect, whether it would be a straight                ahead ghost horror story or something with a little more meat on                its bones. The film is set in Spain during a civil war at an                orphanage run by a one-legged headmistress and doctor                sympathetic to left-wing ideals. They take in orphans from                the families of the left-wing Republicans and are able to make a                living through the selling of rum from the well in the basement                in one of the buildings of the orphanage. The main character                of the film, Carlos, has been abandoned by his tutor to the                orphanage. The usual, new kid has to be accepted and dela with bullies                come into play at this point in the story but where it changes is                with his encounter with the ghost of yound boy who is adamant to                tell him something. I don't really want to go too deep and give                away anymore than I already have, but there is some gold involved,                an evil caretaker and an un-exploded bomb that lies in the middle                of the courtyard as well as the ghost's claims that "Many of                you will die."&lt;/span&gt;&lt;/p&gt;             &lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/spacer.gif" width="71" height="23" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="30"&gt; &lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Everything                looks a-ok to me. Let me mention that Guillermo Del Toro's idea                was that the day shots look like a Sergio Leone film and that the                night shots looks like a Mario Bava film. Mission accomplished.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Sounds                great, Looks great. You get the picture, no pun intended.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="30"&gt; &lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Great                making of featurette, but honestly the bees knees here is the commentary                track by Guillermo Del Toro and Guillermo Navarro. It was informative,                funny at times and went into explaining in detail some of the things                that you may have been wondering, like why it was called The Devil's                Backbone.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040415004750/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="25"&gt; &lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Guillermo                Del Toro's best film to date, don't miss out on this one and make                sure you listen to the commentary&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-3033417572700424236?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/3033417572700424236/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=3033417572700424236' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/3033417572700424236'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/3033417572700424236'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/devils-backbone-2001.html' title='The Devil&apos;s Backbone (2001)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-1513292439129738427</id><published>2008-11-18T17:58:00.000-08:00</published><updated>2008-11-18T17:59:10.714-08:00</updated><title type='text'>Torrente (1998)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="125"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" width="88"&gt;&lt;div align="center"&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/dvd/Torrente.jpg" width="78" height="109" /&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              Torrente :&lt;br /&gt;            el brazo tonto de la Ley.&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:   &lt;strong&gt;0/PAL&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:   &lt;strong&gt;Manga&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg height="34" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:   &lt;strong&gt;93 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;1998 / DVD 2001&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:sef@filmjunk.com"&gt;Sef&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td height="268"&gt; &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Wow,                I can not say enough great things about the comic genius of Santiago                Segura(he wrote, directed and starred in this film as well as Day                Of The Beast, Muertos De Risa, &amp;amp; also has a cameo in Blade 2).                This guy just makes me laugh, I don't know what is about him. Well                whatever it is, it made this film #1 in box office take in Spain's                history. This is truely a film classic although I do not think it                is for everyone 's tastes. A few of my friends found this hilarious                while others did not understand what I thought was so funny about                it. Also, I think some of the jokes lose something in the translation                which can hurt those that do not understand Catellano (Spanish)                . The film is about Jose Luis Torrente, a true dirtbag. He is a                former cop who has delusions of grandeur and thinks that solving                a big case will get him back on the police squad but the problem                with him is that he is racist, alcoholic, sexist, lazy, rude, you                name it, that's what he is. The film has an incredible supporting                cast that makes it a stand out in Spanish cinema. By the way, if                you're politically correct, do not watch this film.&lt;/span&gt;&lt;/p&gt;             &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;-----------SPOILERS                AHEAD---------&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p align="justify"&gt; &lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I'm                laughing just thinking about how good this film was. I had heard                things here and there about it but I really couldn't believe what                a dirtbag this character is. When he walks out of that convenience                store after stealing 2 bottles of liquor while a hold-up is going                on and the whole time having you believe that might attempt to stop                it, that's probably my favorite scene. Or when Tony Leblanc as father                has had enough of the guys holding him up in his own house and he                begins to insult them. I love that no one is safe in this film,                and you should too.&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The picture was              dark and grainy, but honestly, I didn't care too much, i was just              happy to finally see it.&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;OK,                audio, nothing spectacular.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Great                disc with 72 minutes of extras Contains the TV Spots &amp;amp; Trialer                for the film plus trailers for a few other Spanish films. A Making                Of, Gallery and plenty of other things to keep you occupied. Pretty                awesome is you ask me.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412021111/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;You                must own this film, a CLASSIC in every sense of the word.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-1513292439129738427?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/1513292439129738427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=1513292439129738427' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1513292439129738427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1513292439129738427'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/torrente-1998.html' title='Torrente (1998)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-1882386256938727534</id><published>2008-11-18T17:57:00.000-08:00</published><updated>2008-11-18T17:58:10.527-08:00</updated><title type='text'>I Stand Alone (1998)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="125"&gt;         &lt;tbody&gt;&lt;tr&gt;            &lt;td rowspan="3" bgcolor="#666666" width="88"&gt; &lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/dvd/istandalone_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/dvd/IStandAlone_cover.jpg" border="0" width="78" height="109" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              I STAND ALONE&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:              &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:              &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:              &lt;strong&gt;Strand Releasing&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td bg height="34" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:              &lt;strong&gt;93 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;1998 / DVD 2001&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;       &lt;/tbody&gt;&lt;/table&gt;      &lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td height="768"&gt;              &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Jesus,                Mary, and Joseph! This movie was nuts! But would you expect any                less from a Hackzilla review? Of course not, and that’s why                this review for the highly offensive and controversial I Stand Alone                (AKA Seul contre tous which is French for….I guess “I                Stand Alone”) is a real treat. Anyways, this movie is about                as fucked up as it gets...so what’re you waiting for? READ                ON--------- &lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The                film just bombards you from the get go. You start off by getting                up to speed with the life of a certain butcher who has been recently                released from prison. Oh yeah, he went to prison in the first place                for stabbing a guy in the face, because he thought the guy raped                his daughter. Oh yeah, and he’s raising the daughter by himself,                because his wife left him. And, oh yeah, one more thing, the daughter                is in a mental hospital now due to the trauma of seeing a guy get                stabbed in the face. So anyways, we get a peek into this guy’s                head, as he is our star/narrator for the film. Let me say, it’s                a pretty vile, mean, creepy peek at that. Much like Hackzilla, this                guy hates EVERYONE. I mean, the guy’s had a shitty life which                we’re tuned into during the recap, but it’s not until                we meet his pregnant girlfriend, that we see how miserable his existence                really is. They are living with her mom, and he’s waiting                on her to give him the money to open up a new butcher shop. She                won’t though, and he’s forced to work at a local deli,                where he soon gets fired from for not smiling. So how does one deal                with such a situation? Well let’s just say, he gets rid of                his problems in a not so PC way. When he’s back on his own,                he ends up moving to Paris. After getting into a scuffle at a local                bar, he finally decides that the right thing to do would just be                to start killing people.&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Of                course, I’m oversimplifying his motives, but much more would                be spoiling this spectacular film. If you’re a fan of transgressive                cinema (and hey, who isn’t?) you’ll definitely need                to pick this one up. You won’t find this one at Hackbuster                video, but check the mom and pop’s around your area. Warning                though; if you’re not desensitized yet, you may wanna wait                to see this one. It’s completely nihilistic and hopeless.                But hey, isn’t that how all movies should be?&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Not                too shabby. Strand Releasing gives us a non-anamorphic widescreen                transfer. It's pretty free of scratches and blemishes, but the color                looks a little...muted or something. Although director Gaspar Noe                uses a pretty nausea inducing color palette to begin with, so it                may be the result of that as well.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Nothing                to write home about in this department. Not bad, but don't expect                Raiders of the Lost Ark or something. It's Dolby Digital Stereo.                Add French language to that with non-removable English subtitles.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;What                extras? Oh, right, those trailers for other Strand Releases, none                of which is for I Stand Alone. (Yawn)&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402074039/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Excellent                film, but a sub-par DVD. There are some foreign releases of this                which are much better, but may not have english subs. Seek it out                either way. The film alone is worth the price.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-1882386256938727534?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/1882386256938727534/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=1882386256938727534' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1882386256938727534'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1882386256938727534'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/i-stand-alone-1998.html' title='I Stand Alone (1998)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-2207766799463070134</id><published>2008-11-18T17:56:00.001-08:00</published><updated>2008-11-18T17:56:58.932-08:00</updated><title type='text'>Guinea Pig (1985)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="140"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" valign="top" width="88"&gt;&lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/dvd/gp2_cover_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/dvd/gp2_cover.jpg" border="0" width="79" height="113" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              Guinea Pig:&lt;br /&gt;            Flower of Flesh and Blood/&lt;br /&gt;            Making of Guinea Pig&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;            &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:              &lt;strong&gt;0/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:              &lt;strong&gt;&lt;a href="http://web.archive.org/web/20040412020519/http://www.unearthedfilms.com/"&gt;Unnearthed Films&lt;/a&gt;&lt;/strong&gt;              &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;tr&gt;            &lt;td bg height="31" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:              &lt;strong&gt;89 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;1985 / 1986 / DVD 2002&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="822"&gt;              &lt;div align="justify"&gt; &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Flower of                  Flesh and Blood is the second entry into the Guinea Pig series.                  "But wait Hackzilla, we haven't even seen the first one yet!!!!"                  Not to worry my little piglets, this isn't a series that has an                  ongoing storyline. What it does have is an ongoing theme: Displaying                  the sickest shit ever put to film and GP2 sure delivers the goods                  in the gore department. The film only runs about 40 minutes, and                  like I said, the series doesn't really have a storyline so don't                  expect much in that department. It's more of an exercise in endurance.                  How much can you take? To sum up the plot (or lack thereof), a                  woman is stalked, kidnapped, and taken to a basement where she                  is drugged and butchered. The whole time, the guy is wearing a                  samurai outfit, and spouting out some dialog about how her blood                  will be like a blooming flower. Yup, that's it. See what I mean?                  No real plot, BUT don't confuse that with necessarily being a                  bad thing. Like I said, it's an exercise in endurance. This movie                  is not for the squeamish. If you're one of those hacks who thinks                  Soul Survivors was a worthy genre entry, then go back to Blockbuster                  and let me know how Domestic Disturbance turns out. Now, for the                  true horror fans, if you think you've seen it all, then seek this                  out. It's one of those movies that your friends will think you're                  crazy for owning. The dismemberment is shown in detail along with                  all the great sounds that accompany it. You know, saws cutting                  through bones and chisels hammering away at shoulder blades. The                  most disturbing thing about this movie though is the fact that                  it looks like a snuff film. The flick starts with a woman being                  unknowingly video taped in the subway, and even though the gore                  is EXTREME, there's something about those few opening shots of                  the woman being followed that really stuck in this reviewer's                  noggin. It just makes it seem all the more real. And that’s                  just the start of this DVD….read on&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;                 In addition to viewing the infamous Flower of Flesh and Blood                  Unearthed Films has made this another double feature (like the                  last 2 DVDs which you should all own by now). This time, it’s                  the Making of Guinea Pig feature. It’s basically what it                  sounds like. It documents the making of the first 3 GP films Devil’s                  Experiment, Flower of Flesh and Blood, and He Never Dies. They                  show how they did the infamous needle in the eye, all the crazy                  dismemberings in Flower and just about everything from He Never                  Dies. While I wish more time would’ve been spent on Devil’s                  Experiment, it was mostly spent on He Never Dies. But hey, that’s                  nitpicking. This is a great feature, especially to accompany this                  episode that is so famous for it’s effects work. It runs                  about 45 minutes.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The                video is just as good as the previous releases. The subtitles are                easier to read this time around, and the previous problem with subtitles                over subtitles (like during the opening scroll) has been dealt with.                This was originally shot on video, so it kind of has the same look                as a soap opera or porno, but it’s pretty much blemish free,                and crystal clear. The blood never looked so red.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="20"&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;It’s                in mono, and hey, it’s pseudo snuff. No hack explosions or                anything of the sort. It’s nice and clear though, so you’ll                be able to hear that bone chisel better than ever.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;For                anyone who whined that the previous DVDs had no extras, now is the                time to shut the fuck up. This disc has some nice extras. Besides                the trailers from the Mermaid/He Never Dies DVD, there’s a                new Flower trailer that makes it look pretty creepy. Then there                are the history pages again which are nice for those who might’ve                missed ‘em. Then there’s not 1, but 2 cool interviews                with director Hideshi Hino. The first is one conducted by Unearthed                Films, the other is an interview he did previously for Dark Side                Magazine. Also included is the original Manga Akai Hana, which Flower                was based on. Now, since Paramount sees interactive menus as an                extra, I figure I”ll mention the menus in this section. These                are a HUGE step up from the last two releases. The menus are absolutely                gorgeous. AND they’re better than any menu I’ve ever                seen on a Paramount DVD. And last, but not least there are some                easter eggs on this release. One of them is a videotape version                of Flower. This is the movie without the credits, subs or dialogue,                and it looks like it was recorded from a 10th generation VHS. It’s                the way most of us first saw it, and really shows how realistic                this films probably looked to some unsuspecting viewers. The next                are two hidden trailers for some movies which look extremely fucked                up even compared to the Guinea Pig films. One is for The Red Room                and the other is Mu Zan E. Have fun finding them kids. It should                also be known that Unearthed released two covers for the DVD. One                is the illustrated one pictured above. The other is the "&lt;a href="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/dvd/gp2_gorecover.jpg"&gt;gore                cover&lt;/a&gt;" which can only be purchased from Unearthed Films                theselves or some other specialty retailers. Look for this one to                be a collector's item. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412020519/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So                should you spend the beans for this DVD? Well, you have been warned.                You may get sick, your friends may leave you, and you may never                be the same again. OR, if you're totally jaded like the fine people                at Filmjunk, the answer is a no-brainer: FUCK YEAH!!! Thank you                Unearthed Films. To find out more about this, the other GP entries,                and the whole history behind the series, head to &lt;a href="http://web.archive.org/web/20040412020519/http://www.guineapigfilms.com/"&gt;www.guineapigfilms.com&lt;/a&gt;.                &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;br /&gt;&lt;div align="center"&gt;                &lt;table align="center" border="0" cellspacing="0" width="320"&gt;                 &lt;tbody&gt;&lt;tr&gt;                    &lt;td colspan="4" height="44"&gt;                      &lt;div align="center"&gt;                        &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-2207766799463070134?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/2207766799463070134/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=2207766799463070134' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/2207766799463070134'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/2207766799463070134'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/guinea-pig-1985.html' title='Guinea Pig (1985)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-6692403921948200664</id><published>2008-11-18T17:54:00.000-08:00</published><updated>2008-11-18T17:55:51.976-08:00</updated><title type='text'>Guinea Pig (1988)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="140"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" valign="top" width="88"&gt;&lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/dvd/gp1_cover_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/dvd/gp1_cover.jpg" border="0" width="79" height="114" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              Guinea Pig:&lt;br /&gt;            Devil's Experiment/&lt;br /&gt;            Android of Notre Dame&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;            &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:              &lt;strong&gt;0/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:              &lt;strong&gt;&lt;a href="http://web.archive.org/web/20040412010650/http://www.unearthedfilms.com/"&gt;Unnearthed Films&lt;/a&gt;&lt;/strong&gt;              &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;tr&gt;            &lt;td bg height="31" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:              &lt;strong&gt;100 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;198X / 1988 / DVD 2002&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table style="width: 649px; height: 1313px;" align="center" border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td height="866"&gt;              &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Alright,                alright, everyone just calm down. Hackzilla is back just like he                promised with the first of FOUR (count 'em, FOUR) Guinea Pig DVDs                from Unearthed Films. This is the first ever time that the GP films                have been officially released in North America, and Unearthed Films                gives them to us in all their gut-churning glory. STILL haven't                seen the GP films???? Get your keister to &lt;a href="http://web.archive.org/web/20040412010650/http://www.guineapigfilms.com/" target="_blank"&gt;www.guineapigfilms.com&lt;/a&gt;                (and of course, read the rest of this review) to see what you're                missing.&lt;/span&gt;&lt;/p&gt;             &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Devil's                Experiment is the first in the Guinea Pig series. You ready for                this? This film is, in a word: BRUTAL. The film begins with a message                saying that in 1985, the producer received a videotape of 3 men                conducting an "experiment" on the thresholds of pain.                There are no credits aside from the disclaimer, and a title card                that simply reads "Guinea Pig." We start off with some                random camera angles from a moving vehicle, cut between shots of                a woman in a hanging net. Then we get to the warehouse. A title                card flashes with a little icon in the corner that says, "Hit."                As we get to a shot of a woman sitting in a chair, we proceed to                see three men taking turns punching and slapping this woman in the                face. For those of you keeping score, there's a counter in the lower                left hand corner of how many hits have actually been taken. The                film continues in this manner. After the "hit" segment                ends, we go to the "kick" segment. Can you all guess what                happens here? That's right! The 3 guys proceed to kick the woman                and verbally degrade her. The film continues like this with other                torture highlights like "nail" (where they rip off a fingernail),                "burn" (where they throw boiling oil on her), and "guts"                (where they throw animal guts at her while they laugh). They grand                finale though is what graces this disc's cover. The ol' needle through                the eye. And let me say too, the effects here are nothing short                of phenomenal. This looks VERY real.&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Android                of Notre Dame is where the series takes a weird ass turn. This one                actually has credits this time around. Although the title card says                "Guinea Pig 2", this film is actually a later entry. You'll                hear some people say it's the 3rd; some say it's the 6th. Hey, if                you're DYING to know, head over to the web site. Well, this one                has a story. A dwarf scientist has a sister who has a really bad                heart condition, and he is trying to find a cure for her. After                animals prove to be no help, the scientist gets a call from an unknown                person saying that he'll send over a dead body for him to use. He                gets the body and proceeds to run some gory experiments on it. After                that fails, the unknown person calls back again, this time he's                trying to blackmail the ol' dwarf. Why? I honestly don't know. Something                about some records or something. Well, the little guy has some tricks                up his sleeves, and this is where the movie's gore factor kicks                in. Although the film IS gory (as are ALL the GP films), the effects                are not up to the caliber of those seen in Devil's Experiment. Plus                the story line is nothing spectacular &lt;/span&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So                how is the DVD? Pretty damn good is the phrase I believe I'm looking                for. You won't find a better-looking version of this anywhere. I                know there was a German boxed set out there at some point, but this                is more than good enough. All the GP movies were shot on video,                so they have that kind-of "daytime soap opera" look to                them. Free of blemishes though, and clear as a bell.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td height="20"&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Stereo                sound. It's clear. What more do you want?&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Interactive                menus. That's about as much as you get with this disc. But hey,                these films have been sought after by many a horror fan, and the                fact that they're on DVD (NTSC, Region 0 no less) is in itself a                gift. Besides, the next release is going to have some never before                seen trailers and animated menus. The menus for this disc are fine,                but not animated, and the chapter selections seem to be in no particular                order at first glance. You really don't know where in the films                they'll take you. The chapter names though are pretty clever. My                two faves are "Legzactly" and "Fucking Ouch!"                Classic. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So                in conclusion, pick this thing up. Sure, Android is pretty hokey,                but it's worth having in any horror collection. These films finally                found their way home, and I for one welcome them with open arms.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-6692403921948200664?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/6692403921948200664/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=6692403921948200664' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/6692403921948200664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/6692403921948200664'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/guinea-pig-1988.html' title='Guinea Pig (1988)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-7045649052447438477</id><published>2008-11-18T17:52:00.000-08:00</published><updated>2008-11-18T17:53:56.898-08:00</updated><title type='text'>Cannibal Ferox (1981)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="125"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" width="88"&gt;&lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/dvd/cannibal_ferox_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/dvd/cannibal_ferox_cover.jpg" border="0" width="76" height="107" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;td bg="" style="color: rgb(51, 51, 51);" height="46"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Title:&lt;strong&gt;   CANNIBAL FEROX&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;td bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg="" style="color: rgb(51, 51, 51);" width="183" height="42"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Region:   &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg="" style="color: rgb(51, 51, 51);" width="232"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Studio:              &lt;strong&gt;Grindhouse / Image&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;tr&gt; &lt;td bg="" style="color: rgb(51, 51, 51);" height="34"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Length:   &lt;strong&gt;93 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border="" bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Year:              &lt;strong&gt;1981 / DVD 2000&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;               &lt;table style="width: 649px; height: 1393px;" align="center" border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td height="843"&gt;              &lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Director                Umberto Lenzi kicked off the Italian cannibal subgenre in 1973 with                the jungle adventure Man From Deep River. It wasn't until 1979 though                when Ruggero Deodato's Cannibal Holocaust hit the scene that the                cannibal film hit its peak. But Lenzi decided to try again anyways,                and a year later released Cannibal Ferox (AKA Make Them Die Slowly).                The story is very similar to that of Holocaust, but then again,                all the cannibal movies have very similar stories. If you haven't                seen a cannibal movie before, they basically involve a group of                people going into the jungle to find someone or something, and run                into some cannibals. The cannibals are then attacked by the westerners,                and retaliate with horrific results. Cannibal Ferox is no different.&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;               This time around, a couple of guys run from New York because they                owe money to some drug dealers. Meanwhile, a girl who is getting                her PHD is going to the jungle to prove for her thesis that cannibalism                doesn't really exist. The schoolgirl and her crew run into the drug                dealers in the jungle, find out that they've gotten themselves into                some serious shit with the cannibals, chaos ensues, and the gut-munching                begins. Now, at this point, I think I should explain some rules                of the cannibal subgenre. 1. Some guy usually gets his dick cut                off, 2. At least 1 animal really dies, and 3. The violence is pretty                graphic. These films are a far cry away from Friday the 13th. They're                nihilistic, sadistic, cruel fucking movies. So, that said...lets                move on. All the previous rules are followed to a T in this movie.                A snake, turtle, and mongoose all die in horrific detail. 2 guys                get their schlongs cut off, and in the rest of the violence department,                there's entrail eating, brain eating, penis eating, and hanging                by hooks through the breasts. So, if you want blood, you've got                it. &lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Now as said before, Lenzi's movie came out right on the heels of                Deodato's infamous Cannibal Holocaust, and it really shows. Ferox                feels like almost the exact same movie. Not to say that it's that                bad, but Deodato's film definitely holds more weight than Lenzi's.                The whole movie just feels like it's going for the gross-out factor.                In one scene a crocodile is shown being killed and eaten for no                apparent reason, and the overall story is pretty flimsy. But, the                film does move at a pretty fast pace, and the gore scenes (especially                the breast hanging) are done pretty well. The animal violence, while                standard in the cannibal subgenre is completely reprehensible. I                think it's probably some kind of a nod to the mondo films, which                were popularized by Italy at the time. Anyways, its still pretty                shitty.&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;                  &lt;tr&gt;&lt;td style="vertical-align: top;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="vertical-align: top;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Now,                the DVD is pretty impressive though. For a movie such as this, it's                really been given the treatment. The print has been really cleaned                up, and looks spectacular. It's also widescreen and uncensored,                so you'll be sure to see all the gory details.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Nothing                to write home about in this department. Not bad, but don't expect                London After Midnight or something. It's Dolby Digital Stereo.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;A                slew of trailers and promo posters is also included, along with                the standard actor/director biographies/filmographies. There are                some liner notes included written by Bill Landis from Sleazoid Express.                These are interesting, because he talks about Times Square, and                this movie's first showing, and subsequent reputation. Then last                but not least is a commentary by director Lenzi, and actor John                Morghen. The two were obviously separated when viewing the film,                because they have very different opinions based on the film. Normally                this would be off-putting, but it works very well here because of                the two very contrasting views of the two. Morghen is pretty embarrassed                by the flick, and Lenzi really loves it, at one point exclaiming                "I am a genius!" It's pretty funny, and well worth listening                to. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071935/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;So,                while it's not the best of the cannibal movies, it's also not the                worst (especially for being a Lenzi movie). I think that title goes                to the director's other cannibal outing Eaten Alive! It's great                as a little slice of trash from the past, and the DVD is pretty                amazing. Worth having for it's infamy at the very least. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="center"&gt;                &lt;table align="center" border="0" cellspacing="0" width="391"&gt;                 &lt;tbody&gt;&lt;tr&gt;                    &lt;td width="95"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-7045649052447438477?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/7045649052447438477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=7045649052447438477' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/7045649052447438477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/7045649052447438477'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/cannibal-ferox-1981.html' title='Cannibal Ferox (1981)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-989386198097732995</id><published>2008-11-18T17:51:00.001-08:00</published><updated>2008-11-18T17:51:32.780-08:00</updated><title type='text'>Aenigma (1987)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="128"&gt;         &lt;tbody&gt;&lt;tr&gt; &lt;td rowspan="3" bgcolor="#666666" width="88"&gt; &lt;div align="center"&gt;&lt;a href="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/dvd/aenigma_cover.jpg"&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/dvd/aenigma_cover_small.jpg" border="0" width="79" height="112" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;           &lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;              AENIGMA&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:   &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:              &lt;strong&gt;Image&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;tr&gt;            &lt;td bg height="31" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:              &lt;strong&gt;85 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;1987 / DVD 2001&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;AENIGMA                is one of the many redheaded stepchildren of Lucio Fulci’s                large library of films. This is not to say there aren’t many                gems in his back-catalog, but for all the gems there is at least                a handful of misfires.&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;This film (as many have said before)                is Fulci’s answer to CARRIE. Our social misfit this time around                is Cathy who is killed in a prank gone too far within the film’s                first 10 minutes. When a new girl named Eva arrives at the St. Mary’s                College where Cathy was a student, all heck begins to break loose.                Despite the fact that Cathy is shown in a hospital room where all                her monitors register that she’s dead, AND the doctor busts                out those ER paddles to try and revive her (to no avail), AND we                are shown a POV shot of her spirit leaving her body, she still somehow                manages to half-assedly possess our newcomer Eva. Besides THAT,                she also has enough energy (or is it angst?) in her comatose brain                to bring statues and reflections to life, and even order around                some killer snails. Sound silly? Well, it kind of is. I mean, I                guess 100 or so snails crawling all over you is a little gross,                but couldn’t one just stand up and shake them off? &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Despite its                faults, AENIGMA does have a couple of things going for it. The snail                scene, while hokey is a little gross. Then there’s the scene                in which one victim seems to be unable to escape her boyfriend’s                beheaded corpse conjuring up memories of Fulci’s masterpiece                THE BEYOND. The look of the film isn’t bad, and Cathy, although                comatose and immobile throughout most of the movie does look pretty                creepy once in awhile when she opens her eyes. It’s only in                the last half hour or so of the movie that it starts to rev up,                but then only slightly as the movie pretty much moves at a snail’s                pace throughout (pun intended).&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/spacer.gif" width="71" height="23" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Image’s                DVD is widescreen 1:85:1 and non-anamorphic. The picture looks OK                at best. There aren’t a lot of blemishes except for the beginning                of the film, but it has a really soft look to it. Not the best around.                Also, according to &lt;em&gt;DVD Delirium Vol.2&lt;/em&gt;, the US version is                shorn of a short flashback sequence that’s available in other                DVD versions from the UK and Italy.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The sound is Dolby mono, but                really doesn’t sound all that great. Most of the time, the                voices sound pretty muffled. Don’t even get me started on                the craptactular opening tune “Head Over Heels.” It’s                about as bad as they come. As an added bonus, you can hear it again                over the end credits. Just don’t listen to it too long, or                it’ll be engrained in your skull for the following week.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;No                extras. Not even a main menu. Just a chapter selection…yay.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412004650/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I                don’t know, I love Fulci, but this is not one of his better                flicks. For completists only. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-989386198097732995?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/989386198097732995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=989386198097732995' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/989386198097732995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/989386198097732995'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/aenigma-1987.html' title='Aenigma (1987)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8691726622902645584</id><published>2008-11-18T17:49:00.000-08:00</published><updated>2008-11-18T17:54:14.091-08:00</updated><title type='text'>Beyond The Darkness (1979)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="127"&gt;         &lt;tbody&gt;&lt;tr&gt;            &lt;td rowspan="3" bgcolor="#666666" valign="top" width="88"&gt;              &lt;div align="center"&gt;               &lt;p&gt;&lt;a href="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/dvd/beyondthedarkness_cover_big.jpg"&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/dvd/beyondthedarkness_cover.jpg" border="0" width="78" height="111" /&gt;&lt;/a&gt;&lt;/p&gt;             &lt;/div&gt;&lt;/td&gt;           &lt;td bg="" style="color: rgb(51, 51, 51);" height="46"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Title:&lt;strong&gt;              Beyond the Darkness&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Format:              &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td bg="" style="color: rgb(51, 51, 51);" width="183" height="42"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Region:              &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;           &lt;td bg="" style="color: rgb(51, 51, 51);" width="232"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Studio:              &lt;strong&gt;Shriek Show&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td bg="" style="color: rgb(51, 51, 51);" height="31"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Length:              &lt;strong&gt;93 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border="" bg="" style="color: rgb(51, 51, 51);"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Year:              &lt;strong&gt;1979 / DVD 2002&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;       &lt;/tbody&gt;&lt;/table&gt;     &lt;br /&gt;               &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:hackzilla@filmjunk.com"&gt;Hackzilla&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td height="794"&gt;              &lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Aaaahhhhh.....love                stories. You know the ones. Boy meets girl, they fall in love, girl                dies, boy digs up her corpse, embalms her, and keeps her all to                himself. ...Wait, you AREN'T familiar with this kind of love story?                Well my fiends, ol' Hackzilla has got a treat for you. It's a putrid                little flick called "&lt;b&gt;Beyond the Darkness&lt;/b&gt;" (AKA                &lt;strong&gt;Buio Omega&lt;/strong&gt;).&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;               Even death can't keep Frank and his girlfriend (or wife; we are                never told) Anna apart. We're introduced to the two lovebirds when                Anna is asking Frank, on her deathbed no less, to give her one last                good roll in the hay before she kicks the proverbial bucket. Frank                doesn't think it's a good idea, but before he can even change his                mind, Anna is out of commission. This doesn't stop Frankie though.                He proceeds to go to her funeral, where he embalms her, and later                makes off with her body in the back of his truck. He finally makes                it home after unwillingly picking up a hitchhiker with a bad cockney                accent. Luckily for him, the hitcher falls asleep allowing Frank                to get down to business in preserving Anna's corpse. Well, right                in the middle of all this, the hitcher wakes up, and tries to get                away. This is where we see that not only is Frank a nutjob, but                a sadistic fucker at that. But now Frankie boy has Anna all to himself.                Seems he just forgot that she's a FRIKKIN' CORPSE!!! But since taxidermy                is his hobby, he's probably fine with that. All the while, there's                the subplot of the somewhat incestuous relationship between Frank                and the housekeeper Iris. She's all he really has left, and there                is a definite mother-son relationship going on, but at the same                time there is a kinky sexual thing underneath it all.&lt;/span&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Now how can you NOT love a movie that's got gore, weird incest-like                relationships, corpse loving, and cannibalism? This movie rocks.                Directed by the late Joe D'amato, it's no surprise this film was                so filth-ridden. D'amato went on to direct more gory horror flicks                like "&lt;b&gt;Anthropophagus&lt;/b&gt; (AKA &lt;b&gt;Grim Reaper&lt;/b&gt;),"                as well as hardcore skin flicks (including the infamous "&lt;strong&gt;Emanuelle                in America&lt;/strong&gt;"). Did I not mention the T&amp;amp;A? It also                stars Cinzia Monreale as Anna whom you'll remember as the blind                girl Emily from Lucio Fulci's "The Beyond." It seems like                it was a pretty easy gig since she plays a friggin' dead girl. &lt;/span&gt;&lt;/p&gt;             &lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;The                DVD released by Shriek Show is right on. The picture quality is                great. Darks and lights seem perfect. They bring it to us in an                anamorphic widescreen transfer, so all you lucky bastards with 16x9                TVs rejoice. There is another release by Japan Shock, which I've                heard some fans prefer, but really, this is a fine release in terms                of video.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;The                sound is OK; just don't expect it to boom like it does when all                you hacks out there are watching your Michael Bay movies. Hey, but                it doesn't really need the treatment in that department, and it                does great for what it's got. It's Dolby Digital Mono. BUT Italian                horror soundtrack gods Goblin kick out the jams on this one. The                main theme is very memorable with a keyboard line mimicking a heartbeat.                Lovely.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;We                got some trailers for "&lt;b&gt;Solange&lt;/b&gt;", "&lt;b&gt;House                on the Edge of the Park&lt;/b&gt;" (although the trailer says it's                "&lt;b&gt;House of the Park on the Edge&lt;/b&gt;"), "&lt;b&gt;Seven                Blood Stained Orchids&lt;/b&gt;", and of course "&lt;b&gt;Beyond the                Darkness&lt;/b&gt;." Then there's an interview with Cinzia Monreale,                and an Interview/Commentary with Art Director Donatella Donati (this                is basically an interview over the gorier parts of the movie). We                also get an 8-page booklet with some interesting bits about D'amato                and Goblin, AND, last but not least...as an added bonus, you get                a double-sided DVD cover. So if you think the one it comes in sucks,                you can flip it over and try the other one. If you think that one                sucks, well then I guess you're shit outta luck. &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;"  &gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040412010625/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;So                there you have it folks. Guts, butts, nuts, and sluts, this flick's                got 'em all. If you're a fan of twisted cinema (and I'm assuming                you are if you're reading this), then get off your ass and pick                up this disc. You shan't be disappointed.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8691726622902645584?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8691726622902645584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8691726622902645584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8691726622902645584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8691726622902645584'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/beyond-darkness.html' title='Beyond The Darkness (1979)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-1503960574616864977</id><published>2008-11-18T17:46:00.000-08:00</published><updated>2008-11-18T17:48:43.977-08:00</updated><title type='text'>Accion Mutante (1993)</title><content type='html'>&lt;table align="center" border="3" bordercolor="#666666" cellpadding="7" cellspacing="0" width="557" height="125"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="3" bgcolor="#666666" width="88"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;td bg height="46" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Title:&lt;strong&gt;   ACCION MUTANTE&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;td bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Format:   &lt;strong&gt;DVD&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg width="183" height="42" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Region:   &lt;strong&gt;1/NTSC&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;td bg width="232" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Studio:   &lt;strong&gt;Substance&lt;/strong&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td bg height="34" style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Length:   &lt;strong&gt;91 minutes&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td border bg style="color:#333333;"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Year:              &lt;strong&gt;1993 / DVD 2002&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;                &lt;table align="center" border="0" cellpadding="0" cellspacing="0" width="81%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;&lt;em&gt;The movie:              (reviewed by &lt;a href="mailto:sef@filmjunk.com"&gt;Sef&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/divider.jpg" width="648" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr valign="top"&gt;            &lt;td&gt;&lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;If                you're a fan of Alex De La Iglesia's work, then you'd know that                this is his first film and you'd know that this film must be some                sort of masterpiece. So how is it you ask??Awesome...No....Terrible....No...Just                Right. Does it rank up there with his other films? At times it does                but it is definitely something to see if you're just getting into                Spanish cinema. The plot...a group called Accion Mutante (Mutant                Action) , which happen to be a pretty fucked bunch of characters                go against society's standards, they don't like pretty people etc...and                they decide to kidnap a socialite's daughter and hold her for ransom.                &lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;-----------SPOILERS                AHEAD---------&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;             &lt;p align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;                The first half of the film is actually better then the second half                of the film. The first half consists of news clips of their terrorism(which                are really funny and remind of the ones from Muertos De Risa, another                Alex De La Iglesia film). and the plotting of the kidnapping and                the fiasco that ensues during it. Once they make their escape on                the space ship and their leader turns on them I think the film had                nowhere to go (but hey, that's just me, what the fuck do I know?)                The only thing the second half has going for it that Santiago Segura(Torrente,                Day Of The Beast) has a small part as one of the hicks on the planet.                Don't get me wrong Antonio Resines (Torrente 2) as Ramón                and Alex Angulo (Day Of The Beast) as Alex both do a phenomenal                job but they can't save the second half once the dragging begins                and you can pretty much see what is coming.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/spacer.gif" width="71" height="23" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Video:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;As                for the disc, how was the picture? Well it was a bit dark but what                the hell, it was a bootleg and at least I finally got to see this                film.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Audio:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;As                good as a bootleg can get. In Spanish with English subtitles, which                is good because I hate to see a badly dubbed film that is available                in its original language.&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Extras:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;No                extras, Damn them...&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/spacer.gif" width="15" height="15" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;strong&gt;&lt;em&gt;The              Verdict:&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/divider.jpg" width="649" height="16" /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="justify"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;OK                film, OK DVD. My suggestion? Watch it if you can find it&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;            &lt;td&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr&gt;           &lt;td&gt;&lt;img src="http://web.archive.org/web/20040402071247/http://filmjunk.com/images/spacer.gif" width="37" height="24" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-1503960574616864977?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/1503960574616864977/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=1503960574616864977' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1503960574616864977'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/1503960574616864977'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/accion-mutante-1993.html' title='Accion Mutante (1993)'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8858193094811158377</id><published>2008-11-18T17:44:00.001-08:00</published><updated>2008-11-18T17:45:54.380-08:00</updated><title type='text'>Nick Beal 04/02/04</title><content type='html'>&lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(102, 102, 102);font-family:Arial,Helvetica,sans-serif;font-size:6;"  &gt;The                      Real Beal&lt;/span&gt;&lt;/p&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;Hey, great news! Saul and his wife, Debra are coming for the holidays!                  No, seriously, they're bringing the twins and they're staying                  for at least a week. You know, Saul's business has been taking                  off lately but he says he misses Lenny and me so much that he's                  coming down for a visit, no matter what.&lt;br /&gt;               &lt;/span&gt;&lt;span style=";font-family:Arial,Helvetica,sans-serif;font-size:85%;"  &gt;&lt;br /&gt;               Right about now, you're scratching your hat holder and asking                  yourself why the Hell you should care about Saul, Debra and the                  freakin twins, right? The answer, dear reader, is simple YOU SHOULDN'T.                  I sure as Hell didn’t give a rat's ass when the older-than-pumis                  couple sitting in front of me during Kill Bill Volume 1 started                  talking about them, IN THEIR OUTSIDE VOICES!!! Nor did I give                  a rat's ass about Propecia's cell phone call from Yochandra, or                  Uncle Louie's pager going off so many times that it sounded like                  an Intensive Care Unit or Tad and Candi's seven weasely, whiney,                  snot-nosed, heavily-scabbed, obnoxious children! Yeah, that's                  right, they brought seven freakin children to a movie! I mean,                  for God's sake - couldn't Snow White have babysat? You know, I                  saw movies with my parents. They were Disney movies! You remember                  that concept right? Kid movies that you bring your kids to. Now,                  I know nowadays that's a pioneering concept but that's the way                  it's supposed to be. If you're dopey enough to have manufactured                  Hellspawn, there's no reason on Earth why those of us with some                  brain matter should have to put up with your mistake! I'll make                  a deal - you keep your angels of doom out of my big people's movies                  and I'll stay away from Jingle All The Way! How's that for a deal?                  As far as you parents wanting to see an occasional movie, either                  get a babysitter or see something else. You barely want to spend                  time with your own terror tykes. What makes you think we do?&lt;br /&gt;             &lt;br /&gt;               I mean, have you gone to the movies lately? Every circus freak                  and their three-eyed brother that can slither up to the ticket                  window gets in. Age doesn't matter, size doesn't matter, nothing                  matters, as long as they've got cash. I swear on my left hand,                  I was watching Kill Bill Volume 1, and somewhere around the eighth                  ending a couple waddles in. They are using so many walking sticks,                  canes and other implements of destruction that each of them looks                  like Edward Scissorhands. Both are deaf in one ear and can't hear                  out of the other. Neither can see more than four inches in front                  of them - so, I immediately know they drove to the theater. After                  a half hour they finally make it to my aisle, of course. They                  choose to shuffle past me, of course, and sit down to my immediate                  right, of course. The next thing I know, the woman is screaming                  at her husband, Is this the theater? He's the only one in a four-mile                  radius who didn't hear what she screamed, so she kicks it up a                  notch and yells again. This time, glass breaks. It sounds like                  Betty Boop got a tit caught in a car door, only not as sweet.                  You getting this? They're watching the same movie I'm watching                  - two tiny people old enough to have been Christ's Camp Counselors,                  sitting in front of a screen so tall it needs blinking airplane                  warning lights, and she doesn't even know if she's in the theater                  yet. Why did they even bother to go out of the house? It must                  have taken a day and a half, just to get dressed! All so they                  can pay six bucks each to watch the last half hour of a movie                  that they don't even know they are watching. Does any of that                  make sense?&lt;br /&gt;             &lt;br /&gt;               You wanna know why DVDs are flying off shelves like stool through                  a mallard? That's because when I'm sitting at home watching Les                  Veux Sans Visage, the car-wreck lives of Propecia and Candi and                  Lenny and the rest of those inconsiderate ingrates don't invade                  my life. That's the way it should be. Because if those assholes                  would just stay home to take phone calls, play with kids or just                  grow old and rot away, the rest of us could go to the movies.                  But seeing as they're so damned ignorant and inconsiderate that                  their tiny pea-brain can't wrap itself around the basic idea that                  movie theaters are actually for watching movies in, let them pay                  the bucks to sit in a dark theater and we'll stay on the couch                  and catch a flick. Now if only I could get my old Sensurround                  to work.&lt;br /&gt;             &lt;br /&gt;               &lt;i&gt;D'Entre les Morts,&lt;/i&gt;&lt;br /&gt;               &lt;b&gt;Nick Beal&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8858193094811158377?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8858193094811158377/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8858193094811158377' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8858193094811158377'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8858193094811158377'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-040204.html' title='Nick Beal 04/02/04'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-4424135934366840173</id><published>2008-11-18T17:38:00.000-08:00</published><updated>2008-11-18T17:39:14.570-08:00</updated><title type='text'>Nick Beal 12/10/02</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" valign="middle" height="1"&gt;&lt;b&gt;12/10/02&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td align="center" valign="middle" height="1"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;The                      Real Beal&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20021211194202/http://www.ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                   &lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;                            &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;&lt;span style="color:#ffff00;"&gt;Return                    to the Main Page: &lt;/span&gt;&lt;a href="http://web.archive.org/web/20021211194202/http://www.ohthehorror.com/"&gt;&lt;span style="color:#0000ff;"&gt;Here!&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="996"&gt;                    &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;WHERE                      HAVE I BEEN??? &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    I can’t tell you how many emails I’ve gotten asking                      where I’ve been. I’m talkin’ assloads! First                      of all, yes, I do know it’s been over four months since                      my last column. I know what a calendar is and I can navigate                      one fairly easily. If I had realized I couldn’t step                      away for a few months without you bozos getting all bleeding                      gums goofy on me, I would have had Hackzilla step up and jot                      down a quick note to you goomers. But I actually forgot that,                      aside from gorging yourselves on my monthly columns, you wankers                      have no lives. So, here’s the deal – and pay attention,                      cause I’m not ever going to account for my whereabouts                      again: I decided to pull a Kerouac and hit the road. Dealing                      with the day to day of horror entertainment news filled my                      head with so much rodent pudding that I had to step away and                      get back to basics. No rum, no hookers, no DVDs or any of                      the other modern-age contraptions. Cell phones and pagers?                      Gone! I only checked my email twice and didn’t feel the                      least bit guilty about it. I cleared my head by communing                      with nature – the great outdoors. And, you know what                      I found? Do you want to know the mighty mystery of life? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;The                      great outdoors blow! &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Thank                      God I wasn’t born a century ago or I’d have pried                      my freakin’ brains out though my ears with a tomahawk!                      Technology is my God and I know it now. I will never stray                      again! Six months with no booze and no hookers came to a boil                      last week when I spent an uncomfortable night in the woods                      contemplating what it would be like to have sex with a squirrel.                      Now, I know that might sound sick to you but there was one                      squirrel out there that, I swear, had one of the nicest asses                      I’ve ever seen. Needless to say, when I woke up the next                      morning, my animal-mating virginity still intact, I knew it                      was time to get back home. Immediately upon my return, I got                      liquored up and got some stank on my hang-low. A little lurid                      lovin’ The good kind – the filthy kind. Once, when                      asked if sex was dirty, Woody Allen replied, “Only if                      it’s done right.” This is my new mantra. And now                      that I’m back home – to the land of hookers, booze,                      cell phones, pagers, cable, DVDs, Internet porn, my beloved                      Oh The Horror, Cuban food, Cuban cigars and Cuban women -                      it’s time to start getting back to getting back. Can                      I get an “Amen!” brothers and sisters? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, what                      has been happening while I was gone? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;To start,                      Sef is redesigning OhTheHorror.com and it’s going to                      kick twice as much ass as in the past. From now on, my column                      will be my column. Instead of giving you the same old news                      you can get everywhere else, I’m going to pick a few                      subjects for each column and give you my opinions. It’ll                      be a longer version of The Real Beal – which was the                      best thing about my old columns because, let’s face facts                      here, my opinion is the only thing that really matters anyway.                      If I do get any scoops, I’ll pass them along in my column…                      and you just know I’ll get scoops. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;If there                      are any contests, Sef will handle them. I tried Movie Quotes                      and none of you “experts” had the cranial meat needed                      to figure them out. So, I had to resort to the incipit “Guess                      The Tagline” contest and then, to make matters worse,                      pretend not to know you bozos were getting the answers from                      the Internet Movie DataBase. I swear, I thought I was going                      to vomit blood during those contests. Good riddance to bad                      medicine. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, let                      me close with a personal gripe. (I have Bambi coming over                      in a few minutes for the first time since I’ve been back                      and she’s aching for a staking, if you catch my drift.)                      While I was away, someone, who shall remain nameless, bought                      the address OhTheHorror.NET (Not to be mistaken with our little                      love-fest, OhTheHorror.COM.)&lt;i&gt;(editor's note- ohthehorror.net                      seems to be down)&lt;/i&gt; Not only could this pencil-dick not                      come up with an original name to call his site but he even                      had the nuggets to get in touch with Sef and ask him for some                      help getting onto search engines. How’s that for ‘nads?                      Now, Sef has already told me that he doesn’t want to                      give this dildo any publicity. But, I’m my own man and                      I have something to say about it. Sef was the one who came                      up with OhTheHorror.COM. He’s the guy who sat and brainstormed                      one day a few years back, trying to come up with a good name                      for his fledgling site. The site has always had cool, obscure                      things to sell and off-the-norm things to report. One look                      at OhTheHorror.NET and you’ll see the usual, mundane                      fanboy crap that every other site has. Gosh, he’s even                      got a Nightmare On Elm Street page, kids. Could you just spew?                      So I think we need to get the word out that NET is not COM.                      If you want to see the same baggie of crap you see everywhere                      else - looking, by the way, like it was written by a twelve                      year old - please feel free to check out the site where shit                      rules; OhTheHorror.NET. But if you want your horror served                      hot and still squirming, keep the mouse on OhTheHorror.COM.                      We haven’t let you down yet. Why would we start now?                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre                      les Morts,&lt;br /&gt;                    &lt;a href="mailto:AliasNickBeal@aol.com"&gt;Nick Beal&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    PS: The best way to show that joker at NET that he needs to                      get an original name and, more importantly, and original thought,                      is to ignore him. Fanboys are NEVER worth your time and energy.                      Take it from your Uncle Nick, NET is for Fanboys and you don’t                      want to be a fanboy… Do ya Sparky? &lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-4424135934366840173?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/4424135934366840173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=4424135934366840173' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/4424135934366840173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/4424135934366840173'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-121002.html' title='Nick Beal 12/10/02'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8815773602846557726</id><published>2008-11-18T17:25:00.000-08:00</published><updated>2008-11-18T17:29:26.996-08:00</updated><title type='text'>Nick Beal 08/06/02</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" valign="middle" height="1"&gt;&lt;b&gt;08/06/02&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td align="center" valign="middle" height="1"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;Movie                      News&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20021211161210/http://www.ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                   &lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;                            &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;color:#ffff00;"&gt;To                    Read Nick Beal's New Column, &lt;/span&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://web.archive.org/web/20021211161210/http://www.ohthehorror.com/therealbeal.htm"&gt;&lt;span style="color:#ffff00;"&gt;"The                    Real Beal" Click Here&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;NOOSE                    REPORT&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="2251"&gt;                    &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;HALLOWEEN                      COMES IN AUGUST THIS YEAR! (REMORTGAGE THE HOUSE!)&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;                      Well, DVDeviants, August is shaping up to be one hell of a                      month for horror and science fiction fans. Be afraid, be very                      afraid, cause it’s time to break open those piggy banks,                      auction off the farm, sell Dad’s antique Playboy collection                      or any other way you can afford to shell out the necessary                      cash. ‘Cause, boys and girls, this one’s gonna hurt.                      Here is just a partial list of the goodies coming your way:                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;AUGUST                      6th &lt;/b&gt;&lt;br /&gt;                    Curse Of The Devil&lt;br /&gt;                    Exorcist II: The Heretic&lt;br /&gt;                    Frankenstein ‘90&lt;br /&gt;                    Lord of the Rings: The Fellowship of the Ring&lt;br /&gt;                    Parasite&lt;br /&gt;                    Star Trek 2: The Wrath of Khan: The Director's Edition&lt;br /&gt;                    The Swarm&lt;br /&gt;                    Them&lt;br /&gt;                    Time After Time&lt;br /&gt;                    The Unearthly&lt;br /&gt;                    V: The Final Battle&lt;br /&gt;                    Werewolf Shadow&lt;br /&gt;                    Wolfen &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;AUGUST                      13th&lt;/b&gt;&lt;br /&gt;                    Brotherhood Of Satan&lt;br /&gt;                    Curse Of The Demon&lt;br /&gt;                    Return Of The Vampire&lt;br /&gt;                    Revenge Of Frankenstein &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;AUGUST                      20th&lt;/b&gt;&lt;br /&gt;                    The AntiChrist&lt;br /&gt;                    Blade 2&lt;br /&gt;                    Gremlins: SE&lt;br /&gt;                    Gremlins 2: The New Batch: SE&lt;br /&gt;                    Nightmare City&lt;br /&gt;                    Zoltan: Hound Of Dracula &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;AUGUST                      27th&lt;/b&gt;&lt;br /&gt;                    The Attic/Crawlspace MGM Double Feature&lt;br /&gt;                    The Believers&lt;br /&gt;                    Deranged/Motel Hell MGM Double Feature&lt;br /&gt;                    Edge Of Sanity&lt;br /&gt;                    Fangs Of The Living Dead&lt;br /&gt;                    The Fog&lt;br /&gt;                    Hysteria (Hammer?)&lt;br /&gt;                    Last House on the Left&lt;br /&gt;                    Masque of the Red Death/Premature Burial MGM Double Feature                     &lt;br /&gt;                    Needful Things&lt;br /&gt;                    Ninth Gate: SE&lt;br /&gt;                    Oblong Box/Scream and Scream Again MGM Double Feature&lt;br /&gt;                    Return of the Living Dead&lt;br /&gt;                    Vampire's Kiss&lt;br /&gt;                    What’s The Matter With Helen?/Who Slew Auntie Roo? MGM                      Double Feature&lt;br /&gt;                    Dan Curtis Macabre Collection: Dracula, Turn Of The Screw,                      Dr. Jekyll &amp;amp; Mr. Hyde,&lt;br /&gt;                    The Picture Of Dorian Gray &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    So there you are. Told you it was going to hurt. You’re                      scared now, aren’t you? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;BUSTA                      BLOWS! SAMUEL L. JACKSON &amp;amp; NICK BEAL AGREE&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Well,                      sort of… You see, Samuel L. Jackson doesn't think much                      of the trend that is turning rappers into movie stars. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;``To                      take people from the music world and give them the same kind                      of credibility and weight that you give Morgan Freeman, Laurence                      Fishburne, Forest Whitaker - that's like an aberration to                      me,'' Jackson said. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;``It's                      not my job to lend credibility to so-and-so rapper who's just                      coming into the business.'' &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;``I                      know there's some young actor sitting in New York or L.A.                      who's spent half of his life learning how to act and sacrificing                      to learn his craft but isn't going to get his opportunity                      ... because of some actor who's been created,'' he said. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Why,                      Sammy won't even check out a script that gives a rapper a                      starring role. So, I guess that means no Samuel L. Jackson                      in Halloween 9… like that would ever happen. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;MGM                      NIXES H1KC&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Well,                      it looks like Rob Zombie’s House Of 1,000 Corpses still                      isn’t getting the respect he feels it deserves. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now,                      last time, I told you that supersnitch PIPPO told me many                      moons ago that H1KC couldn’t find a distributor because                      it sucks mastodon bone. Then came the news that MGM had picked                      up Zombie’s funhouse frightener. Well, kiddies, the latest                      news is that MGM has purged H1KC like fetid meatloaf. So,                      it looks like the only way we are going to be able to judge                      for ourselves is when Zombie releases the film himself, direct                      to video, on October 15th. Gee, that’s always a good                      sign. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I’m                      still banking on PIPPO being right... He usually is. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;ZONE                      IN&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Back on                      January 24th, I made some rather disparaging remarks about                      whether Anthony Michael Hall had the talent to play Johnny                      Smith in USA’s upcoming (at the time) series, The Dead                      Zone. I ended by stating that Hall was going to have to prove                      himself to me. Well, he did. I not only find the show completely                      watchable but, with only as few missteps so far, it’s                      become a show I actually look forward to. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, I                      am pleased to report that, yes Virginia, there will be a second                      season of The Dead Zone. USA is still negotiating the exact                      number of episodes for the renewal with Lions Gate, which                      owns the North American rights to the series. The network                      is eager to commission 13 new episodes on top of the existing                      13. Lions Gate wants to do even more, seeking to secure a                      deal for as many as 26 new ones. The production company's                      argument is that 26 fresh hours would help USA avoid the syndrome                      of declining viewer interest triggered by a long time lapse                      between original episodes. Because these discussions are still                      taking place, the parties declined to comment on the renewal.                      But I have it on good faith that USA is going to make this                      happen, no matter how much they have to bend. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Another                      reason for USA’s DZS (Dead Zone Stiffy) is that reruns                      of the show will fit the program strategy of the Sci-Fi Channel,                      USA's sister network Sci-Fi has already begun repeating each                      "Dead Zone" episode Friday night at 8:00 PM. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;DON’T                      FORGET FJA&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;To write                      to Forry and pass on any good wishes for a full recovery,                      here’s his address: &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Forrest                      J Ackerman&lt;br /&gt;                    2495 Glendower Ave&lt;br /&gt;                    Los Angeles, CA 90027 &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;BURIED                    TREASURES &lt;/span&gt; &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="243"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Out of                      the kindness of my heart, I’m going to toss a little                      extra your way in the form of an Easter egg. Now wipe that                      sloppy grin off of your face. I don’t mean a real Easter                      egg or a rich, creamy chocolate one, bursting with caramel                      goo... I mean a feature, hidden in certain DVD menus, like                      Joe before he shotguns Tom. All set? You betcha. &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;MANIAC:                      SPECIAL EDITION&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Anchor                      Bay’s maniacal Maniac DVD [DV11653] has a rare treat                      for your ears that’ll make you flip your wig. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;From the                      MAIN menu, go to the EXTRAS menu and then press the RIGHT                      arrow key on your remote control. This will bring up an “X”                      over Caroline Munro's face. Press ENTER right now and you                      will be treated to a rare audio segment in which Maniac's                      director William Lustig and Exorcist director William Friedkin                      discuss Maniac’s trails and tribulations. Go ahead, take                      a stab at it.&lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="56"&gt;                    &lt;div align="center"&gt;                      &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;&lt;b&gt;&lt;span style="color:#ff0000;"&gt;WIN                        ZOMBIE DOOM ON DVD!!!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="276"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;FREE                      DVD:&lt;/b&gt; The winner of the Premutos DVD is the man with the                      Argentoesque email name: &lt;b&gt;Jeff McGivney&lt;/b&gt;. [Said email                      name is for me to know and you posers to find out.] &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Anyway,                      a whole buttload of you winner-wannabes guessed correctly                      that &lt;b&gt;“THERE’S MORE THAN ONE WAY TO LOSE YOUR                      HEART”&lt;/b&gt; was the tagline from one of my guilty pleasures,                      &lt;b&gt;MY BLOODY VALENTINE&lt;/b&gt;. But, Jeff-meister brought it on                      home. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Anyway,                      Sef and Marcela have ponied up a brand spankin’ new DVD                      of &lt;b&gt;ZOMBIE DOOM&lt;/b&gt;, as a prize for one of you pathetic                      patrons. So, I guess it’s time to get to this column’s                      tagline. Ready, pondscum? Take a chance: &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    &lt;span style="font-size:100%;"&gt;&lt;b&gt;MOVIE TAGLINE:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    &lt;b&gt;“TODAY, THE POND! TOMORROW, THE WORLD!” &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Okay,                      you toads, you know what taglines are. To give a non-horror                      example; George A. Romero’s Knightriders’ tagline                      was “Camelot Is Just A State Of Mind.” See, it’s                      super simple… just like you. Now, the scallywag from                      Pago Pago that I pay 22 cents a year to be my faithful protégé                      and toilet scrubber, cuts and pastes all of the correct entrees                      onto sheets of paper for me, then cuts them up into individual                      slips of paper so we can do the drawing. That’s why I                      need FULL NAME, CORRECT ANSWER and EMAIL ADDRESS. And don’t                      wait around forever, now. We’ll be picking a winner in                      a few weeks. From now on, even ex-winners can play immediately,                      as I haven’t shared the source of the tagline with anyone,                      including Sef or Marcela. Now, crank up your brain and write                      me at &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com                      &lt;/a&gt;with the correct fearful fright flick the above Tagline                      is from… or don’t. &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="44"&gt;&lt;i&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And                    now it’s time for…&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="6"&gt;                    &lt;div align="center"&gt; &lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;THE                      REAL BEAL!&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="1128"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;These                      are my thoughts. Read them, print them, bind them, keep them                      and worship them for the epiphany they are. &lt;/i&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;DELETE                      THIS! &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    Okay, I feely admit it – I’m a Deleted Scenes whore.                      You tack a few delete scenes or alternate endings onto a movie                      – even one I can’t stand – and that DVD is                      mine! I am eternally optimistic when it comes to deleted scenes                      from crappy movies. It is always my hope that a few extra                      feet of celluloid will take a vat of viscid mucous, like Children                      Of The Living Dead, and somehow magically transform it into                      a cinematic masterpiece. You know what? It’s never happened.                      Trust me. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;DVDs are                      always proudly boasting of their restored footage, deleted                      scenes, alternate endings, etc. You know, the enticing claims                      of versions you’ve never seen. Imagine my shock and delight                      when I first picked up Universal’s Collectors Edition                      of The Birds and noticed the words Deleted Scene in the Specials                      Features list. Now, imagine my shock and disgust when I realized                      that the deleted “scene” was nothing more than a                      few stills from a scene that was never shot. Now, Universal                      knew this was wrong. If I took some of the Universal execs                      into a screening room and told them I wanted to show them                      a few “scenes” from a movie they had just spent                      money on and then proceeded to show them a freakin’ slideshow,                      I suspect they’d be a tad on the miffed side. So, what                      made them think I’d be okay with it? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;But I’m                      just being bitter – I actually have a point to make.                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I can’t                      wait till that glorious day when Halloween: The Curse Of Michael                      Myers is released on Special Edition DVD. I know what you’re                      wondering; Beal, for God’s sake, why? Because, dear readers,                      back in 1995, Fangoria printed an article in which the writer                      stated that Halloween: The Curse Of Michael Myers was a great                      screenplay and a terrific movie before it was edited to death.                      If we all could just see the print that he saw, we would hail                      it the Citizen Kane of horror… or some crap like that.                      The next thing you know, this legendary cut of H6 rocketed                      from a simpleton’s story to something roughly akin to                      modern mythology. Suddenly, on the convention circuit and                      online auction sites, H6: The Director’s Cut became horror’s                      Holy Grail. Maybe some of you have it. I do, along with that                      legendary screenplay. (What a stinkburger!) Well? Is there                      one of you that actually thinks that these long-talked-about                      missing scenes turn H6 from doody to diamonds? I thought not.                      Sure, it makes the film the slightest bit more coherent but                      only because H6, as released, couldn’t have been less                      coherent. Hell, lighting the negative on fire would have had                      the same effect. And those of us who bought this mess-terpiece                      are left with little more than a low-end blank tape, on which                      to tape Charmed, to show for our hard-earned twenty or thirty                      bucks. When the Special Edition of Halloween: The Curse Of                      Michael Myers is released finally the world will know what                      the rest of us have known for years – that all the deleted                      scenes in the world can’t fix the unfixable. The problems                      with H6 can be placed solely on a bad script, bad direction                      and bad acting, with the exception of an ailing Donald Pleasence.                      And anyone who tells you any different is bullshitting you.                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And don’t                      think talk of legendary cuts and deleted gems will fade anytime                      soon. Hack director Rick Rosenthal is still unable to talk                      publicly about his cut of Halloween 2 – the one that                      was supposedly so lacking in suspense that John Carpenter                      had to shoot new scenes and reshoot others. As you know this                      is the same guy who helmed Halloween: Resurrection –                      the one that was, again, so lacking in suspense that reshoots                      were needed. Well gang, this time I can personally vouch for                      these needed reshoots. Because I’ve seen and earlier                      cut of H:R – back when it was called Halloween: The Homecoming                      and, believe it or not, it was indeed worse than Halloween:                      Resurrection! No, I’m not yanking your collective chain.                      Before it was sent back for reshoots, the latest Halloween                      was so devoid of suspense that it made Dude, Where’s                      My Car? look like a nail biter. So if, God forbid, Halloween:                      Resurrection hits DVD as a Director’s Cut, - including,                      of course, Deleted Scenes - you can count on one thing and                      one thing only… a snorefest of epic proportions. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The saddest                      news of all is that Halloween: Resurrection pulled in just                      a bit more than 25 million dollars at the box office and disappeared                      from the top ten list after only its second week. Doesn’t                      sound like much, huh? I mean certainly not enough to warrant                      another sequel, right? Consider this, since I can’t imagine                      that it cost more than thirty-seven bucks to make, that’s                      one hell of a profit margin. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, see                      you all next October, for Halloween 9: The Implosion Of Michael                      Myers… We should all be so lucky. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre                      les Morts,&lt;br /&gt;                    &lt;a href="mailto:AliasNickBeal@aol.com"&gt;Nick Beal&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8815773602846557726?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8815773602846557726/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8815773602846557726' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8815773602846557726'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8815773602846557726'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-080602.html' title='Nick Beal 08/06/02'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-5884549689460485847</id><published>2008-11-18T17:24:00.000-08:00</published><updated>2008-11-18T17:25:24.909-08:00</updated><title type='text'>Nick Beal 05/17/02</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" valign="middle" height="1"&gt;&lt;b&gt;05/17/02&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td align="center" valign="middle" height="1"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;Movie                      News&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20020608184553/http://ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                   &lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;                            &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="11"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;&lt;b&gt;FORRY                    NEW ADDRESS UPDATE!!!&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="180"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Okay,                    kids, Forrest J Ackerman has been moved again. It's my understanding                    that this new place will be able to provide the physical therapy                    he needs to help him try to recover. Once more, I find myself                    asking you to dig under your seat cushions and grab up enough                    change to send Forry a Get Well card. Kaiser and The Pavilion                    will forward any cards they receive but he needs you to send                    a new one every once in a while. Hey, if I can take time out                    of my busy routine of Cuban cigars, Barbados and cheap trollops,                    you guys can do a little extra for FJA. Right? Right! His new                    address is: &lt;/span&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Amberwood                      Convalescent Hospital&lt;br /&gt;                    6071 York Blvd&lt;br /&gt;                    Los Angeles, CA 90042 &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;NOOSE                    REPORT&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="2472"&gt;                    &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;FORREST                      J ACKERMAN UPDATE – WE GOT THE SCOOP! &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                                      &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Well,                      gang, I spoke to Forry on Wednesday and he sounded, quite                      frankly, like he got the crap kicked out of him. He recognized                      my voice but appeared to be extremely frail. He was supposed                      to get out of the hospital roughly three weeks ago and I’m                      glad to be the first to report that ol’ FJA is free at                      last… almost. Can I get a Halleluiah, brothers and sisters???                      He will be transferred to an assisted-living rehabilitation                      facility today or tomorrow. They are just waiting for a male                      bed to become available.&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;But this                      just means that he’s good enough to go to a rehab facility                      – NOT that he’s fully recovered or out of the woods                      yet. In fact, he needs his fans now more than ever. THIS MEANS                      YOU! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Bottom                      line&lt;/b&gt;: Those of us who grew up reading his words in Famous                      Monsters Of Filmland, learned that we were not alone –                      not the freaks that others said we were. We owe this man a                      debt of gratitude. The very least you can do is to send a                      Get Well card to help cheer him up. I promise that it will                      do just that. Even if you’ve already sent a card, send                      another. Even if you hate my worm-laden guts, do it for him.                      Get off of your asses, pry your wallets open and spend a few                      bucks to help put a smile on the face of The Ultimate Horror                      Fan. Do it now. You’ll be glad you did. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now, things                      change at the drop of a scalpel, in the hospital biz. So,                      check back with this sight all weekend in case they change                      the facility at the last minute. If the following address                      is still up Monday afternoon [5/20], it’s the right one.                      Starting Monday afternoon, let’s send out as many greetings                      as possible for this guy. He certainly deserves it. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Send cards,                      letters, flowers, cleavage-bearing women to: &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Forrest                      J. Ackerman&lt;br /&gt;                    c/o The Santa Monica Pavilion&lt;br /&gt;                    12001 Santa Monica Boulevard&lt;br /&gt;                    Los Angeles, CA 90025 &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;M:I                      3 CRUISES ALONG WITH FINCHER AT THE HELM &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;SE7EN                      director David Fincher has chosen to accept an interesting                      mission - taking the reins of Mission: Impossible 3. While                      this project might not give Oh The Horror fans a much-needed                      cinematic stiffy, the Mission Impossible flicks tend to do                      bizarre things to directors. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Master                      thief, Brian DePalma managed to direct M:I 1 without ripping                      off Hitchcock – not an easy feat for DePalma – and                      it was a pretty fair flick. I said, “Fair”. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;M:I 2                      seemed the perfect project for action-tsar, John Woo. But                      Woo just proved that he should have never left the old country.                      He hasn’t made a good film since he plopped down on this                      side of the pond. What’s the reverse of Yankee Go Home?                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, what                      will M:I 3 do to the guy who brought us Panic Room, Fight                      Club and the much-underrated Alien 3? Only time will tell.                      But, since both Tom Cruise and Fincher are represented by                      Creative Artists Agency, we’ll all be able to sleep at                      night knowing that CAA will get a big fat hairy paycheck.                      What a shock! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;IN                      THE ZONE &lt;/b&gt;&lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Actor/Producer/Director                      Forest Whitaker is about to add Spooky Narrator to his growing                      resume. UPN has lured Whitaker into its Twilight Zone. He                      has taken on the host role for the network's anthology series,                      providing intros and outros to each episode's self-contained                      vignette, and will also have producing input. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now before                      you purists start whining, let’s remember that if any                      of you numb-nuts had given the mid-eighties CBS series half                      a chance, you would have been treated to some pretty impressive                      stories like, Wordplay, NightCrawlers, The Shadow Man, Shatterday,                      Button Button, Gramma (and a slew more) directed and/or written                      by the likes of Stephen King, Harlan Ellison, Rockne S. O'Bannon,                      Joe Dante, Wes Craven, William Friedkin and the always entertaining,                      Alan Smithee. You would have also seen some great performances                      by non-genre stars like Robert Klein, Danny Kaye and, especially,                      Ralph Bellamy, in Monsters. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, knowing                      that you screwed the pooch once before, maybe you TZ geeks                      will grow a pair of nads and give UPN’s Twilight Zone                      a shot before deciding if it’s good or just doo-doo doo-doo.                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;TLOTR:                      TFOTR: SE [WHAT IS THIS, KLINGON???] &lt;/b&gt;&lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;An extended                      cut, Special Edition, of "The Lord of the Rings: The                      Fellowship of the Ring" will come out on DVD just five                      weeks before sequel "The Two Towers" premieres in                      theaters on December 18th. The VHS and DVD versions will include                      more than 30 minutes of extra footage that likely will generate                      an R rating, the folks at New Line Cinema told me. A four-disc                      DVD version also will include more than six hours of supplemental                      material. The PG-13 version of the three-hour movie will be                      available Aug. 6. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Tempting                      consumers to buy both editions, the first DVD version, on                      August 6th, ($29.95) will include a 10-minute behind-the-scenes                      teaser of "Two Towers" among two hours of supplemental                      material on a double-disc set. Yeah, because us poor saps                      have too much freakin’ money to begin with, right? Now,                      New Line’s going to make us buy both versions. Great!                      Don’t I get to leave some money to the bitches when I                      die? Cause make no mistake - I takes care o’ my bitches!                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;In a related                      matter, a longer, director's cut of Pearl Harbor, is coming                      out on July 2. It will include never-before-seen footage of                      the sinking of the USS: WHO GIVES A HEALTHY SHIT??? This movie                      sucked! It was an insult to those who fought and died at Pearl                      Harbor. Why in the Blue Hawaii Hell would I want to see 19                      minutes more of it? Stop already!!! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - -                      - - - - - - - - - - &lt;/span&gt;&lt;/p&gt;                   &lt;p align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;FOG                      – FINALLY!&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;                                      &lt;p align="left"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    Those of you who don’t own the Laserdisc of John Carpenter’s                      The Fog, have missed out on a whole bunch of extra goodies.                      The lucky few of us that do own it, have known for years that                      The Fog is one of Carpenter’s best discs, both in quality                      and content. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Well,                      I have some great news for you puny 5-inchers. On August 27th,                      MGM will release a long-awaited new Special Edition of Carpenter's                      modern ghost story. The disc includes a new 2.35:1 anamorphic                      widescreen transfer, an all-new 28-minute documentary on the                      making of the film, along with most of the goodies found on                      the laserdisc: an audio commentary with Director John Carpenter                      and Producer Debra Hill, an outtake reel, trailers and TV                      spots. And the cover art is among the spookiest I’ve                      ever seen. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;MGM continues                      their fine tradition of giving us high quality at a low cost.                      The Fog Special Edition will list for $19.95! Hey, did you                      hear that Paramount? A Special Edition for under twenty bucks.                      And you lummoxes dare to list the trailer-only DVD of The                      Dead Zone for 29.99? You guys must have a set of balls the                      size of Rosie’s ass! &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;BURIED                    TREASURES &lt;/span&gt; &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="291"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Out of                      the kindness of my heart, I’m going to toss a little                      extra your way in the form of an Easter egg. Now wipe that                      sloppy grin off of your face. I don’t mean a real Easter                      egg or a rich, creamy chocolate one, bursting with caramel                      goo... I mean a feature, hidden in certain DVD menus, that                      is sure to be more fun than a pencil in the ankle. All set?                      Groovy! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;EVIL                      DEAD [LIMITED EDITION BOOK OF THE DEAD]&lt;/b&gt;&lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Anchor                      Bay’s latex-covered Book Of The Dead [DV11904] has two                      interesting Easter eggs that are bound to please. Get it?                      Book… Bound? Eh, good humor is wasted on you dummköpfes.                      &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;First:                      Go to EXTRAS", once there, hit the LEFT arrow and highlight                      the sketch on the left side of the screen to see a short special                      effects test.&lt;br /&gt;                    Then: Continue to next page of BONUS FEATURES and move left                      until the skull is highlighted and you will get to see a panel                      discussion of a 2001 Halloween Night screening of The Evil                      Dead. Hey, don’t take my word for it… See for yourself.                      &lt;/span&gt; &lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle"&gt;                    &lt;div align="center"&gt;                      &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;&lt;b&gt;&lt;span style="color:#ff0000;"&gt;WIN                        ZOMBIE HOLOCAUST ON DVD!!!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                     &lt;p&gt;&lt;img src="http://web.archive.org/web/20020608184553/http://ohthehorror.com/images/dvd/ZombieHolocaust.jpg" width="98" height="140" /&gt;&lt;/p&gt;                   &lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="351"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;FREE                    DVD&lt;/b&gt;: The winner of Lamberto Bava’s Delirium on DVD                    is the one, the only, Philip Thron. [Hey, wasn’t there                    a Disney flick called Thron?] Anyway, a buttload of you winner-wannabes                    guessed correctly that “IN SPACE, NO ONE CAN EAT ICE CREAM!”                    was the tagline from KILLER KLOWNS FROM OUTER SPACE. But, Phil                    got picked like a five year old’s nose. &lt;/span&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Sef and                      Marcela have ponied up a brand spankin’ new DVD of the                      infamous gut-muncher, Zombie Holocaust [a/k/a: Dr. Butcher                      MD] as a prize for one of you movers and shakers. So I guess                      it’s time to get to this column’s tagline. Let’s                      get ready to rumble: &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;                    &lt;b&gt;MOVIE TAGLINE:&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;“THEY                      SAY THERE’S NOTHING NEW UNDER THE SUN. BUT, UNDER THE                      GROUND…” &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Okay,                      dirtbags, you know what taglines are. To give a non-horror                      example; George A. Romero’s Knightriders’ tagline                      was “Camelot Is Just A State Of Mind.” See, it’s                      super simple… just like you. Now, the Botswanan boy I                      pay $1.00 a month to be my trusty ward and assistant, cuts                      and pastes all of the correct entrees onto sheets of paper                      for me, then cuts them up into individual slips of paper so                      we can do the drawing. That’s why I need &lt;b&gt;FULL NAME&lt;/b&gt;,                      &lt;b&gt;CORRECT ANSWER&lt;/b&gt; and &lt;b&gt;EMAIL ADDRESS&lt;/b&gt;. And don’t                      wait around forever, now. We’ll be picking a winner in                      around two weeks. From now on, even ex-winners can play immediately,                      as I haven’t shared the source of the tagline with anyone,                      including Sef or Marcela. Now, crank up your brain and write                      me at &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;                      with the correct frightful fear flick the above Tagline is                      from… or don’t. &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="44"&gt;&lt;i&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And                    now it’s time for…&lt;/span&gt;&lt;/i&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="48"&gt;                    &lt;div align="center"&gt;                                           &lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;THE                      REAL BEAL!&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="1541"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;These                      are my thoughts. Read them, print them, bind them, keep them                      and worship them like the epiphany they are. &lt;/i&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;TCM:                      2K3 - DO SOMETHING ABOUT IT OR SHUT THE HELL UP! &lt;/b&gt;&lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I was                      sitting here last night slurping Barbados, devouring a slab                      of churrasco and feeling pretty freakin’ sorry for myself.                      Forrest J Ackerman is ailing, The X-Files ends on Sunday and                      every good horror movie from the 50s, 60s and 70s is being                      remade. The more I thought, the more I realized that there’s                      nothing I can do about it… or is there? &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I mean,                      I gotta have faith that Forry will do his best to fight his                      way outta this Health Hell he is in, I know in my heart that                      The X-Files needs to end, and the assholes remaking Dawn Of                      The Dead and The Texas Chainsaw Massacre [to name just two                      of the many] are doing this only for the money… like                      most good whores will do. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;As someone                      who reports on horror entertainment, I hear it all. So do                      the guys at Gorezone and AICN on the Net, Fangoria, Video                      Watchdog, Midnight Marquee and myriad printed magazines. For                      the most part, we are fans, just like you, and we are outraged                      when we hear that the guy who wrote Scooby-Doo is doing the                      screenplay for Dawn Of The Dead or that Ryan Witherspoon…                      uh, I mean Ryan Phillippe is going to play Leatherface in                      the new Texas Chainsaw Massacre. Oh, I’m not shitting                      you. My left hand to God, pretty-boy Ryan was cast as Leatherface.                      By the way, did you know that Ryan has tons of homepages made                      by teenage girls with nothing better to do with their time?                      Are they informative? You betcha! Why, just yesterday, I learned                      that Ryan likes cycling, basketball and reading. Also long                      walks by the… you get the idea. He’s not an actor                      – he’s a heartthrob. Dear God, can you imagine a                      Gunnar Hansen home page that talks about Gunnar’s love                      of kayaking and communing with the great outdoors? “Gunnar                      keeps a scrapbook of his favorite leaves from his many nature                      walks…” That would be enough to make me puke out                      my own stomach lining. Gunnar is all man, baby. Gunnar can                      eat the bark off of the mighty oak tree. Gunnar, at age 46,                      can kick the jolly green snot out of Ryan Phillippe’s                      entire family, while simultaneously eating Reese Witherspoon’s                      spleen! Cycling, indeed! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I wish                      that was all of the bad news related to TCM: 2K3. It isn’t.                      Producer Michael Bay [Yes, he’s remaking I Am Legend                      too!] has hired Marcus Nispel to helm the TCM update. Who,                      you ask? Why it’s the same Marcus Nispel who is responsible                      for – are you ready? – drum roll please – many                      music videos and commercials. Don’t ya just wanna eat                      your own vomit? Me too. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And lastly,                      in the lousy TCM: 2K3 news department, Michael Bay has told                      many publications that this movie will focus more on the horror                      than the gore. The gore? Did he see the same movie I saw?                      The most brilliant aspect of the original Texas Chainsaw Massacre                      is that there is no gore. It is all implied – so much                      so, in fact, that you can still find people who will tell                      you that you can see the meat hook actually go through and                      come out of the female victim, as Leatherface hangs her up                      to dry. Now that really speaks to the brilliance of Tobe Hooper’s                      TCM. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;What to                      do about it? We - journalists and fans alike - need to send                      the message that we want these shitheads to stop spending                      $20 million bucks on remakes and start making original product!                      Don’t they realize that good horror fans will see anything                      new? Shit, in 1981, a bunch of my friends and I went to see                      The Boogens. That’s right - a movie that sounds like                      the monster crawled out of a nostril. But, we were all there.                      Actually, we had a great time. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And how                      do we send that much-needed message? Don’t pay to see                      it and don’t, under any circumstance, report on it. Will                      it work? I honestly think so. Remember, the opposite of Love                      isn’t Hate – it’s Apathy. Look, AICN is a great                      site. And I promise that they won’t go under if they                      don’t show the latest pictures of Leatherface, when they                      finally surface. Gorezone won’t fold and neither will                      Oh The Horror. Fangoria is still, after many years, a very                      good print magazine and a great source for upcoming movies.                      I know it’ll be hard for them to pass on covering TCM:                      2K3 and Dawn Of The Dead. Video Watchdog is the best DVD review                      magazine in the world. Let’s hope Tim and Donna Lucas                      decide to pass on these two DVDs. Trust me, the publishers                      of today feel the same about these movies as we do and it’s                      time for them so step up to the plate. Fangoria covered Pus                      Van Sant’s Psycho way too much. Even they would admit                      that. Well, they don’t have to make that same mistake                      again. Here’s their chance to prove it. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The fans                      have a responsibility too. Don’t pay to see these movies.                      Download them from KaZaA or wait till you get a free Hollywood                      Video rental coupon or sneak into the theater [Not that I’m                      suggesting you break any laws, mind you. I’m not.] The                      Producers will brag about making the money on the foreign                      market, etc. But if Americans don’t pay to see these                      movies, it doesn’t matter how much foreign cash comes                      in – they won’t be made in the future. &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Look,                      I know it’s easier said than done. There’s a part                      of me that can’t wait to see how they’re going to                      butcher TCM: 2K3, I Am Legend, Dawn Of The Dead and whatever                      ends up being the next cartoon-turned-live-action movie. But                      if you want this madness to stop, it’s time to do something                      about it. If not, you’d better get ready for remakes                      of Re-Animator, The Sixth Sense, Phantasm, The Exorcist, Videodrome                      and The Evil Dead (with someone other than Bruce Campbell                      playing Ash.) &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Can’t                      be done, you say? Let me remind you – Ryan Phillippe                      is Leatherface! &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre                      les Morts,&lt;br /&gt;                    Nick Beal &lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;PS: Someone                      remind me to peel the masking tape “X” off of the                      living room window at 10:00PM, Sunday night. It won’t                      do any good after that. &lt;/span&gt; &lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-5884549689460485847?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/5884549689460485847/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=5884549689460485847' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/5884549689460485847'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/5884549689460485847'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-051702.html' title='Nick Beal 05/17/02'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-244598337647699244</id><published>2008-11-18T17:17:00.000-08:00</published><updated>2008-11-18T17:18:06.966-08:00</updated><title type='text'>Nick Beal 11/14/01</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" valign="middle" height="1"&gt;&lt;b&gt;11/14/01&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td align="center" valign="middle" height="1"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;Movie                      News&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20020221212943/http://ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                   &lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;                            &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;NOOSE                    REPORT&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="2641"&gt;                                       &lt;p&gt;&lt;b&gt;BIG TOYS FOR BIG BOYS… YEAH, AND BIG GIRLS TOO!&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Clive Barker and Todd McFarlane have signed on Universal Pictures’                      dotted line to produce a film based on a line of action figures                      created by Mr. B, himself. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Figures of Barker's Tortured Souls were released in limited                      numbers last year by McFarlane Toys, and sold out faster than                      spit through a trumpet. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    The six grisly Tortured Soul characters -- Agonistes, Talisac,                      Scythe-Meister, Mongroid, Lucidique and Venal Anatomica --                      were each sold with a chapter of an original Barker-penned                      storyline. When combined, the chapters form a novella outlining                      the origin of the Tortured Souls. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Barker is currently writing the Tortured Souls treatment based                      on that novella, but the ultimate plot remains a bit fuzzy.                      [And I don’t mean the warm fuzzies!!!] The deal with                      Universal could be worth two million buckaroos to Clive and                      Todd if a feature film ever sees the light of day… or,                      more likely, the dark of night. Why, this sounds so good,                      it just has to suck!&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;I DO NOT HAVE SLEEP?&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Well, that might be the literal translation but when Artisan                      releases Dario Argento's latest shocker, Non Ho Sonno on DVD                      December 18th, it’ll be titled the more English-friendly;                      I Can’t Sleep.&lt;/p&gt;                   &lt;p&gt;The DVD will be widescreen, with a photo gallery, a theatrical                      trailer and something that is sure to give you una costruzione                      - an Argento audio commentary. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Now, really… would you rather count sheep or bodies?&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;THE SEQUEL IS OUT THERE!&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    TV God, Chris Carter is in serious talks with 20th Century                      Fox to develop a second movie based on his long-running hit                      TV series, The X-Files. As with 1998’s X-Files: Fight                      The Future, Carter would write and produce with God-in-waiting,                      Frank Spotnitz. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Although not tied to the project yet, original stars David                      Duchovny and Gillian Anderson have both indicated a desire                      to return for the new picture. Since Duchovny left the series                      last year and Anderson is slated to leave at the end of this                      season, the next movie is being developed as a stand-alone                      vehicle for agents Mulder and Scully. And that’s a good                      thing! Most of The X-Files’ best episodes [Home, Terms                      Of Endearment, both Squeeze and Tooms, Bad Blood - to name                      just a few] have been the stand alones instead of the ones                      steeped in the often-too-elaborate "X" mythology.                    &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Carter and Spotnitz are expected to begin writing the screenplay                      within the next few months and the picture could begin shooting                      by late 2002. It's expected the earliest this puppy could                      be released is Christmas 2003. Until then keep chanting the                      mantra; more boxed sets, more boxed sets, more…&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    - - - - - - - - - - - - -&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;BIG FREAKIN’ DEAL!&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Attention, Attention: You might want to write this one on                      your next calendar… in invisible ink! On March 5th, 2002,                      Universal is dropping the price of Jan de Bont’s The                      Haunting from $24.99 to $14.95. Wow! Hey, guys… drop                      that sucker another fifteen bucks and it might just be worth                      picking up. Thanks for nothing!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    - - - - - - - - - - - - -&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;ED4? GROOVY!&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    It looks like Robert Tapert, Sam Raimi and Bruce Campbell                      are going to thrill us with again with their first indie project                      in decades. But, will it be Evil Dead 4? Tapert has been talking                      but not in specifics.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    "Well, I've sort of been authorized to make some sort                      of statement... and Sam, Bruce and I want to make a good,                      old fashioned independent film. Sam directing and Bruce starring.                      Whether or not that will be an Evil Dead sequel, I don't know                      if any of us know that. But this project is something we are                      definitely moving forward with." &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    To add fuel to the fire, Empire Magazine, from across the                      pond, printed an article about the making of the original                      Evil Dead. When asked about the possibility of a fourth movie                      Raimi replied: "Absolutely, the camera is going to start                      on the surface of the moon, full of giant craters and as it                      pulls back, it's Bruce Campbell's dimpled ass, playing a 25                      year old man when he's far too old. He's going to have a big,                      pot bellied gut and he's going to get back The Eye of the                      Tiger to battle the Evil Dead." &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Add to that, the fact that Bruce Campbell was down in this                      neck of the woods recently for a book signing and, via phone,                      told me that he’s no longer 100% certain that there’s                      not going to be another Evil Dead. Isn’t that a double                      negative or some English Class crap like that? Anyway, I’m                      takin’ that as a big, fat, wet “Yes!”&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    So, kiddies, be warned – it looks like Ash is comin’                      back to kick ass and chew gum… and he’s all out                      of gum!&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;EPISODE II DEBUT: MAY THE SCRIPT BE WITH US!&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Twentieth Century Fox has finally set a domestic release date                      for Star Wars: Episode II: Attack of the Clones of Thursday,                      May 16th, 2002 – a mere eight days before the Memorial                      Day weekend. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Gee, I don’t know about you, but I personally can’t                      wait to find out who’s going to talk like one of the                      Cosby Kids this time! Ah, sweet mysteries of life.&lt;/p&gt;                                      &lt;p&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;/p&gt;                                      &lt;p&gt; &lt;/p&gt;                                    &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;BURIED                    TREASURES &lt;/span&gt; &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="336"&gt;                    &lt;p&gt;Out of the kindness of my heart, I’m going to toss a                      little extra your way in the form of an Easter egg. Now wipe                      that sloppy grin off of your face. I don’t mean a real                      Easter egg or a rich, creamy chocolate one bursting with caramel                      goo... I mean a feature, hidden in certain DVD menus, that                      is sure to make you happier than a dog on a warm shin. Ready?                      Let’s light this candle!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;Hannibal&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;MGM’s way cool Hannibal DVD [1002321] has a knock out                      Easter egg for you to salivate over. Go the Breaking The Silence                      submenu on the special features disc, and on the left side                      there should be a vertical series of numbers [W950087673].                      Use the remote to navigate the cursor to the numbers, and                      press ENTER. You can now view a special music video entitled                      Clarice, comprised of various outtakes of Julianne Moore during                      filming. It really doesn’t take a head full of brains                      to enjoy this one! &lt;/p&gt;                                                                          &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="42"&gt;                    &lt;div align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:130%;color:#ff0000;"&gt;MUCHO                      IMPORTANTE: READ, OR ELSE!!!&lt;/span&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle"&gt;                    &lt;div align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;&lt;b&gt;&lt;span style="color:#ff0000;"&gt;GRAND                      PRIZE: FREE DVD!!!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle"&gt;                    &lt;p&gt;&lt;b&gt;QUOTE&lt;/b&gt;:&lt;br /&gt;                    “Death has come to your little town, Sheriff. You can                      either ignore it or you can help me to stop it.” &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;FREE DVD&lt;/b&gt;: You know, you goobers make me want to eat                      my own vomit. You write in bitching and whining like schoolgirls                      that we don’t give prizes for our QUOTES. So, we decide                      to give away a sealed copy of Anchor Bay’s The Johnsons                      DVD, presented widescreen (1.85:1) and containing an audio                      commentary with Director; Rudolph Van Den Berg and Writers;                      Roy Frumkes and Rocco Simonelli, a theatrical trailer and                      talent bios. It retails for $29.98 on Anchor Bay’s website!                      BUT, and there’s a big but here, I’m not going to                      slip you candy-asses an easy quote if I’m giving up goodies                      for the correct answer. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    So, after all of that, how do you repay my kindness? Well,                      I get twenty or so wrong answers and only ONE of you boneheads                      comes up with the right answer and he doesn’t have skull-stuffing                      enough to follow the rules. I mean, there were only three                      rules to begin with. What’s the big? So for you light-brained,                      I’ll give the simple rules again. Here goes, so pay attention.                      There will be a quiz! &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    You need to send your FULL NAME, your EMAIL ADDRESS and the                      CORRECT ANSWER. Anyone can play, as I haven’t shared                      the source of the quote with Sef or Marcela. So, even if you’ve                      had your name printed in this column for guessing a past quote,                      the slate has been wiped clean. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Just to recap;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    1. Guess the quote&lt;br /&gt;                    2. Win the contest&lt;br /&gt;                    3. Get the FREE DVD!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Last time, I said that I bet those rules were even simple                      enough for you guys! I guess I was wrong. So, write me at                      &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;                      and tell me which spooktacular fearfest the above Quote is                      from. Or just sit there like a freakin’ pile of flesh                      and I’ll keep the DVD. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Now, I’m hopping in the black Dodge and driving up Route                      666 to my hometown of… what business is it of yours!                      I’m going to be enjoying a Thanksgiving dinner with the                      few remaining souls who are willing to admit that they are                      my kin. I’ll be back in the corner office on November                      30th and we’re going to take the names (that’s plural)                      of all of you cretins that guessed the right movie, put them                      in Ivan’s stuffed monkey’s hat and pick the winner.                      I’ll be checking my email daily. So if you actually think                      you know something about movie quotes and you can use a keyboard                      without hurting yourself, email me and maybe, just maybe,                      you’ll be a winner for a change!&lt;br /&gt;                  &lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="44"&gt;&lt;i&gt;And                    now it’s time for…&lt;/i&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="48"&gt;                    &lt;div align="center"&gt;                                           &lt;span style="color:#ff0000;"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;GET                      REEL!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="2281"&gt;                    &lt;p&gt;&lt;i&gt;These are my thoughts. Read them, print them, bind them,                      keep them and worship them like the epiphany they are.&lt;/i&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;WHAT’S UP WITH THE COW?&lt;/b&gt;&lt;br /&gt;                    So, I’m talking to Sef the other day and we’re discussing                      what we always discuss – movies. I like talking to Sef.                      He’s insightful, he’s knowledgeable, he’s witty…                      he signs my paycheck. Anyway, Sef and I are trying to debate                      important issues and the conversation inevitably comes around                      to that age-old question; Do you put Psycho II in the Alfred                      Hitchcock section? After literally seconds of intense debate,                      we decide that Sef should leave Psycho II where it is now…                      on the floor behind the poster rack. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    With that world-altering decision out of the way, our chat                      turns to the stillbirth that is 1998’s “Re-Envisioning”                      of Psycho. At least I think that’s the term Gus Van Sant                      used. I can’t remember exactly because I don’t pay                      attention to any of the verbal diarrhea that spews from his                      lips. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    So, I say to Sef, “Hey, man, what the f*$% is up with                      the cow?”&lt;br /&gt;                    “What cow”, Sef replies?&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    And that’s when I realize that Sef doesn’t know                      about the cow! Sef, who is a stinking genius when it comes                      to horror flicks, has no earthly idea what in the blue Hell                      I’m talking about. I further realize that a whole buttload                      of people don’t know about the cow. Damn, you don’t                      even know about the cow, do you? Do you???&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    From that point on, my mission becomes stunningly clear –                      Warn People About The Cow!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    I’m not going to waste valuable space telling you what                      a dripping pusburger Psycho ’98 is. I mean, you can’t                      really call it Van Sant’s Psycho. He directed the freakin’                      movie from Hitchcock’s storyboards. Hell, he had a copy                      of the DVD on the set so he could check the original against                      his crapfest. Now, if a director [and I use the term loosely]                      uses another director’s storyboards and shoots a movie                      almost shot-for-shot the same as the original, who really                      directed the movie? Let’s face it; Hitchcock said many                      times that his directing took place in his head, months before                      the film began to roll. So, since Gussy used what Hitchcock                      came up with, I guess ol' Hitch must have directed this one                      too… well, except for the cow! [I’m getting to the                      cow.]&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    The original Psycho has tons of famous scenes. Many shots                      stick in one’s head. Two of the more-famous are Arbogast’s                      death on the stairs and, of course, the shower scene. Shall                      we take them one at a time? We shall.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    What makes Hitch’s shower scene so memorable, students?                      Actually two things. We all take showers, with the possible                      exception of Sandra Bernhard, and we all feel vulnerable in                      the shower. In most cases, there’s nowhere to run if                      a knife-wielding maniac is stabbing you repeatedly. It is                      claustrophobic and Hitch was smart enough to keep all of the                      shots in the shower, tight. He’d never do anything to                      take the viewer out of that claustrophobic atmosphere. Especially                      something so stupid as to show storm clouds – thus bringing                      the moviegoer outside into the wide gray yonder. Well, Gussy                      did. Check it out! There are shots of storm clouds interspersed                      with shots of his shower scene. Oh, yes… that’s                      stupid and sure proof that, where it comes to Van Sant, no                      talent exists. But he didn’t stop there, kiddies. Nope.                      Sure as I’m the Dark Lord and I want to take Mira Sorvino                      as my queen, ol’ GVS did something dopier than storm                      clouds during the shower scene. [Okay, I’m getting to                      the freakin’ cow already!]&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    This brings us to Milton Arbogast’s death. Most of us                      have taken a dive down a flight of stars at least once in                      our lives. Some of you might have even been sober when it                      happened. But few of us do it right after being stabbed and                      even less of us have gone down backwards! Can you imagine                      how painful that must be? When I saw Martin Balsam headin’                      down to the first floor, in the original, I kept hoping he’d                      catch his balance and run like hell, out of that house. I                      mean, he seemed like a standup guy and I didn’t even                      want to think about the head-smack he’d take when he                      hit the bottom. So, I was rooting for Arbogast like there                      was no tomorrow. Unfortunately, for him, there wasn’t.                      [Cow alert!]&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Now, while watching the great William H. Macy do the same                      scene, it was tougher to concentrate on his inevitable plight.                      Why? Well, I guess I was distracted. By what, you ask? Why,                      the COW, of course!!! What, you missed it? Then I suggest                      you pick up your drink, grab the Psycho ‘98 DVD you’ve                      been using as a coaster, slap it in your player, cue up the                      Arbogast-buys-the-farm scene and look closely. You’ll                      see it. Right after the knife makes the second slice on Arbogast’s                      eye, GVS inserts a shot of a cow on a rain-slick road. Way                      to take ‘em outta the game, Bubba! I’m pretty sure                      if you did manage to catch the cow shot, you were too busy                      thinking, “What the f*$%?” to give any kind of a                      rat’s ass about Arbogast, world peace or whether your                      date was going to give you happy pants after the flick ended.                      Be warned, once you’ve seen the cow, you’ll never                      see Arbogast’s death again. No matter how used to it                      you get.&lt;/p&gt;                   &lt;p&gt;So, now you know about the cow and it is important that you                      pass on what you know about the cow to folks that might not                      be as “in the know” as you are. Dear friends, it                      is imperative that you do everything in your power to preserve                      all rental copies of Psycho ’98. That’s right…                      preserve them. Treat them like a ’68 Dodge Charger or                      a high class hooker. I don’t want anything to happen                      to those DVDs. They need to last a good long time. You see,                      the reason we have history books and the reason we leave death                      camps standing is so that no one will ever forget and commit                      the same despicable acts again! You catchin’ my drift?&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    D’Entre les Morts,&lt;br /&gt;                    Nick Beal&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    PS: I admire few people, but William H. Macy is a brilliant                      actor. He da man! So, why aren’t I jumping all over his                      butt for taking a roll in this celluloid plate of steaming                      poop? I have to believe that he received some sort of head                      trauma during the filming of Pleasantville and, therefore,                      can’t be blamed for this minor filmatic indiscretion.                      If that’s not the case, don’t tell me. &lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-244598337647699244?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/244598337647699244/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=244598337647699244' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/244598337647699244'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/244598337647699244'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-111401.html' title='Nick Beal 11/14/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-9075864392399874208</id><published>2008-11-18T17:15:00.000-08:00</published><updated>2008-11-18T17:16:43.805-08:00</updated><title type='text'>Nick Beal 10/30/01</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="right" valign="middle" height="1"&gt;&lt;b&gt;10/30/01&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr&gt;                  &lt;td align="center" valign="middle" height="1"&gt;                    &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;Movie                      News&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20020202205508/http://ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                   &lt;br /&gt;                    &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="60"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;                            &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="31"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;NOOSE                    REPORT&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="3504"&gt;                                                          &lt;p&gt;&lt;b&gt;FM RIP?&lt;/b&gt;&lt;br /&gt;                    The newsgroup, Reuters is reporting that Famous Monsters of                      Filmland, [FM to its fans] a 44-year-old magazine credited                      with inspiring such future Hollywood luminaries as Steven                      Spielberg, George Lucas, Joe Dante, Rick Baker and Stephen                      King, may be seeing its last Halloween.&lt;/p&gt;                   &lt;p&gt;The Los Angeles-based magazine, a staple in the horror world                      for paying homage to classic science fiction and horror film                      characters, is slated for court-ordered auction this week,                      the Los Angeles Times reported on Monday.&lt;/p&gt;                   &lt;p&gt;The magazine is in trouble because U.S. Bankruptcy Judge                      Arthur Greenwald declared that its publisher, Ray Ferry, fraudulently                      transferred ownership to his housemate, Gene Reynolds.&lt;/p&gt;                   &lt;p&gt;Hey, people, if you think that’s the only thing Ray                      Ferry ever did that was less-than-forthright, I have this                      bridge in Brooklyn...&lt;/p&gt;                   &lt;p&gt;This oozing scumbag screwed over our Uncle Forry [Forrest                      J Ackerman], kicking him off of the magazine that was truly                      his and then continuing to put out FM without telling anyone                      FJA was gone. As far as I’m concerned, FM #210 [if memory                      serves] was when Famous Monsters really died. I haven’t                      purchased an issue since then and anyone who knew FJA was                      gone and continued to buy FM was NEVER a fan of the original                      Famous Monsters. Let’s face facts here, FM was FJA and                      FJA was FM! Keep repeating that because, in a world of lies,                      that is an absolute truth.&lt;/p&gt;                   &lt;p&gt;In 1990, FM was brought back to us when FJA, its founding                      editor, joined forces with Ray Ferry. But the partnership                      ended a few years later. Last year a Van Nuys jury found Ferry                      liable for breach of contract, libel and trademark infringement                      and awarded FJA $500,000 and rights to the pen name "Dr.                      Acula."&lt;/p&gt;                   &lt;p&gt;Ferry then transferred his assets to Reynolds and filed for                      bankruptcy protection, the Times reported. The judge found                      the asset transfers fraudulent because Ferry was trying to                      keep them away from creditors, while continuing to function                      as the magazine's editor. &lt;/p&gt;                   &lt;p&gt;Ferry claimed he owed his housemate back pay and was merely                      donating his time and equipment to Reynolds. Yeah, that’s                      the ticket. Bridge anyone?&lt;/p&gt;                   &lt;p&gt;Solution: One or two of you guys who FM did so much to help                      – King, Lucas, Spielberg, Dante, Baker - need to step                      up and buy FM. It won’t amount to much more than lunch                      money for you guys. When I called Forry to wish him a Happy                      Birthday [82, I think] he sounded energized and, with him                      at the helm, Famous Monsters could be a premiere magazine                      again. Now, I’m not saying he should run the thing on                      his own like in the old days. He’ll need a good staff,                      a little start-up money and the corner office. Forrest J Ackerman                      still has much to say about the world of fantastic films,                      especially with so many classics coming out on DVD. And, let’s                      face it, retro is “in”, bigtime! Come on, guys…                      Buy FM, kick Ferry’s ass out and put Forry back in. This                      way, we can all die happy... Well, except for Ray Ferry. Rot                      in Hell, chum. &lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                                      &lt;p&gt;&lt;b&gt;I’M DREAMING OF A BLACK CHRISTMAS&lt;/b&gt;&lt;br /&gt;                    Will wonders never cease? Bob Clark's classic scarefest, Black                      Christmas is finally getting a proper U.S. DVD release, on                      November 6th, thanks to Music Video Distributing! [I know,                      I haven’t heard of them either!]&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Up until now, Black Christmas has only been available on DVD                      from Critical Mass/Video Service Corp. Their 25th Anniversary                      Edition [VSC1269] was presented 1.33:1 and contained Interactive                      Menus, Cast Bios and the Original Theatrical Trailer. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    By far, the highlights of the Critical Mass disc were the                      two short interviews with horror legend, John Saxon. Totaling                      just over three minutes, [2:09 &amp;amp; 1:00] the interviews                      contain Saxon speaking very fondly of his experience acting                      in Black Christmas. Let’s hope the folks at Music Video                      Distributing are aware of the interviews and will add those                      to this much-anticipated release. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    The MVD disc will have a non-anamorphic widescreen transfer,                      2.0 stereo track, the always-welcome theatrical trailer and                      cast and crew bios. And the cast and crew bios should be mighty                      lengthy, considering the incredible behind-the-camera folks                      associated with this movie. John [Tenebre, A Nightmare On                      Elm Street] Saxon, Margot [Sisters, Superman] Kidder, Keir                      [2001: A Space Odyssey, The Starlost] Dullea, Olivia [IT,                      Psycho IV] Hussey and Andrea [Yes, from SCTV!] Martin are                      among the cast.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    By the way, I was emailed, just the other day, and asked if                      the sequel to Black Christmas is A Christmas Story. Uhhhhhh,                      No! While it’s true that Bob Clark directed both movies,                      and I personally think they are both great flicks, Black Christmas                      has about as much to do with A Christmas Story as Henry And                      June has to do with Henry, Portrait of a Serial Killer.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    So, have yourself a scary little Christmas and add this exceptional                      horror film to your library. Don’t make me come over                      there and kill you in your sleep, ‘cause once I start,                      I won’t be able to stop myself. I mean it Missy!&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                                      &lt;p&gt;&lt;b&gt;WHAT?&lt;/b&gt;&lt;br /&gt;                    Oh, this one is priceless! Kismet Entertainment Group and                      International Media Films have merged to form a new company,                      Kismet Classics. Good for them… Bad for us. You see,                      they have designed this company to do remakes of 13 films                      helmed by Italian horror film director Mario Bava, and 14                      other Italian horror, sci-fi and adventure films!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    The first library deal for Kismet Classics; Baron Blood, Black                      Sunday, House of Exorcism, Bay Of Blood and the Boris Karloff                      gem, Black Sabbath.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    ``Bava was an auteur who didn't really get much credit until                      after he retired, but who had great style and substance to                      his films,'' David E. Allen recently stated. ``It was so impressive                      to see that what he pioneered during the sixties and seventies,                      you are still seeing done into the nineties.''&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Allen went on to say that Kismet Classics will be reminiscent                      of Dark Castle, the company formed by Joel Silver and Bob                      Zemeckis, primarily to redo the films of horror maestro William                      Castle. Oh, well that explains everything. One more hack company                      to remake cool films from the 50s and 60s and turn them into                      assembly line junk! Hey, Davie, if you were so impressed by                      Bava’s “style and substance” why in the blue                      Hell would you want to redo his movies, handing over the reins                      to a director who won’t have anywhere near Bava’s                      “style and substance”? And if “what he pioneered”                      we are “still seeing done, into the 90s”, then why                      do we need to see your guys do it? Give me a break! Here’s                      a suggestion; hire a writer willing to give you an original                      idea - since you can’t seem to find one on your own –                      and put out a quality horror movie that we will all love.                      This way, you’ll make tons of box office dough followed                      by a DVD that is so good, we all need to buy it. In short,                      you can start making new classics and leave the old ones alone.                      There are only a handful of good remakes out there [Carpenter’s                      The Thing, Cronenberg’s The Fly, Savini’s Night                      Of The Living Dead…] Trust me, you don’t have the                      juice or the talent to get on that short list. Especially                      if you plan on putting out the caliber of rat snot that the                      recent House On Haunted Hill remake brought to the genre.                      Do us all a favor – Go away!&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                                      &lt;p&gt;&lt;b&gt;THE POWER OF CASH COMPELS YOU!&lt;/b&gt;&lt;br /&gt;                    The producers of Morgan Creek’s upcoming mega-million                      dollar Exorcist prequel have snagged another big name for                      their cash-soaked pic. They started by signing Bill [T2] Wisher                      to write the script, then John [Manchurian Candidate, Seconds]                      Frankenheimer to direct. The latest to be added to the Big                      Paycheck List is Liam [Darkman] Neeson – who will play                      Father Merrin, the part that Max Von Sydow made famous in                      the original shocker. The new Exorcist begins production this                      Spring in the United States, Africa and the United Kingdom.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Now, before you all go thinking that this bad boy is going                      to have any kind of merit, just because Morgan Creek is throwing                      the bank at it, let’s remember two words… Washington                      Redskins.&lt;/p&gt;                                      &lt;p&gt;- - - - - - - - - - - - -&lt;/p&gt;                                      &lt;p&gt;&lt;b&gt;RETURN OF THE LIVING DVD&lt;/b&gt;&lt;br /&gt;                    My new mole at MGM tells me they’ll be releasing Return                      Of The Living Dead on Region 1 DVD in the second half of 2002!                      This extremely cool, extremely funny fright flick will be                      released widescreen with 16X9 enhancement. Now, if they could                      only go the Killer Klowns From Outer Space route and toss                      in a coffinload of extras, I’d be willing to kiss them                      on the lips. Well, some of them.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Recently, some InterNUTS out there started claiming that ROTLD                      was shot 1.33:1 or 1.66:1 – probably due to the fact                      that the film was shot "open matte", so full-frame                      transfers reveal more picture information on the top and bottom                      than a widescreen transfer does. This may be true but I have                      personally seen the workprint of Return Of The Living Dead                      more than a few times and I can tell you, plainly, simply,                      Return Of The Living Dead was shot 1.85:1, period. &lt;/p&gt;                                                         &lt;p&gt;&lt;br /&gt;                    Hey, what about this for a solution; considering that MGM                      says they have future plans to put a bunch of their DVD titles                      out fullscreen on one side and widescreen on the other, why                      not give everyone a big ol’ pumpkin smile and start with                      Return Of The Living Dead? And remember our mantra; More Brains!&lt;/p&gt;                                    &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;BURIED                    TREASURES &lt;/span&gt; &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left"&gt;                    &lt;p&gt;Out of the kindness of my heart, I’m going to toss a                      little extra your way in the form of an Easter egg. Now wipe                      that sloppy grin off of your face. I don’t mean a real                      Easter egg or a rich, creamy chocolate one bursting with caramel                      goo... I mean a feature, hidden in certain DVD menus, that                      is sure to make you happier than Norman Bates in a cutlery                      shop. Ready? Steady Go!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;C.H.U.D.&lt;/b&gt;&lt;br /&gt;                    Anchor Bay Entertainment’s ultra-cool release of C.H.U.D.                      [DV11327] includes a Halloween hotty for you.&lt;br /&gt;                    From the Main Menu, go to the Extras Menu and press UP. This                      will highlight CHUD’S eyes. Next, press ENTER. This takes                      you to an extended scene of a girl taking a shower. Mature                      Audiences Only! You youngsters need to back off… There’s                      hootage here!&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle"&gt;                    &lt;div align="center"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;&lt;b&gt;&lt;span style="color:#ff0000;"&gt;GRAND                      PRIZE: FREE DVD!!!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle"&gt;                    &lt;p&gt;&lt;b&gt;QUOTE&lt;/b&gt;:&lt;br /&gt;                    “Death has come to your little town, Sheriff. You can                      either ignore it or you can help me to stop it.” &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;FREE DVD&lt;/b&gt;: Okay, geniuses, I’ve been telling you                      for the past three columns that the quotes were going to get                      tougher. But, what I didn’t tell you was that, from now                      on, we’ll be giving away free stuff to one of you weasels                      who guesses the movie my current quote appears in. On November                      13th, we will take the names of all of you cretins that guessed                      the right movie, put them in Ivan’s stuffed monkey’s                      hat and pick the winner. That winner will receive, by mail,                      a sealed copy of Anchor Bay’s The Johnsons DVD. This                      sucker is presented widescreen (1.85:1) and contains an audio                      commentary with Director; Rudolph Van Den Berg and Writers;                      Roy Frumkes and Rocco Simonelli, a theatrical trailer; talent                      bios… you get the idea. Hey, on Anchor Bay’s website,                      it retails for $29.98! &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    You need to send us your full name, your email address and                      the correct answer. Anyone can play, as I haven’t even                      shared the source of the quote with Sef or Marcela. So, even                      if you’ve had your name printed in this column for guessing                      a past quote, the slate has been wiped clean. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    So, just to recap;&lt;br /&gt;                    1. Guess the quote&lt;br /&gt;                    2. Win the contest&lt;br /&gt;                    3. Get the FREE DVD! &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    I bet that’s even simple enough for you guys! So, write                      me at AliasNickBeal.com and tell me which spooktacular fearfest                      this is from. Or just sit there like a freakin’ lump                      and I’ll keep the DVD.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;LAST COLUMN’S QUOTE&lt;/b&gt;: “You’re crazy to                      know who I am, aren’t you? Alright… I’ll show                      you!”&lt;br /&gt;                    James Lutz of CA was the first reader to get back to me with                      the correct answer: The Invisible Man. Nice going, James!                      That one was as plain as the nose on your face.&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="44"&gt;And now                    it’s time for…&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="49"&gt;                    &lt;div align="center"&gt;                                           &lt;span style="color:#ff0000;"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;GET                      REEL!&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" valign="middle" height="3625"&gt;                    &lt;p&gt;&lt;i&gt;These are my thoughts. Read them, print them, bind them,                      keep them and worship them like the epiphany they are.&lt;/i&gt;&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    &lt;b&gt;666 CHANNELS AND NOTHING’S ON!&lt;/b&gt;&lt;br /&gt;                    Let’s travel back in time, shall we? Not too far…                      back to October 15th. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    I’m sitting in my spacious office, looking out on the                      little people, contemplating possible ways to solve world                      hunger and other important crap like that. Suddenly…                      a knock at the door. The retinal scan verifies that it’s                      my trusty Ward of 11 years. I think his name is Skippy…                      or Juan… I know it starts with a capital letter. Anyway,                      the boy enters and hands me a small, plain, brown paper bag.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    “Here are your TV book, Mr. B.”, he squeaks in some                      kind of accent. Needless to say, I slap him loopy for his                      insolence! [Mr. B, indeed!] As he scampers out of the office,                      I open the paper bag to reveal the TV Guide for October 27th                      through November 2nd. [No, not that toilet tissue from the                      newspaper that you poser’s use. The real TV Guide.] &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Ahhhhhhh, the Halloween issue. How I look forward to the Halloween                      issue each and every year. The thought of all five VCRs whirring                      away for one whole week excites me like no woman can. I have                      stocked up on blank tapes – ten a week since January                      – just to make sure I’m ready for Halloween. And,                      now, the time has finally arrived. I cancel all of my appointments,                      tell the boy to hold my calls, grab my yellow highlighter                      and get to work. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Hmmmm, Harry Potter on the cover. Okay, I can live with that.                      The Harry Potter flick is gonna be huge, so it’s a logical                      choice for the Halloween TV Guide cover. Oh, sure, a near-topless                      Jamie Lee would have been better but I really need to pick                      my battles here. Besides, it’s what’s inside that                      counts. We’ll start with the Halloween articles. I mean,                      I never read this crap but, hey, if it’s horror-related,                      I’m there! Let’s see…West Side Story, Bill                      O’Reilly, Gilda Radner, Jason Alexander, Peter Jennings…                      Ah, here we go - Jeri Ryan. Well, to be fair, it’s not                      really horror-related but there’s a cleavage shot and                      that automatically gets points with me. So, it’s a quick                      check of Ms. Ryan’s photos and onto… nothing. Nothing!                      Okay, so there are no Halloween-type articles. No biggie.                      After all, it’s what’s on the tube that really matters.                      I begin to peruse. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Regular series do really cool things at Halloween. Especially,                      The Simpsons! Let’s flip right to Sunday at 8:00 and…                      Baseball? You’ve got to be %^$&amp;amp;ing kidding me! I                      check the FOX site and find that The Simpsons’ Halloween                      Special is going to be on… Tuesday, November 6th? Lovely!                      Why not just save it for Thanksgiving!?!?!? Add to that, in                      almost all cases, there are no synopses for the syndicated                      Simpsons so you can’t even tell if anyone is airing the                      old Simpsons Halloween Specials during the week. Oh, well,                      nothing I can do about it. Might as well stop whining and                      get back to checking out what the other series are serving                      up for Halloween, this year. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Let’s see, My Wife And Kids… nothing!&lt;br /&gt;                    Inside Schwartz… nothing!!&lt;br /&gt;                    Bob Patterson… nothing!!!&lt;br /&gt;                    The Education Of Max Bickford… nothing!!!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    And that’s when I see something no man should ever have                      to see. The hair on the back of my neck stands and tries to                      run. My mouth goes dry and I can barely stir up enough saliva                      to moisten my already-rising scream. My testicles invert,                      hiding somewhere near my thorax. There, on page 141, smack                      dab in the middle of Tuesday, is a full-page ad. And –                      horror of horrors - filling that full-page ad, grinning like                      the cat that swallowed the… whatever… wearing a                      witch’s hat and holding a broom, is Christopher Lowell,                      letting us know that the Discovery Channel is running a Wicked                      Makeover Marathon, Tuesday from noon till 5:00PM. Now, I’m                      no doctor but, all at once, at that very moment, I know beyond                      the shadow of a doubt, that I have turned impotent. And it                      becomes perfectly clear to me that not even Charisma Carpenter,                      bare naked and slathered in Cheez-Wiz, could reverse this                      condition. Okay get over it, Beal, and move on. Shake it off!                      [Possibly the wrong phrase for a time like this.] Besides                      it’s time to check out the movies. Hey, there are oodles                      of movie channels. I’m sure there are plenty of tasty                      terrors this week.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Saturday is off to a great start with Los Siete Vampiros de                      Oro. Must be some cool Mexican horror flick from the sixties.                      Man those movies rock! Let me see… Siete = Seven…                      Oro = Gold…&lt;br /&gt;                    Vampiros… Ah crap! It’s The Legend Of The Seven                      Golden Vampires – a Chinese/British co-production, now                      translated into Spanish for the Telemundo crowd! Don’t                      need that. Cool enough movie and Peter Cushing is in it but                      I got the DVD.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Sunday… nothing.&lt;br /&gt;                    Monday… nothing.&lt;br /&gt;                    Tuesday... Finally I find something; a documentary about the                      Omen trilogy [I refuse to acknowledge #4!] on AMC. Man, AMC                      does great documentaries every year. So, that should be freakin’                      amazing. Other than that… nothing!&lt;br /&gt;                    Wednesday – Halloween… NOTHING! Nothing on Halloween???                      Oh, this just sucks out loud!&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Okay, that’s it. I can’t take it anymore. I might                      as well just throw on some DVDs and… and…&lt;br /&gt;                    And that’s when it hits me like an ice pick to the temple;                      after too many years of being the preferred choice of horror                      fans on and around Halloween, broadcast TV is a thing of the                      past. DVD is the new Prince Of Darkness. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Think about it. A looooooooong time ago, movie theaters would                      run two or three-picture horror movie marathons the week of                      Halloween. I once saw Zombie, I Dismember Mama and Squirm                      at a Halloween show. Sadly, those marathons became a thing                      of the past in the mid-seventies. [It’s that freakin’                      Star Wars’ fault!!!] And with only a handful of stations,                      TV showed almost non-stop horror movies the week of Halloween…                      Even PBS! So, whenever the horror-shock-a-thon ended at the                      local theater, you could rest assured that, no matter what                      time it was, some independent TV station in Botswana was showing                      The Blood Waters Of Doctor Z or Carnival Of Souls in glorious                      black and white and you could go to sleep terrified, but happy.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Then came the eighties and video – both VHS and Beta.                      That was pretty cool. You could literally make your own movie                      marathons. Still, most of the intense Italian horror movies                      were cut to shreds while TV, to its credit, was still running                      some very cool Halloween fare. Remember when Michael Landon                      finally got sick of everybody wrongfully stating that he was                      embarrassed about his horror roots in I Was A Teenage Werewolf?                      That year, on his hit show Highway To Heaven, he reprised                      his roll in the episode, I Was A Middle-Age Werewolf. Whether                      you were a fan of that syrupy-sweet series or not, you had                      to admit that it was a really cool thing to do. TV had mighty                      good Halloween specials and even the occasional spooky made-for-TV                      horror flick, back then. So, video still wasn’t the place                      to be.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    The nineties saw the advent of Laserdiscs – they were                      a videophile’s wet dream. Most movies were loaded with                      extras and Don May’s Elite Entertainment started giving                      horror movies the respect they deserved. Oh sure, each disc                      weighed forty-seven pounds and you constantly had to get out                      of the hot tub to flip it over and, let’s not forget                      that extras-laden movies like Night Of The Living Dead, A                      Nightmare Before Christmas, Jaws and a few others were over                      one hundred dollars each! Now, I might not be living in a                      refrigerator box on a side street in Boca Raton but I’m                      sure as hell not going to choose between owning the Deluxe                      Edition of The Brain From Planet Arous and making my car payment!                      Still, while the 37 of us who actually bought laserdisc players                      were drooling over our Re-Animator Special Editions, AMC was                      showing great original documentaries, like Monstermania and                      Bride Of Monstermania and movies like The Curse Of Frankenstein,                      The Oblong Box, Haunted Palace and Curse Of The Mummy’s                      Tomb – all letterboxed – something that no money,                      at the time, could have bought us on laserdisc. So, although                      it was losing its grip, TV still had a few surprises up its                      glass sleeve.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Now that we are in a new century, we finally have the best                      of all worlds: DVDs. [Can I here ya say Hallelujah?] There                      are hundreds of new releases each week for rental or for purchase.                      Sef and Marcela, at Oh The Horror! rent and sell almost nothing                      but horror DVDs. If you’re in South Florida, theirs is                      the place to go. But there are DVD rental stores all over                      the country – probably within hitchhiking distance of                      you, right now! Or you can go to any retail outlet and purchase                      both Dr. Phibes discs for around twenty-five bucks! The entire                      Halloween series is out on DVD. Most of the Friday The 13th                      movies, both Re-Animators, the Evil Dead trilogy, enough Argento,                      Raimi, Corman, Romero, Bava, Whale, Carpenter, Jackson, Hitchcock                      and Craven movies to make your chinos slippery. More discs                      than not have incredible extras like outtakes, featurettes,                      trailers, documentaries, running commentaries and so much                      more. I defy each and every one of you to listen to any of                      the Evil Dead commentaries with Bruce Campbell and Sam Raimi                      without making mookie stinks in your shorts. And AMC? Well,                      this year almost 100% of the movies they are showing are on                      DVD. Same with all of cable. Go ahead, check. Don’t take                      my word for it. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    Seeing as you’re reading this column, you’re probably                      DVDeviants already and I’m preaching to the choir. But                      just in case you’re not one of us, you need to be. Each                      day we realize that DVD is one hell of a religion. So pull                      up a comfy chair and join us. It’s either that or stay                      at home and watch Christopher Lowell. And if that’s your                      choice, you don’t deserve testicles anyway.&lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                    D’Entre les Morts,&lt;br /&gt;                    Nick Beal&lt;br /&gt;                    PS: Happy Halloween /|\^._.^/|\&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-9075864392399874208?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/9075864392399874208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=9075864392399874208' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/9075864392399874208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/9075864392399874208'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-103001.html' title='Nick Beal 10/30/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8320456640929201586</id><published>2008-11-18T17:05:00.000-08:00</published><updated>2008-11-18T17:14:08.151-08:00</updated><title type='text'>Nick Beal 01/24/02</title><content type='html'>&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="center" valign="middle" height="1"&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:6;color:#666666;"&gt;Movie                      News&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:100%;"&gt;&lt;b&gt;Nick                      Beal&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;&lt;img src="http://web.archive.org/web/20020202154406/http://www.ohthehorror.com/images/LittleNicky.gif" align="absmiddle" border="0" width="100" height="116" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                   &lt;p&gt;&lt;span style="font-family:Georgia, Times New Roman, Times, serif;font-size:85%;"&gt;&lt;b&gt;&lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;                 &lt;br /&gt;                   &lt;/span&gt;&lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;             &lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;               &lt;tbody&gt;&lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:-2;"&gt;WARNING:                    My name is Nick Beal and opinions are my opinions. Sef and Marcela,                    the good folks at Oh, The Horror don't necessarily concur with                    all of my opinions. (Although everyone should.) My email address                    is &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;.                    So, if you disagree with anything I have to say, please feel                    free to write me or bite me! &lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr bgcolor="#666666"&gt;                  &lt;td height="1"&gt;&lt;br /&gt;&lt;/td&gt;               &lt;/tr&gt;             &lt;/tbody&gt;&lt;/table&gt;&lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td colspan="4" align="center" valign="middle"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;NOOSE                    REPORT&lt;/span&gt;&lt;/b&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="3375"&gt; &lt;b&gt;CAN THE AUDIENCE                    TAKE “PAINKILLERS”? &lt;/b&gt;&lt;br /&gt;                 Okay this one’s a bit wacky, even by Oh The Horror’s                    standards! French artist [and major nutbag] Orlan, who is most                    famous for using her body as art, recently reported that David                    Cronenberg’s next movie is entitled Painkillers. It centers                    around… um…. er…. you know, maybe you should                    just read Orlan’s exact quote:                    &lt;p&gt;"David Cronenberg wrote a movie called Painkillers,                      based on my treatise on "L'Art charnel" and the                      fight against pain. I will be playing my own role and I also                      know that Nicolas Cage will be part of the cast. As for when                      shooting will begin, I will know more about that during this                      year's Cannes Film Festival, where I will be presenting my                      work to the public". &lt;/p&gt;                   &lt;p&gt;Interesting. I mean, it certainly is Cronenberg’s cup                      of tea to shoot a flick about a woman who has had roughly                      ten plastic surgeries to achieve art status. Personally, I’d                      rather see Orlan hanging in a museum but I’d go see a                      Hello Kitty movie if Cronenberg directed it. So maybe I should                      just shut my pie hole, sit back and wait… Yeah, like                      that’s going to happen.&lt;br /&gt;                   More soon. &lt;/p&gt;                   &lt;p&gt;- - - - - - - - - - - - - &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;…BUT NOT WITHIN THE PACKAGE &lt;/b&gt;&lt;br /&gt;                   In the crappy news department, Michael Felsher, an Anchor                      Bay spokesman, has issued the following statement: &lt;/p&gt;                   &lt;p&gt;"Monday, we were notified of an unexpected situation                      that is going to prevent us from including Within The Woods                      (the short film that inspired The Evil Dead) on our DVD. I                      do not have further details on that. However, this is not                      an attempt to hold the short back for another release of Evil                      Dead, down the line, or anything of that nature. Needless                      to say this is disappointing for us as I am sure it will be                      for the fans. As a result of this, Within The Woods is being                      removed from our packaging and website details, and will not                      be mentioned in any further ads or print material concerning                      our March 5th Evil Dead promotion. Unfortunately a few advertisements                      are already running that do mention Within The Woods. However,                      at this stage, we weren't able to&lt;br /&gt;                   recall everything. In the end, we did everything we could                      to make Within The Woods happen. But, as many other studios                      have experienced, sometimes last-minute roadblocks can intervene                      when everything seems set in stone. We've never had an occasion                      where a feature of a DVD had to be dropped at such a late                      stage in the process, however we are 100% positive that this                      will not delay the street date, and that the Book Of The Dead                      will, regardless of this change, be a worthy and exciting                      release come March 5th". &lt;/p&gt;                   &lt;p&gt;You know, I’m torn on this one. I mean, the folks at                      Anchor Bay have been better to the horror fans than any of                      us could have ever hoped for. They release more great horror                      DVDs than anyone. So, in essence, they should also be given                      more slack than anyone else. But, with MGM, Synapse and [to                      a lesser extent] Elite always nipping at their heels, Anchor                      Bay needs to go that extra step to make sure this kind of                      thing doesn’t happen so often. With missing bits from                      Tenebrae, The Night Stalker and Manhunter [to name just a                      few] recalls on Opera, insulting releases like Night Of The                      Living Dead 30th Anniversary Edition and now this Book Of                      The Dead debacle, Anchor Bay should realize that, even though                      we love them like one of our children, sometimes children                      need to get a smack on the ass. “E” for effort,                      Anchor Bay. Now, go to your room… And don’t make                      me come up there! &lt;/p&gt;                   &lt;p&gt;- - - - - - - - - - - - - &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;CASTLE KEEPERS &lt;/b&gt;&lt;br /&gt;                   On March 12th, 2002, the good folks at Columbia are releasing                      three new-to-DVD thrillers from famed horror director, William                      Castle. Mr. Sardonicus, Homicidal and Strait-Jacket are set                      to join The Tingler, House On Haunted Hill [the good one]                      and 13 Ghosts [ditto] as part of Columbia’s William Castle                      Collection. All three will boast trailers and featurettes.                      Mr. Sardonicus is, by far, the spookiest but all are great                      fun when viewed late at night… might I suggest, in between                      brothel visits? &lt;/p&gt;                   &lt;p&gt;Add Anchor Bay’s still-in-print I Saw What You Did And                      I Know Who You Are and, really, all we’re waiting for                      now is The Night Walker to complete the DVD list of Castle’s                      most infamous spooktaculars. Oh, sure, there are still other                      William Castle flicks besides these [Macabre, Zotz!, etc.]                      but the above-mentioned are easily the most anticipated from                      us Castlemaniacs. &lt;/p&gt;                   &lt;p&gt;So, hey Universal, howzabout either pushing The Night Walker                      up a bit [seeing as you haven’t even gotten to House                      Of Dracula, The Raven and The Black Cat in your Classic Monsters                      Collection] or handing it over to Anchor Bay, like you saw                      fit to do with I Saw What You Did. They did a balls-out job                      with that one and I’m sure they’d treat The Night                      Walker right too. Columbia is treating William Castle fans                      very nicely. Your turn! &lt;/p&gt;                   &lt;p&gt;- - - - - - - - - - - - - &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;DON’T YA JUST H8 THIS CRAP? &lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;Hollywood’s latest divorce? Nope it’s not Tom and                      Drew. It’s the on-again/off-again cinematic affair between                      perpetual Halloween Producer Moustapha Akkad and clunker-meister                      director, Rick Rosenthal. Funniest of all, there are so many                      “official” press releases floating around, it’s                      now impossible to figure out what in the Blue Hell is going                      on. &lt;/p&gt;                   &lt;p&gt;Depending on what you read and where you read it, Halloween:                      The Homecoming is now retitled - either to Halloween 8 or                      Halloween: The End Of The Bogeyman. [The End? We should all                      be so lucky!] &lt;/p&gt;                   &lt;p&gt;Consider these statements: Director Rick Rosenthal was officially                      fired as director, by Moustapha Akkad, leaving the film unfinished                      and unpolished. [Hey, let’s be honest here - even if                      Rick Rosenthal stayed on, the film would have been left unpolished.]                    &lt;/p&gt;                   &lt;p&gt;So, that’s the “official” word… unless                      you read Moustapha’s press release, which states that                      “Yes, there were re-shoots - but no, Rick Rosenthal has                      not been fired.” [Re-shoots on a Rick Rosenthal Halloween                      movie???] &lt;/p&gt;                   &lt;p&gt;So, there you have it… Except that Rick Rosenthal now                      states that he actually quit over a dispute between himself                      and Moustapha Akkad. &lt;/p&gt;                   &lt;p&gt;But then there’s the Miramax camp that states that Rosenthal                      did get the axe and that Steve Miner was brought in to do                      massive re-shoots. &lt;/p&gt;                   &lt;p&gt;Until you listen to H8 screenwriter, Larry Brand who states                      that Rosenthal is on board and just finished an 83-minute                      first cut, and that it had tested extremely well. &lt;/p&gt;                   &lt;p&gt;Well, we might not know who’s directing this disaster                      but at least we know when we’ll get to see it. Miramax                      has stated that it’s going straight to video this October,                      period! &lt;/p&gt;                   &lt;p&gt;But rumor has it that Jamie Lee Curtis had the idea of saving                      it and re-shooting for a theatrical release. It's now slated                      for a late summer 2002 theatrical release. Miramax has just                      officially changed their minds and agree with the later summer                      2002 theatrical release. &lt;/p&gt;                   &lt;p&gt;Except late word says that they might now hold out till 2003                      because it's the 25th anniversary of the original film. &lt;/p&gt;                   &lt;p&gt;Miramax claims they are 100% behind the H8, which is good…                    &lt;/p&gt;                   &lt;p&gt;Until Larry Brand tells us that it was very hard to work                      at Miramax, and that they really have no interest in creating                      a quality film, which is bad. Brand claims that not only did                      Miramax edit out Michael's reason for bumping off the people                      in the house, they also took out a long subplot involving                      a character at the mental institution, where Laurie Strode                      is now living, who likes to dress as serial killers. Supposedly                      that’s how Michael gets into the compound to stalk Laurie.                      Allegedly, Miramax thought it would be more interesting to                      have him get in through an open gate. [Yeah, that’s original.]                    &lt;/p&gt;                   &lt;p&gt;There is only one thing everyone seems to be able to agree                      on, when it comes to Halloween 8; With Miramax having lost                      roughly 10 million in the shooting and re-shooting of H8,                      they are no longer interested in being a part of the franchise.                      Moustapha Akkad has stated for press that he wants nothing                      to do with Halloween sequels after this one is completed.                      Rick Rosenthal, obviously, will never be back to a Halloween                      set. So, it looks like those of us who have Halloween monkeys                      on our backs, who jones for anything with Michael Myers in                      it, will finally be able to get healthy. It looks like the                      long road that John Carpenter started building in 1978, has                      finally hit a dead end. &lt;/p&gt;                   &lt;p&gt;Unless H8 makes money. Then… &lt;/p&gt;                   &lt;p&gt;- - - - - - - - - - - - - &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;BUT WAIT, THERE’S MORE! &lt;/b&gt;&lt;br /&gt;                   Late word in: The teaser for Halloween: The Homecoming [Yes,                      that’s the freakin’ title I was given!] will be                      attached to this months theatrical horror thriller, The Mothman                      Prophecies, which comes out on Friday, the 25th. You don’t                      mind if I’m just a tad skeptical, right? &lt;/p&gt;                   &lt;p&gt;- - - - - - - - - - - - - &lt;/p&gt;                   &lt;p&gt;&lt;b&gt;LA ZONA MUERTA &lt;/b&gt;&lt;br /&gt;                   Cable's USA Network has picked up The Dead Zone, a series                      adaptation of the Stephen King novel that had been on UPN's                      slate as a possible midseason entry. &lt;/p&gt;                   &lt;p&gt;USA picked up the completed two-hour pilot and ordered 22                      episodes of the psychological thriller, which stars Anthony                      Michael Hall as a man who gains psychic powers after emerging                      from a coma. Nicole De Boer, Chris Bruno and John Adams co-star.                    &lt;/p&gt;                   &lt;p&gt;Production on the Lions Gate/Paramount series is expected                      to start in March, and it will likely premiere on USA in early                      summer. &lt;/p&gt;                   &lt;p&gt;"We are building the show from the pilot, and it will                      be a somewhat different show for USA than it would have been                      for UPN," said Jeff Wachtel, USA Network's exec VP of                      series programming. "We have a slightly older, broader                      target audience than UPN's younger viewers. So it will affect                      the creative balance.” &lt;/p&gt;                   &lt;p&gt;Anthony Michael Hall? Hey, don’t get me wrong, I like                      the guy… But is he playing another poor slob who gets                      psychic powers after coming out of a coma or is he playing                      the same Johnny Smith Christopher Walken played in Cronenberg’s                      movie? If it’s the latter, I gotta tell ya that I can’t                      see that happening in this lifetime. I mean Christopher Walken                      is in a league of his own when it comes to acting and Anthony                      Michael Hall can’t play Johnny Smith as well as Walken                      could. Hell, I’d bet Anthony Michael Hall can’t                      play Anthony Michael Hall as well as Walken could. Sorry,                      Tony, but you’re gonna have to prove yourself to me on                      this one. Good Luck.&lt;br /&gt;&lt;/p&gt;&lt;table border="0" cellpadding="7" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td colspan="4" align="left" valign="middle" height="647"&gt;&lt;b&gt;FREE                    T-SHIRT&lt;/b&gt;: Ah, there’s good news tonight! The winner                    of our John Waters Pecker T-shirt is none other than Kathy McCord.                    That’s right, kids, Kathy knew that last column’s                    quote: “Who’s going to believe a talking head. Get                    a job in a sideshow.” was from one of the great low-budget                    horror efforts of the last quarter century; Re-Animator. Not                    only did Kathy know the right movie, she even managed to follow                    our simple directions. She sent her name and email address too!                    Kathy should get a gold star cause Lord knows I get enough correct                    answers that don’t contain the other major ingredients.                    We even had a correct answer sent to Sef. Unfortunately, that                    doesn’t fly because I don’t even tell Sef the correct                    answer. My personal favorite, though, was the reader who didn’t                    send his full name, didn’t send his email address but did                    send an answer… Unfortunately for him, it was the wrong                    one. Too bad, so sad.                    &lt;p&gt;Now, I am pleased as punch to tell you all that we have another                      great T-shirt, from John Waters’ Pecker to give away,                      courtesy of Amy Gorton of New Line. So, some of you goons                      actually get another chance. Remember, the shirt is an Extra                      Large so take a good, honest, look in the mirror before taking                      a guess. I’ve managed to come up with a quote that I                      think will make you send the hookers out for a bite and burn                      the midnight oil. Here goes: &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                   &lt;b&gt;QUOTE:&lt;/b&gt;&lt;/p&gt;                   &lt;p&gt;“I don’t want you to flee the room, here. I’m                      going to advance a weird Duchovnian riff. What if what we’re                      dealing with, here, is in fact… Vampires! Huh?”                    &lt;/p&gt;                   &lt;p&gt;Okay, class, remember you need to send your FULL NAME, your                      EMAIL ADDRESS and the CORRECT ANSWER. And don’t wait                      around forever, now. We’ll be picking a winner in two                      weeks. Anyone can play, [excepting Rhonda Phipps till 5/02                      and Kathy McCord till 7/02] as I haven’t shared the source                      of the quote with anyone, including Sef or Marcela. Now, show                      me what you’re made of. Write me at &lt;a href="mailto:aliasnickbeal@aol.com"&gt;AliasNickBeal@aol.com&lt;/a&gt;                      and tell me which frightful fear flick the above Quote is                      from… or don’t and I’ll be the shirtkeeper.                    &lt;/p&gt;                 &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="44"&gt;&lt;span style="color:#ff0000;"&gt;&lt;b&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;"&gt;DISC-COVER-IES&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                 &lt;td colspan="4" align="center" valign="middle" height="44"&gt;We’ve                    all seen it – you’re perusing your new DVD cover and                    all of a sudden you read something like “After directing                    Star Wars, John Cleese began work on…” Suddenly, you                    realize that the people who design DVD, Laserdisc and video                    packaging are, a good part of the time, blithering idiots. Need                    proof? Well, every now and then, I‘m going to serve up                    the proof you so rightly deserve. Hey, who loves ya, baby? First                    up on your hit parade:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wdtSbxwr4vg/SSNn70HYfnI/AAAAAAAAAWU/0bMz8MXz2ns/s1600-h/buffy1cover.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 155px;" src="http://1.bp.blogspot.com/_wdtSbxwr4vg/SSNn70HYfnI/AAAAAAAAAWU/0bMz8MXz2ns/s320/buffy1cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5270170266253164146" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="center" valign="middle"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:180%;color:#ff0000;"&gt;BURIED                    TREASURES &lt;/span&gt; &lt;/td&gt;               &lt;/tr&gt;               &lt;tr valign="top"&gt;                  &lt;td colspan="4" align="left" height="275"&gt;                    &lt;p&gt;Out of the kindness of my heart, I’m going to toss a                      little extra your way in the form of an Easter egg. Now wipe                      that sloppy grin off of your face. I don’t mean a real                      Easter egg or a rich, creamy chocolate one, bursting with                      caramel goo... I mean a feature, hidden in certain DVD menus,                      that is sure to be more fun than a herd of flaming cows! All                      set? You’d better be. &lt;/p&gt;                   &lt;p&gt;&lt;br /&gt;                   &lt;b&gt;Mars Attacks! &lt;/b&gt;&lt;br /&gt;                   Warner Brothers still-funny-after-all-these-years, star-studded                      DVD of Mars Attacks [14480] has an Easter egg that really                      kicks asteroid. From the disc's MAIN MENU, go to SOUNDTRACKS.                      From there you get your choice of English, French, Spanish                      and Martian. Highlight MARTIAN and be taken to a menu featuring                      Martians that attempt to brainwash you. Of course, for most                      of my loyal readers, that brainwashing would be an effort                      in futility&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8320456640929201586?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8320456640929201586/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8320456640929201586' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8320456640929201586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8320456640929201586'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-012402.html' title='Nick Beal 01/24/02'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_wdtSbxwr4vg/SSNn70HYfnI/AAAAAAAAAWU/0bMz8MXz2ns/s72-c/buffy1cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-5545582029979376328</id><published>2008-11-18T17:04:00.002-08:00</published><updated>2008-11-18T17:05:40.011-08:00</updated><title type='text'>Nick Beal 08/19/01</title><content type='html'>&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Sunday, August 19, 2001&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;NOOSE REPORT:&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;ED GETS GREEN FOR RED&lt;/b&gt;&lt;br /&gt;One of my big bad sources, Bevo, tells me that the rumors are true; Edward Norton has signed on to play former FBI Agent Will Graham, for director Brett Ratner in "Red Dragon" - a loose remake of the 1986 Michael Mann-helmed thriller, Manhunter. That version starred William Petersen ("CSI") as Graham and Brian Cox as the first screen incarnation of Hannibal Lecter. Anthony Hopkins has all but inked the contract to play Lecter for the third time, this November, for a summer 2002 release. Red Dragon was given the green light by Universal after Hannibal grossed more than $350 million worldwide for the studio and partner MGM. [350? We’re talking Oprah money here!] Well, Red Dragon is going to end up costing major bucks, so look for MGM to partner up with Universal yet again. That kind of commitment [spelled m-o-n-e-y] is probably going to be too much for either of the once-powerful studios to tackle alone. As with Manhunter, Red Dragon will be based on Thomas Harris’ novel, Red Dragon, published in 1981. Hey, guys, what about bringing Dennis Farina back as Jack Crawford? He would be a cool inside tie-in to Manhunter. Come on, howzabout a Farina fix!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;DAWN OF THE DEAD REMAKE? WELL, EAT ME!&lt;/b&gt;&lt;br /&gt;They say that when the end of the world draws near, we will receive a sign. Well, that sign hit me like a machete to the head the other day when I learned that Beacon Communications is planning on remaking writer/director George Romero's 1979 horror classic "Dawn of the Dead."&lt;br /&gt;But the news goes from bad to worse. It appears that Scooby-Doo scribe James Gunn will be handling the writing chores. Can anyone say, “Ru-Roh… Rombies!!!”&lt;br /&gt;Now, I know what you’re thinking – give the guy a break! It could turn out like Savini’s version of Night Of The Living Dead. WRONG! Romero wrote Night Of The Living Dead (1990) and Savini had a real feel for the material. That movie is an underrated gem. This, on the other hand, is going to be more in the vein of the 30th Anniversary Edition Of Night Of The Living Dead. Remember that piece of badger turd? The new footage? The new music? Gee, fellas, why not crap on the Good Book next time you want to get blasphemous.&lt;br /&gt;Now, of course, this time we won’t be going the Unrated route. Nope. Too much money at stake to go with anything but an R rating. Isn’t that a lovely thought?&lt;br /&gt;So, who’s ultimately to blame for Beacon getting the rights to Dawn Of The Dead? Why the ultra-untalented Richard P. Rubinstein, who owns the rights. Ole Dick has been busy for the past few years having lawyers write “cease and desist” letters to kids who put Dawn Of The Dead photos on their websites. You see Dick hasn’t figured out that fans put up websites to promote their love for, and pay homage to, a film or group of films. He somehow can’t fathom the fact that the more websites there are to pay tribute to the properties he owns, the better it is for him. No, instead he feels that people who love Dawn Of The Dead should write about it but not show it. Nice!&lt;br /&gt;So, unless the updated Dawn Of The Dead goes the way of Basic Instinct 2, get ready to use them old barf bags, kids. Unfortunately, this time, it won’t be because of the gore.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt; - - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;JABBERWOCKY DVD NO LONGER A FANTASY!&lt;/b&gt;&lt;br /&gt;So, you’re a Python fan but you’ve never seen Jabberwocky? Well, you’re not alone. [Of course, I saw it in the theater when it was first released, but I’m special... you’re not.]&lt;br /&gt;Based on Lewis Carroll’s poem, Jabberwocky (duh) this eerie, funny, wacky Terry Gilliam fairy tale is finally coming to DVD, October 23rd, from Columbia TriStar Home Entertainment.&lt;br /&gt;PLOT: After his father dies, Dennis Cooper (Michael Palin) travels to a far away kingdom, to seek his fortune. Unfortunately, for poor Dennis, this particular kingdom is in the grips of a horrible monster called The Jabberwocky. Will Dennis make his fortune? Will Dennis make it till the end of the week?&lt;br /&gt;EXTRAS INCLUDE: the original theatrical trailer, sketch-to-screen comparisons, poster and photo gallery and, best of all, a running commentary by director; Terry Gilliam and star; Michael Palin. While I would have loved to see this great film given the multi-disc treatment it deserves, I’ll save my schoolgirl whining for another time.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;THE CASH IS OUT THERE&lt;/b&gt;&lt;br /&gt;Well, it has been almost six months since Fox Home Entertainment released the third season of Fox &amp;amp; Dana’s X-cellent Adventures. With the X-Mas dollar days rapidly approaching, it’s time for The X-Files: The Complete Fourth Season. This will be another 7-disc box filled to the brim with digital masters of all 26 episodes and oodles of extras. The release date is November 13th [Lucky 13 for many of us!]&lt;br /&gt;EXTRAS INCLUDE: an exclusive documentary, deleted scenes, interviews, something like four audio commentaries, and much more.&lt;br /&gt;Hey, I hate to be a thorn in the side of X-Geeks everywhere but us grownups don’t have to save up money from our paper routes to buy these things. So, hey Fox, how about releasing these suckers three times a year instead of twice!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;TOP TEN TERROR TITANS [a/k/a: FANS’ FAVORITE FRIGHT FOES]&lt;/b&gt;&lt;br /&gt;The Brit website only-movies.com recently polled their readers, [and we all know how painful that can be] asking who filmdom’s worst, or best bad guys are. Over 17,000 of you voted and here are your top ten choices:&lt;br /&gt;1. Hannibal Lecter (Anthony Hopkins) - Silence Of The Lambs (1991), Hannibal (2001)&lt;br /&gt;2. Darth Vader (David Prowse/James Earl Jones) - Star Wars (1977), Empire (1980), Jedi (1983)&lt;br /&gt;3. Norman Bates (Anthony Perkins) - Psycho (1960)&lt;br /&gt;4. The Sheriff of Nottingham (Alan Rickman) - Robin Hood, Prince Of Thieves (1991)&lt;br /&gt;5. Annie Wilkes (Kathy Bates) - Misery (1990)&lt;br /&gt;6. John Doe (Kevin Spacey) - Se7en (1995)&lt;br /&gt;7. Freddy Krueger (Robert Englund) - A Nightmare On Elm Street (1984)&lt;br /&gt;8. Cyrus The Virus (John Malkovich) - Con Air (1997)&lt;br /&gt;9. Scorpio (Andrew Robinson) - Dirty Harry (1971)&lt;br /&gt;10. Count Dracula (Christopher Lee) - The Horror Of Dracula (1958)&lt;br /&gt;The Sheriff Of Nottingham? Number 4? Oh come on. The guy’s a lightweight! What about Willem Dafoe’s Bobby Peru in Wild At Heart or Nick Nolte’s Inspector Cray in NightWatch or Peter Cushing’s Sir John Rowan in Corruption or Barbara Streisand in… well, just about anything she’s done? Let’s face it, you want bad, you gotta go to Babs every time!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;VEIL ATTEMPT&lt;br /&gt;Let’s hear it for the folks at Something Weird Video! Come September 11th, you’ll be able to rent or own one of the least seen projects in Boris Karloff’s long, illustrious career: The Veil. This ten-episode series pre-dated Thriller by two years and has only been available on video [big bucks] or truncated into three crappy TV anthology movies; Destination Nightmare, The Veil and Jack The Ripper. Finally, for a price that begs to be paid, this 2-disc set will include all ten episodes, starring the likes of Niall MacGinnis (Curse of the Demon), Patrick Macnee ("The Avengers"), Clifford Evans (Kiss of the Vampire), Robert Hardy (Psychomania) and even a young George Hamilton. [Yes, Virginia, at one time there was a young George Hamilton.] You’ll also be amazed at some of the directing talent afoot, highlighted by the likes of George Waggner (The Wolf Man) and Herbert L. Strock (I Was a Teenage Frankenstein). And with a running time of roughly 311 minutes, we can finally tear you away from the “Could The Thing Beat The Incredible Hulk In A Fair Fight” chat rooms. You know, you really need to get a life!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;BURIED TREASURES&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;Every now and then, out of the kindness of my heart, I’m going to toss a little extra your way in the form of an Easter egg. Now wipe that sloppy grin off of your face. I don’t mean a real Easter egg or a rich, creamy chocolate one bursting with caramel goo... I mean a feature, hidden in certain DVD menus, that is sure to make you squeal with delight. We’ll start off with an easy one for the DVD-challenged among us. Squeal, little piggies. Squeal!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Texas Chainsaw Massacre&lt;/b&gt;&lt;br /&gt;The Pioneer Special Edition of Tobe Hooper’s brilliant “The Texas Chainsaw Massacre” [DVD0123] has a nasty little hidden feature, guaranteed to give you a case of the slippery dirties. Hit the disc’s Main Menu and… and… and… just sit there. That’s right – nothing more to do. Approximately every minute or so, the title will start dripping blood and suddenly Leatherface will charge the screen, wielding his favorite landscaping tool. Spooky stuff! Don’t say I didn’t warn you.&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;QUOTE: &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;“Yeah, they’re dead. They’re all messed up.”&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;I know, I know… I made this one for simpletons. That’s because I’m one Hell of a guy. Write me at AliasNickBeal@aol.com and tell me which deliciously evil fright flick this is from and I’ll mention your name in the next column… maybe.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;And now it's time for:&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;GET REEL!&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;These are my thoughts. Read them, print them, bind them, keep them and worship them like the epiphany they are.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;PLANET OF THE APES &amp;amp; ROBIN, FOREVER &lt;/b&gt;&lt;br /&gt;Director, Tim Burton is standing firm that there will be no sequel to his Boffo Box Office Blockbuster, Planet Of The Apes.&lt;br /&gt;"The idea of doing a sequel -- I'd rather jump out of the window, I swear to God," Burton told Britain's Independent tabloid on Friday.&lt;br /&gt;"They give you a script and you do a budget based on that, and say 'This movie will cost $300 million to make', and then they treat you like a crazy, overspending, crazy-person. It's like, 'Well, you gave me the script'," Burton blasted.&lt;br /&gt;"I'm fascinated by the studio technique that sort of leaves you bloodied, beaten and left for dead right before you're supposed to go out and make a great movie for them. Then, the only time someone listens to anything you have to say is when you go ballistic and psychotic."&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;No sequel? No sequel! Well, that’s just great, Timmy! So, now, instead of having you spoon-feed me the explanation of that freakin’ ending, I have to try to figure it out for myself? You’re asking me to think? You bastard!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Thank God, Mr. Burton, that Hollywood still has scruples enough to make a sequel without the participation of the talented people who were originally attached to a mega hit. Thank God the studios only really care about the franchise names! They won’t leave us stranded like you are going to do. No, Mr. Burton, there will be a Planet Of The Apes sequel. Of course, Mark Wahlberg and Tim Roth said they would only do one if you were involved. Same with most of the other cast members. Yeah? Well screw ‘em all! You heard me - You can take all of your Wahlbergs, your Roths, your Bonham-Carters, your Clarke Duncans… even Rick Baker and jam them where the twin suns don’t shine!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, you think I’m taking a rather cavalier attitude, Timmy? Yeah, well that’s because I just happen to have an ace in the hole. I’ve got two words for you and the I’m-not-doing-the-sequel vile you’re spewing. And those two words are; Joel Schumacher. So, now who’s the putz, Burton? I have Joel Schumacher! He was man enough to take your dark brooding Batman and bring him into the light where he belongs – surrounded by bright colors and wacky funtime music, just like he was in the sixties. My guess is that he’s man enough to do that to the Planet Of The Apes 2 and 3.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And Schumacher can get big-name stars too, Mr. Artsy-Fartsy Tim Burton!&lt;br /&gt;First, it’s out with Wahlberg and in with Val Kilmer. Oh, sure, Schumacher stated, right after the Batman Forever shoot, that he’d never work with Kilmer again… But time heals, baby. Time heals!&lt;br /&gt;So long to Helena Bonham Carter and howdy to Uma Thurman. As long as we can still kinda see the goods through the smock, there isn’t a guy in America who gives a rat’s ass.&lt;br /&gt;Michael Clarke Duncan out – Arnold Schwarzenegger in. Yeah, there will be a bit of a height and accent discrepancy but, hey, if Hollywood Effects Wizards can make Kris Kristofferson talk, they can do anything!&lt;br /&gt;Tim Roth? Bu-bye. Don’t let the hut door smack you on the bum on your way out. I see [fanfare please] Jim Carrey as Thade. That character was too much of a downer anyway. Jim is just the kind of actor needed to show Thade’s zanier side.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So you see, the list of big-time stars that are willing to work with Joel Schumacher is endless and that gives 20th Century Fox plenty of above-the-credits names to crow about. Oh, and the trading cards will be cool too. So there!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, Timmy, why don’t you take your creative genius, your unique visions, your amazing directing style and go apply them somewhere else. The Planet Of The Apes franchise is in Joel Schumacher’s more-than-capable hands and we’ll be just fine, thank you.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now, if we can just find away to cram Alicia Silverstone into a chimp suit...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre les Morts,&lt;br /&gt;Nick Beal&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-5545582029979376328?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/5545582029979376328/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=5545582029979376328' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/5545582029979376328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/5545582029979376328'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-081901.html' title='Nick Beal 08/19/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-840646450761071780</id><published>2008-11-18T17:04:00.001-08:00</published><updated>2008-11-18T17:04:48.096-08:00</updated><title type='text'>Nick Beal 09/07/01</title><content type='html'>&lt;div class="date"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;&lt;span style="font-size:100%;color:#cccccc;"&gt;Friday, September 07, 2001&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                                                             &lt;p&gt;&lt;a name="5544052"&gt;&lt;/a&gt;&lt;br /&gt;                      &lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;JUST DUG UP&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;i&gt;Hot Off The Press For You Newsers&lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;I SEE DUMB PEOPLE&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;This just in… and it’s a doozy! Thirteen-year-old Haley Joel Osment, the child star who was nominated for an Oscar for his role in 1999's The Sixth Sense, believes that A.I.’s failure at the box office may be due to the fact that it‘s too advanced for people to cope with yet. But, he told reporters at the Venice Film Festival, he has no doubts it will be a classic in time.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;"I think A.I. will mean a lot more in the future when we see that maybe some of the things perceived in the film maybe actually become real,” stated the diminutive thespian.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Really! Now, I realize I can be as slow as the next guy from time to time, so I just want to make sure I got this absolutely straight… A.I. was too advanced for &lt;i&gt;me&lt;/i&gt; to grasp? &lt;i&gt;I’m&lt;/i&gt; the problem with this muddled mass of wolf stench? Well, if you listen to HJO, we are &lt;i&gt;all&lt;/i&gt; the problem with A.I. It wasn’t a crappy script or Steven Spielberg's lackluster direction or the fact that the film had &lt;i&gt;seventeen-and-a-half &lt;/i&gt;endings. Nope, the simple reason A.I. tanked is that you and I are such idiots that the deep meaning and intent of this piece of celluloid snot went right over our collective heads.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So jot this down, film fans, I am predicting that sometime in the distant future, an advanced race of gummi-beings will traverse the frozen globe in their flying cubes. After much searching, they will find a long-dead Blockbuster Video and there, in the bargain bin, a previously viewed DVD of A.I. (hopefully one without too many extras) Upon viewing, they will deem it a cinematic classic and the perfect example of 21st century filmmaking at its very best.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Is my nose growing?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre les Morts,&lt;br /&gt;Nick Beal &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-840646450761071780?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/840646450761071780/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=840646450761071780' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/840646450761071780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/840646450761071780'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-090701.html' title='Nick Beal 09/07/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-8258149637900013083</id><published>2008-11-18T17:03:00.001-08:00</published><updated>2008-11-18T17:03:54.382-08:00</updated><title type='text'>Nick Beal 10/02/01</title><content type='html'>&lt;div class="date"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;&lt;span style="font-size:100%;color:#cccccc;"&gt;Tuesday, October 02, 2001&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                                                             &lt;p&gt;&lt;a name="6050288"&gt;&lt;/a&gt;&lt;br /&gt;                      &lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;NOOSE REPORT&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;A SLAYER FOR YOUR PLAYER&lt;/b&gt;&lt;br /&gt;Well it’s about damned time! The gang at Fox Home Entertainment has finally gotten off of their collective duff and set a street date of January 15, 2002 for &lt;i&gt;Buffy The Vampire Slayer: The Complete First Season&lt;/i&gt;. This three-disc set includes a full-length Joss Whedon audio commentary on "Welcome to Hellmouth", Joss Whedon interviews on six episodes, an additional interview with Whedon and actor David Boreanaz, (charge up the batteries, girls!) a trailer or two, a photo gallery, the "Welcome to Hellmouth" script and a bunch more! It retails for $39.95, so get ready to drive a stake through those piggy banks, little buddies. You know, add this to &lt;i&gt;The Simpsons, Planet Of The Apes, The X-Files, M*A*S*H, The Alien Legacy… &lt;/i&gt;and even a talent agent can see that those wacky kids at Fox have become the Boxed-Set Gods! Now, whom do I have to bend over for to get you guys to release the &lt;i&gt;Millenium&lt;/i&gt; Box next?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;MAD ABOUT MAX&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And speaking of bigtime January releases… You had better hope that Santa fills your stockings with cash this year or that mom starts hooking again because a mere week before Buffy: Season One hits the street, &lt;i&gt;Mad Max &lt;/i&gt;returns to DVD – yeah, like that first piece-of-crap Orion release counted! Well this time, MGM is doing it up right in the form of a Special Edition. The biggest news is that this release is complete with Mel Gibson's original Aussie audio track, not the dubbed version previously heard in the good ole U S of A! But wait, there’s more; there’s the brand-new anamorphic widescreen transfer, new 5.1 audio remix, two documentaries, an audio commentary with Special Effects Coordinator Chris Murray, Cinematographer David Eggby, and Production Designer Jon Dowding, a trailer and a buttload of other goodies. Equally amazing is the fact that &lt;i&gt;Mad Max: The Special Edition &lt;/i&gt;will retail for only $19.99! Isn’t that less than what the first release listed for?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;POTA SEQUEL UPDATE:&lt;/b&gt;&lt;br /&gt;At the time of this writing, Joel Shulmaker isn’t attached to the 2002 still-unnamed sequel to this year’s 20th Century Fox blockbuster, &lt;i&gt;Planet Of The Apes&lt;/i&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;HALLOWEEN 2 X 4&lt;/b&gt;&lt;br /&gt;Well, Halloweenies, Rick Rosenthal has allegedly done it again! Rumor has it that Dimension is so unhappy with &lt;i&gt;Halloween 8: Homecoming &lt;/i&gt;it has ordered three weeks of reshoots for January. That means that we won’t see &lt;i&gt;H8:H &lt;/i&gt;until sometime around Easter. And at that time of year, Moustapha Akkad better hope we don’t all decide to &lt;i&gt;Passover&lt;/i&gt; this probable dud.&lt;br /&gt;Well, to be honest, it’s not really Rosenthal’s fault that he keeps screwing the cinematic pooch. Let’s face it, if producers keep hiring him, they deserve what they get… or don’t get, in this case. And Moustapha Akkad has absolutely no excuse, here! After all, he was the one who hired Rosenthal to direct &lt;i&gt;Halloween 2 &lt;/i&gt;and that shoot was a legendary cluster-boff. In fact, &lt;i&gt;H2’s&lt;/i&gt; first cut was so bad that John Carpenter came in to shoot or reshoot most of the stuff that made &lt;i&gt;Halloween’s&lt;/i&gt; first sequel a memorable one. Well, you can bet your ass Carpenter isn’t going to do the Cavalry thing again, this time. So with rumors flying that Rosenthal is either leaving the production on his own or getting kicked out on his less-than-talented ass, this looks like one of those films that’s destined to become an Alan Smithee production.&lt;br /&gt;As if the boning of &lt;i&gt;H8:H&lt;/i&gt; isn’t bad enough, Rosenthal is one of the major reasons that Universal’s new &lt;i&gt;Halloween 2 &lt;/i&gt;DVD is no-frills – he decided not the do the audio commentary on what could have been an extremely interesting package. Let’s see… Goodtime’s out-of-print, no-frills &lt;i&gt;Halloween 2 &lt;/i&gt;disc in the cut-out bin at Suncoast for $9.99 or Universal’s new no-frills &lt;i&gt;Halloween 2 &lt;/i&gt;disc for $24.95. Do we need to take out our abacus, students?  I think not!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;SON OF A PITCH&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Slab o’ meat, Vin Diesel will earn just slightly more than $11 million to star as the title character in &lt;i&gt;Pitch Black 2: The Chronicles of Riddick&lt;/i&gt;. Universal Studios is banking on &lt;i&gt;PB2&lt;/i&gt; to be the highlight of their summer 2003 schedule. The highlight?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The Vin-meister decided to pass on playing the title role in Fox’s &lt;i&gt;Daredevil&lt;/i&gt;, an adaptation of the Marvel Comics comic book series about a blind man who becomes a superhero. This news alone should make Marvel fanboys squeal with delight, as Diesel would have probably been way over his head playing a multi-faceted character like &lt;i&gt;Daredevil&lt;/i&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;While the original &lt;i&gt;Pitch Black &lt;/i&gt;turned a tidy profit for Universal, they sure weren’t paying anyone $11 million, back then. No need to fear, though, if &lt;i&gt;Pitch Black 2 &lt;/i&gt;fails at the Box Office, ole VD can always star as the lead in Ego Boy… That’s a comic book, right?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;LOST IN A FOG&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;MGM has yanked John Carpenter’s ghost story &lt;i&gt;The Fog &lt;/i&gt;from its 2001 DVD release schedule. Oh, stop whining! It’s a good thing. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Those of you who weren’t into laserdiscs [I, of course, was] have no idea what a tasty package Image/New Line put together a few years back. &lt;i&gt;The Fog &lt;/i&gt;laserdisc included a running commentary with John Carpenter and Debra Hill, Carpenter’s score isolated on a separate audio track, a theatrical trailer, television spots and an outtake reel!&lt;br /&gt;&lt;br /&gt;Not to be outdone, [I hope!] MGM Home Entertainment has arranged to release &lt;i&gt;The Fog &lt;/i&gt;in 2002, as a full-blown Special Edition with a mess of extras.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;My source at MGM didn’t know the fine details, which means that along with remaining nameless, he will remain payoff-less. [Time for a new snitch. Any takers?] Anyway, while MGM will now own the video elements such as trailers, TV spots, outtakes, etc., Image still owns &lt;i&gt;The Fog’s &lt;/i&gt;audio commentary track because they paid for it – making their laserdisc package that much juicier.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Carpenter is less-than-enthusiastic about re-recording commentaries so, as I see it, MGM has two choices; either cough up the bucks for Image’s Carpenter/Hill audio track or create a Director-less/Producer-less commentary track with the top-notch cast &lt;i&gt;The Fog &lt;/i&gt;boasts. I mean, really! I’ll take Jamie Lee Curtis, Adrienne Barbeau, Janet Leigh, Hal Holbrook, Tom Atkins, Charles Cyphers, Nancy Loomis and Rob Bottin on an audio track over another flat Carpenter commentary any ole time! Let’s face facts, the &lt;i&gt;Vampires&lt;/i&gt; audio commentary sucked! Come to think of it, so did &lt;i&gt;Vampires! &lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;THAT’S A WRAP, TONY&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Ah, there’s good news tonight! I don’t have much info on this one but it looks like George Romero’s next film is well into pre-production and fan-fave Tom Savini has been contacted to play a role in it. The flick’s name is &lt;i&gt;The Assassination&lt;/i&gt;.  The whispers are that the film will star Anthony Quinn, Ed Harris, and, oh God help me, Ricky Martin. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;As Mr. Quinn has been dead for some time now, I’m guessing this information might be a tad on the outdated side. I’ll let you know if and when George comes to his senses and gives Ricky the boot.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;BURIED TREASURES&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Out of the kindness of my heart, I’m going to toss a little extra your way in the form of an Easter egg. Now wipe that sloppy grin off of your face. I don’t mean a real Easter egg or a rich, creamy chocolate one bursting with caramel goo... I mean a feature, hidden in certain DVD menus, that is sure to make you happier than a maggot in road kill. Ready? Let’s rock!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Suspiria&lt;/b&gt;&lt;br /&gt;Anchor Bay Entertainment’s stunning release of Dario Argento's &lt;i&gt;Suspiria&lt;/i&gt; [DV11610] includes an amazingly cool hidden feature.&lt;br /&gt;From the Main Menu, go to the Extras Menu and press the remote’s right arrow key. This highlights one of the peacock feathers and that will launch an hysterical outtake showing Horror God, Udo Kier driving the soundman bug-doody as he rakes his fingernails across a Styrofoam cup. Oh, the fun they have.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;QUOTE: &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;b&gt;“Listen to them... Children of the night. What music they make.”&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Okay, this is the last easy one I’m giving you. So, write me at AliasNickBeal@aol.com and tell me which deliciously evil fright flick this is from and I’ll mention your name in the next column… maybe.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;LAST COLUMN’S QUOTE: “Yeah, they’re dead. They’re all messed up.” &lt;br /&gt;Kathy McCord of TN was the first reader to get back to me with the correct answer: &lt;i&gt;Night Of The Living Dead.&lt;/i&gt; Way to go! They’re coming to get you, Kathy.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And now it’s time for:&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;GET REEL!&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;These are my thoughts. Read them, print them, bind them, keep them and worship them like the epiphany they are.&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;WILL THE REAL JOE PLEASE SHUT UP&lt;/b&gt;&lt;br /&gt;On September 11th, We The People took one hell of a sucker punch in the gut. Four large planes slammed into Towers 1 and 2 of The World Trade Center, The Pentagon and a patch of American soil in rural Pennsylvania. Thousands of unsuspecting people died that black morning. Thousands of flames were extinguished. And now, thousands of stories may never be told. All because a large group of twisted bastards thought their God would accept this kind of sub-human behavior! Of course, they missed the real mark. They didn’t get it and they never will. By trying to tear us apart, they succeeded in bringing us together. And trust me, fellas, the last thing you want breathing down your necks is a pissed off United America. But I don’t need to tell you that. You’re going to learn soon enough. We promise.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now, I know what you’re thinking – Hey, Beal, you’re supposed to be writing about horror movies. So what does all of this have to do with horror movies? Nothing. NOTHING! Did you hear that Senator Joseph McCar… err, I mean Senator Joseph Lieberman? This had NOTHING to do with scary horror movies or bloody video games or spooky novels or monster magazines or anything like that. These murdering scums of the Earth didn’t sit and play &lt;i&gt;Evil Dead: Hail To The King &lt;/i&gt;to learn how to perform these evil deeds. They played &lt;i&gt;Microsoft Flight Simulator!&lt;/i&gt; And chances are pretty damned good that these cowardly sons of whores didn’t sit around watching &lt;i&gt;The Texas Chainsaw Massacre&lt;/i&gt; or &lt;i&gt;Halloween&lt;/i&gt; or &lt;i&gt;Re-Animator&lt;/i&gt;, either. They were too busy learning how to kill innocent men, women and children.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;America is the greatest nation on Earth. These assholes are not going to stop us from keepin’ on keepin’ on. We are going to kick us some terrorist ass and then we are going to get back to our lives. Which means, Senator Lieberman, that you are eventually going to get back to your personal crusade against all things horror. Maybe on your way back up the high horse, you’ll think back to September 11, 2001 and realize that nothing you sought to censor or take away altogether would have made a damned bit of difference to the roughly 7,000 people who lost their lives that day. For your future edification, horror movies are among the most moral tales that are told. Almost without exception, the good guys win and the bad guys lose. And horror fans are, for the most part, extremely moral, honest and passionate people. So if things ever get back to normal and you find yourself bored and in search of a quest, why don’t you try going after the real bad guys and leave the horror fans alone. We don’t deserve it!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre les Morts,&lt;br /&gt;Nick Beal&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-8258149637900013083?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/8258149637900013083/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=8258149637900013083' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8258149637900013083'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/8258149637900013083'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-100201.html' title='Nick Beal 10/02/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7168252519541643348.post-7809856215379404374</id><published>2008-11-18T16:58:00.000-08:00</published><updated>2008-11-18T17:02:38.357-08:00</updated><title type='text'>Nick Beal 10/18/01</title><content type='html'>&lt;div class="date"&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;&lt;span style="font-size:100%;color:#cccccc;"&gt;Thursday, October 18, 2001&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;                                                             &lt;p&gt;&lt;a name="6438502"&gt;&lt;/a&gt;&lt;br /&gt;                      &lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;EJS 3/14/26 – 10/21/00&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;&lt;i&gt;NOOSE REPORT&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;PLAY MST FOR ME&lt;/b&gt;&lt;br /&gt;My good pals at Rhino are releasing two more &lt;i&gt;Mystery Science Theater 3000 &lt;/i&gt;DVDs, November 20th, just in time for the holidays. Even better, they’ve been good enough to release two of my personal favorites; &lt;i&gt;Manos: Hands Of Fate &lt;/i&gt;and &lt;i&gt;Mitchell&lt;/i&gt;. These are two titles guaranteed to give you happy pants.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now, never let it be said that Nick Beal looks a gift horse in the mouth but… WHY THE HELL ONLY TWO??? Jeez, guys and gals, you’ve got a shipload of those titles out on VHS. So, why the holdup on DVD? What, us DVDeviants don’t deserve special treatment? Are we or are we not better than Tapeheads? Of course we are! So, all you have to do to please us is to slack off of your VHS titles and start burning them discs. After all, the last thing you want is a bunch of Pissy MSTies on your hands.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Torgo Rules!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;TO BOLDLY BLOW, WHERE NO SONG HAS BLOWN BEFORE!&lt;/b&gt;&lt;br /&gt;Where the Hell is Alexander Courage when you need him? Or, for that matter, where the Hell are James Horner, Jerry Goldsmith, Leonard Rosenman… Will anyone who has ever written music for any of the &lt;i&gt;Star Trek&lt;/i&gt; series or movies PLEASE start writing! &lt;i&gt;Star Trek&lt;/i&gt; needs you, Trekkers need you, Earth needs you, and [dare I say it] The Federation needs you!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Why, you ask?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Disgusted Trekkers are gathering online by the thousands to sign petitions demanding the removal of ''Faith of the Heart,'' the power ballad that serves as the theme music for the latest &lt;i&gt;Star Trek &lt;/i&gt;series, &lt;i&gt;Enterprise&lt;/i&gt;. Oh, and by the way, yes, that’s the same “Faith Of The Heart” that Rod Stewart crooned during the end credits of the Robin Williams stinkburger, &lt;i&gt;Patch Adams&lt;/i&gt;. Only this time, Rod “the Mod” isn’t the one belting out those dulcet tones. This time the dishonor goes to Russell Watson, who sounds just like Stewart - so why even bother?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Look, I am a fan of &lt;i&gt;Enterprise&lt;/i&gt; and the Trekkers are right… “Faith Of The Heart” hyper-sucks! It is as wrong a decision as one could ever make. I grok that the producers of &lt;i&gt;Enterprise&lt;/i&gt; are trying to distinguish this series from others in the franchise. [Hell, they don’t even use the words &lt;i&gt;Star Trek &lt;/i&gt;in the title!] But this is clearly the wrong way to go. &lt;i&gt;Enterprise&lt;/i&gt; is a gray metallic adventure series that takes place before transporters were a safe mode of travel and it deserves a powerful, orchestrated, theme song, not the Sci-Fi equivalent of Kiss’ “Beth”.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;So, I’m going to help you do the right thing and sign the petition. Just go to: &gt;&lt;a href="http://web.archive.org/web/20011020083632/http://startrek.about.com/gi/dynamic/offsite.htm?site=http%3A%2F%2Fwww.petitiononline.com%2Fmod_perl%2Fsigned.cgi%3FSTETheme"&gt;Lose The Enterprise Theme Song Petition!&lt;/a&gt; to help reverse this ridiculous decision and get a proper theme song for this series. By signing, you’ll help our economy too. You see, Trekkers are spending a lot of time on this petition thing. And it’s taking them away from putting the finishing touches on their Playmates action figure collections, stopping them from ordering 4XL Captain Kirk gold uniform shirts, purchasing the new, unabridged Klingon Dictionary (updated to include Klingon square dance terms) and so many other super-important Trek-related items. Without those Trekker bucks, Paramount will lose valuable income from their &lt;i&gt;Star Trek &lt;/i&gt;licensing fees and they will have to pay series writers less than the legendary industry-low writing fees they have always paid &lt;i&gt;Star Trek &lt;/i&gt;writers. I don’t need to tell you that when the scripts go south, it’s not long before we have a sucky David Gerrold &lt;i&gt;Tribbles&lt;/i&gt; episode creep into &lt;i&gt;Enterprise&lt;/i&gt;… and, trust me, NOBODY wants that!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Live long and sign the damned petition, already!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;LYNCH MOB&lt;/b&gt;&lt;br /&gt;David Lynch, whose new film, &lt;i&gt;Mulholland Dr&lt;/i&gt;. hits theaters, wide, tomorrow, has signed on as the Executive Producer of &lt;i&gt;Cabin Fever &lt;/i&gt;- a thriller about five isolated friends who contract a deadly flesh-eating virus. [Oh, this should be timely and fun!]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;The picture will star Michael Rosenbaum [&lt;i&gt;Smallville&lt;/i&gt;], Jordan Ladd [&lt;i&gt;Embrace Of The Vampire&lt;/i&gt;] and James DeBello [&lt;i&gt;Scary Movie 2&lt;/i&gt;]. The independently financed pic is slated to begin shooting Oct. 29 in High Point, N.C.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;Cabin Fever &lt;/i&gt;marks the feature writing and directing debut of Eli Roth, a protégé of Lynch's. The two met while Roth was shooting his NYU thesis film &lt;i&gt;Restaurant Dogs&lt;/i&gt;, which won a 1995 student Academy Award. Since then, Roth has worked with Lynch on his Web site, &lt;a href="http://web.archive.org/web/20011020083632/http://www.davidlynch.com/"&gt;http://www.DavidLynch.com/&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Holy gee gosh, a website designer! Quick, let’s sign ‘im to &lt;i&gt;Episode 3! &lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;NOTE TO ELI ROTH: Hey, Skippy, you’re working for one of the few guys in H’wood who actually has talent… Don’t bone it up!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;TIME TUNNEL AFTER TIME TUNNEL&lt;/b&gt;&lt;br /&gt;On the latest TV rumor front, &lt;i&gt;The Time Tunnel &lt;/i&gt;is supposedly headed back to television -- but whether the remake ends up at ABC or FOX is now the subject of a battle between the two networks. Both ABC and FOX have made big bucks offers for the rights to the project, which is being put together by writer Rand Ravich [&lt;i&gt;Candyman: Farewell To The Flesh&lt;/i&gt;] and director Todd Holland [&lt;i&gt;Twin Peaks, Eerie Indiana&lt;/i&gt;] via Regency Television and 20th Century Fox Television.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;ABC's initial offer is said to be significantly higher than FOX's bid. [Remember, we’re talkin’ M-i-c-k-e-y Money here!] Each network has offered to commit to a pilot with a cash penalty if the project is not taken to series. In addition, industry insiders report that ABC has also made a 13-episode commitment to &lt;i&gt;Time Tunnel&lt;/i&gt;, along with a higher cash penalty. FOX is apparently willing to match ABC's bid. ABC executives, however, have already signaled their willingness to improve substantially upon their original offer -- but are now worried, for damned good reason, that Regency/20th are trying to ensure the project lands at FOX, a sibling of 20th Century Fox. In most cases, FOX would have first crack at &lt;i&gt;Time Tunnel&lt;/i&gt;, but because the estate of series creator Irwin Allen co-owns the rights to the series, 20th and Regency are required to get fair market value for the project.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;The Time Tunnel &lt;/i&gt;will be updated from the original 1966 science fiction/adventure series, which revolved around two young scientists working on a secret government project that allows them to travel back and forward in time via a large cone that looks suspiciously like a Bugles corn chip [Now, with half the fat!] Kevin Burns [&lt;i&gt;Fantasy Worlds Of Irwin Allen, Behind The Planet Of The Apes&lt;/i&gt;] joins Jon Jashni and Sheila Allen, [Irwin Allen's widow] as Executive Producers.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;One question: WHY? Now, look, I was as big an Irwin Allen fan as you’re likely to find. But &lt;i&gt;The Time Tunnel &lt;/i&gt;was easily Allen’s worst 60’s Sci-Fi series. It was barely more than a good excuse to use the studio’s huge library of stock footage and props left over from other series. The history lessons it taught were, at best, distorted and thank God for that! Let’s face it, inject enough real history in this thing and it becomes as exciting as a Thorazine drip. So, if I were you, I’d hope &lt;i&gt;The Time Tunnel &lt;/i&gt;becomes “history” before it even gets off the ground.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;POTA2 UPDATE:&lt;/b&gt;&lt;br /&gt;20th Century Fox has yet to announce Joel Schumacher’s involvement with the still-to-be-named &lt;i&gt;Planet Of The Apes &lt;/i&gt;sequel.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;- - - - - - - - - - - - -&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;WTC IN “AI”, OK&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;DreamWorks has no plans to remove the twin towers of the World Trade Center from two brief shots for the DVD release of &lt;i&gt;A.I. Artificial Intelligence&lt;/i&gt;. Before the announcement, there had been some speculation that the twin towers might be removed from the film in the wake of the September 11th terrorist attacks, but word from DreamWorks is that the film will remain intact. A spokesperson for DreamWorks stated, "They're seen 2,000 years into the future. Who knows what will be built in the future?"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Listen, after seeing &lt;i&gt;AI&lt;/i&gt;, I am fiercely certain that Spielberg has no concept, whatsoever, of what will take place in the future. But leaving the twin towers in DVD versions of &lt;i&gt;AI &lt;/i&gt;seems like a good idea to me. Actually, if I might be bold enough to make an artistic suggestion, take the money you would have spent removing the WTC from &lt;i&gt;AI&lt;/i&gt; and put it to good use removing a few of the many endings we all had to suffer through. Better yet, hold off on the DVD until you see whether or not the towers are going to be rebuilt and make your decision then. This way, everybody wins!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;BURIED TREASURES:&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Out of the kindness of my heart, I’m going to toss a little extra your way in the form of an Easter egg. Now, wipe that sloppy grin off of your face. I don’t mean a real Easter egg or a rich, creamy chocolate one bursting with caramel goo... I mean a feature, hidden in certain DVD menus, that is sure to make you happier than a pig on Mason Verger. Ready? Punch it, Chew-meister!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;Killer Klowns From Outer Space&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;On MGM Home Entertainment’s Midnite Movies fun-tastic release of &lt;i&gt;Killer Klowns From Outer Space &lt;/i&gt;[1002350] you can find two egg-citing hidden extras.&lt;br /&gt;&lt;br /&gt;This is a stupid-easy one, for those of you who are too lazy to drag your butts off of the couch, let alone have to think or press remote buttons! Simply insert the disc and don’t touch anything. After the Main Menu has been running for 3 to 5 minutes, a new 'Easter Eggs' menu screen will come up, which gives you access to KLOWN AUDITIONS, a funny 3-minute video segment that shows how the Klowns worked on their walks before going in front of the camera and also an ALTERNATE SCENE in which actor John Vernon is duped - replacing his line 'Holy Shit' with 'Holy Smoke' for TV audiences. So, stay away from the man with the popcorn bucket on his lap and enjoy the show!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;QUOTE: &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;b&gt;“You’re crazy to know who I am, aren’t you? Alright… I’ll show you!”&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Okay, this is really the last easy one I’m giving you. Next time, no more Mr. Nice Guy! So, write me at &lt;a href="mailto:AliasNickBeal@aol.com"&gt;AliasNickBeal.com&lt;/a&gt; and tell me which devilishly clever fear flick this is from and I’ll mention your name in the next column… maybe.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;LAST COLUMN’S QUOTE: &lt;/b&gt;“Listen to them... Children of the night. What music they make.”&lt;br /&gt;Janet Hilton of NJ was the first reader to get back to me with the correct answer: &lt;i&gt;Dracula&lt;/i&gt;. Nice one, Janet! Thanks for sticking your neck out.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;* * * * * * * * * * * * * * * * * * * * * * * * *&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;And now it’s time for:&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;i&gt;&lt;b&gt;GET REEL!&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h3&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;These are my thoughts. Read them, print them, bind them, keep them and worship them like the epiphany they are.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;&lt;b&gt;OF PARAMOUNT IMPORTANCE TO HAMMER FANS: AN OPEN LETTER&lt;/b&gt;&lt;br /&gt;What do Hammer Studios classics &lt;i&gt;The Man Who Could Cheat Death, Frankenstein And The Monster From Hell&lt;/i&gt; and &lt;i&gt;Captain Kronos; Vampire Hunter &lt;/i&gt;have in common? They are all owned by Paramount Home Entertainment. This leaves Hammer fans to wonder if and when these three Hammer Horrors will ever see the light of day on DVD.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Anchor Bay has been balls-out fantastic to Hammer fans, releasing around 30 videos and DVDs of Hammer’s best - most of them loaded with discloads of extras. And Anchor Bay has promised there are even more to come. A few other home entertainment companies have released a spattering of Hammer titles on DVD too, adding to the growing list of titles produced by England’s greatest studio.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;But Paramount Home Entertainment has had a stank-butt history bringing these three must-have horrors to the home video market. &lt;i&gt;The Man Who Could Cheat Death &lt;/i&gt;has aired occasionally on cable’s Cinemax and &lt;i&gt;Captain Kronos; Vampire Hunter &lt;/i&gt;was released on video, fullscreen, using a lackluster print with muted colors. But the worst offence of all was Paramount’s video release of &lt;i&gt;Frankenstein And The Monster From Hell&lt;/i&gt; through their Gateway label at [Oh, dear God, give me strength] the SLP speed! Now, that alone would have been bad enough, but Paramount’s fullscreen print was cut to ribbons. That’s right, gang, my copy of &lt;i&gt;FATMFH&lt;/i&gt;, taped in the early nineties off of the USA Network, runs longer! How totally embarrassing is that?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;“So”, you ask, “What can I do?” Well, seeing as you’re sitting on your hindquarters at the computer, anyway, you can email or write to Paramount and tell them that if they burn it, you will buy! Their address is:&lt;br /&gt;Paramount Home Entertainment&lt;br /&gt;5555 Melrose Ave.&lt;br /&gt;Los Angeles, CA 90038-3197&lt;br /&gt;Telephone: 213-956-5000&lt;br /&gt;Fax: 213-956-1100&lt;br /&gt;E-Mail: &lt;a href="mailto:5555@paramount.com"&gt;5555@paramount.com&lt;/a&gt;&lt;br /&gt;E-Mail: &lt;a href="mailto:webmaster@paramount.com"&gt;webmaster@paramount.com&lt;/a&gt;&lt;br /&gt;Web Site: &lt;a href="http://web.archive.org/web/20011020083632/http://www.paramount.com/"&gt;http://www.paramount.com/&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Now listen, geniuses, don’t start your letters Dear Spit-For-Brains, Dear Blithering Idiots, Dear Mental Midgets, Dear Jiminy Cricket-Pest Bastards… While all are excellent examples of the kind of people we’re dealing with, here, chances are your letter will not reach its intended audience if you are all rude and obnoxious about it. What is the old adage? You can get more with honey than with an M-16… or something like that. Write a concise, intelligent letter asking the good folks at Paramount to add these terrific Hammer horror films to their 2002 Halloween DVD list and then promise, triple-cross your heart, hope to die, stick whatever you want wherever you want, to buy all three titles the same day they are released. If you’d like, compliment them on their &lt;i&gt;Sleepy Hollow &lt;/i&gt;DVD, with all of the extras or the &lt;i&gt;Star Trek IV &lt;/i&gt;Director’s Series DVD. You see, these guys at Paramount need prodding. They hardly ever release DVDs with extras beyond the now-standard theatrical trailer. Enough positive endorsements of the DVDs they’ve released with extras and they might actually get the hint. Tell them you’re really looking forward to the &lt;i&gt;Star Trek TMP &lt;/i&gt;Deluxe Edition. You get the idea – STROKE THEM! And maybe, just maybe, Paramount will come across with some tasty DVD packages and finally get off of my poop list.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;Oh, one more thing… Hey, Universal, don’t think you’re going to get away lightly on this. Some of us remember that you released &lt;i&gt;Nightmare, Kiss Of The Vampire, Phantom Of The Opera, Paranoiac, Evil Of Frankenstein, Brides Of Dracula, Curse Of The Werewolf &lt;/i&gt;and other Hammer creepers on laserdisc [some in widescreen] a few years back. Since then, your only Hammer DVD has been &lt;i&gt;Kiss Of The Vampire &lt;/i&gt;and that one adds new meaning to the words “no-frills”. I know you’re busy putting out your excellent Universal Classic Monsters Collection [&lt;i&gt;The Black Cat &lt;/i&gt;sometime before I die, please?] but fans deserve to have beautiful transfers of the Hammer classics in your library and I’m going to ride you like a dime-store pony until you serve ’em up! Oooooooooooo, sounds like fun!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Arial, Helvetica, sans-serif;font-size:85%;"&gt;D’Entre les Morts,&lt;br /&gt;Nick Beal&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7168252519541643348-7809856215379404374?l=ohthehorroronline.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ohthehorroronline.blogspot.com/feeds/7809856215379404374/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7168252519541643348&amp;postID=7809856215379404374' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/7809856215379404374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7168252519541643348/posts/default/7809856215379404374'/><link rel='alternate' type='text/html' href='http://ohthehorroronline.blogspot.com/2008/11/nick-beal-101801.html' title='Nick Beal 10/18/01'/><author><name>The Burger Beast</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='23' src='http://4.bp.blogspot.com/_wdtSbxwr4vg/Shlf3WfDtsI/AAAAAAAABwo/9vCMxt9LowQ/S220/BB_JP.gif'/></author><thr:total>0</thr:total></entry></feed>
